Here’s a little deja vu for you. It’s not only a repeat of Miss Six’s Badminton skort and top, but I’ve managed to use up a lot of the remaining scraps from my Butterfly Maxi dress. I was left with several long, thin lengths of the Gorgeous Fabric after making that dress, but they were awkward lengths that weren’t wide enough for any adult stuff. I had just enough width in them to make a teeny, tiny pair of shorts, a gathered skirt and the little top you see.
I made a size 5 skort for my taller than average Miss Four, with exactly the same modifications that I did for Miss Six’s version. I chose to make a size 6 for the top, but I could have easily stuck with a size 5 here too. Sometimes I overestimate the size of my little whippet. This time, I left off the front band and tie.
Unfortunately, the only suitable contrast fabric that I had on hand was some yellow cotton sateen which is much heavier than I would have liked for the yoke. It is a bit structured in feel now, but it will do. Next time I’d also take the time to add that front band. I think it adds a little special something to the top.
As to the virtues of those shorts beneath the skirt. Miss Four was determined to show me proof of their workings with some serious twirls.
Sadly for me though, she has now decided that shorts (even if hidden beneath a skirt) must only be worn with ‘running shoes’, so whenever we see her wearing her lovely butterfly silk ensemble, she is also wearing a big clunky pair of less than pristine, hand-me-down sneakers that are still an inkling too big for her, with her white socks pulled up to mid calf of course. There’s a good visual for you!
Once again, I can only sing praises for Oliver + S patterns. However, I would like to point out a wee little finicky thing to do with understitching and ‘turn-of-cloth’ that you are bound to encounter in this pattern. When I understitch a seam, I lose length on the fabric because it rolls towards the lining when pressing the facing/lining under. Obviously, this is what you want. You don’t want any chance of the lining rolling out to be seen on the outside when you are wearing the garment. I’ve tried to demonstrate this below.
|White fabric and yellow lining|
|White fabric on the left has been cut a little longer than the lining. The seam has been stitched (crookedly…sorry!). You can see the excess white fabric on the left. The lining and fabric line up perfectly on the right.|
|Both pieces have been understitched identically|
|And from the top side. I didn’t adjust for turn-of-cloth with the white fabric on the right. See how the fabric doesn’t meet the lining anymore.|
So the amount of fabric length you lose is pretty much related to the thickness of the fabric. A silk CDC will have a very tiny turn-of-cloth and you will hardly lose any length (although there still might be a few mm difference). A thick wool would make a considerable difference. Where you run into problems is in matching up the bottom of the lining with the outer fabric. Suddenly you have a difference in length of between 2mm and 1cm, and this can cause problems. If my pictures don’t do it for you, there is also an excellent article in Threads Magazine that explains turn-of-cloth beautifully.
An easy solution is to simply lengthen the lining pieces slightly, rather than keeping the lining and fabric pieces the same. In this pattern, the lining pieces for the waistband and the yoke are the same as the outer fabric (no surprise really), but the pattern does specify understitching. The first time round, I ended up having to narrow both the waistband and the yoke in order to adjust for this as I was sewing. The pattern still worked fine with the narrower results, but not everybody likes to problem solve on the fly. With this version, I added a few mm to the width of my lining pieces and voila, perfectly matched fabric edges and seam allowances throughout. It’s a much more pleasurable sewing experience when all the edges line up!