A Kobe Dress in Colette Dinnigan lace

My basement is currently in a bit of disarray. Unfortunately, that is where I usually sew… We’ve just had the concrete floor cut and pulled up to replace the old metal sewer pipes with brand, spanking new plastic ones. Yesterday, the concrete was poured. Today, we have a proper floor, but oh my, the dust!!! Soon, I’ll have to move everything so carpet can be put down. When the carpet is FINALLY down, I suspect I’ll take a bottle of champers to the basement to quietly celebrate in peace with my sewing equipment… for a whole weekend.

I’m currently waging a seemingly endless war against dust. But in the midst of my battles, I try to squeeze in a little sewing, even if it is only on Sundays right now. Summer break with the kiddos doesn’t help much. I don’t know why I always think I’ll find more time to sew over Summer. It never really happens.

In any case, last Sunday, I sloped off to our dusty basement (avoiding the big centre line ditch that still hadn’t been filled with concrete at that point. I slipped the drop sheets off my sewing tables and snuck in a little sewing. The outcome was a lovely lace, Kobe Dress. The pattern is one I’ve used before, by Papercut Patterns. The lace is Colette Dinnigan from Pitt Trading. The lace I used is sadly now sold out, but Pitt Trading has loads of other gorgeous laces that would do the job. My Colette lace came in panels. I used three for my version of this dress pattern, but I’m tall and I also lengthened the hem and sleeves quite a lot. I think most people could get away with using two panels to make the dress right out of the packet.

Sewing with lace isn’t that difficult. You just have to take your time. I’m by no means an expert, however, I am super happy with how this dress turned out.

To cut this lace, I knew I wanted to use the lace edge as a hem so I lined that up for the front and back. I used the entire panel length for the dress back pattern piece, and pretty much an entire panel for the front. But remember, I lengthened my dress (not sure how much by as I was most focussed on using the entire panel and lining up the hems). I’m also 5″10.  I used my third panel for the sleeves. Again, I wanted to use the lace edge to avoid hemming, so this used up most of one side of the panel. I have a little leftover lace, but no more useful lace edge left.

I finished the neckline with a narrow hem. I just took my time, basting down one fold, and then stitching slowly over the next fold. Using a walking foot helps with tension. It’s very important not to stretch the neck out as you sew, OR sew with the tension too tight. The rest of the seams in this dress are French seams. I think the fabric deserved that.

I’m wearing my Kobe dress over a black slip that is partly store-bought, and partly modified by me. It’s become one of my most important wardrobe accessories because I’m loving sheer dresses at the moment. I love this dress on it’s own, but the style also works well with a narrow belt. I’m also pleased that I spent the time on finishing it nicely with French seams. It’s a dress that I’ll probably hold on to forever.

Summer scrapbust dress in mustard linen

What do you do with all those lovely little lengths of fabric that are too small to sew even a pair of shorts, but too good to give to the kids? I usually just hold on to them and hope some inspiration comes. It often takes a very long time!

This time, I had an idea. I had several beautiful pieces of white, and mustard linen from The Fabric Store. It was leftover from these recent projects (here and here). I had my mind set on making a simple, Summer shift dress, but I wanted to test the design first. The dress pattern I used was little more than a loose sketch I made using several patterns I already own for guidance. It’s basically just two unfitted, T-shirt shaped, pattern pieces (front and back), plus some binding and cuffs for the sleeves. It’s an easy, slipover dress that will be great for throwing on over swimsuits or dressing on a hot day.

Before I could cut out any pattern pieces, I needed to create the fabric. I pieced together random lengths of linen to create a big, random design. I doubled up the white linen to give it the same density as the mustard linen (except in the shoulder area). It was fun creating the random design and quite interesting to see how they would work together in the end. Turns out that I quite like this little dress.

 

Silk bias cut dress for Summer

When you find the perfect silk, you really just have to make the perfect dress. I actually had another dress in mind for this silk, but when it arrived on my doorstep, I realised that it deserved something a little better.

It’s a silk satin by Trina Turk from The Fabric Store. It has a lovely, subtle texture to the good side, and the fabric is a beautiful weight that doesn’t require lining. It’s the perfect silk for a bias cut dress!

I used a design I copied from a RTW dress a few years ago. However, I lined the front and back bodice and turned it into a halter neck instead.

 

I love this dress A LOT. And I should. It’s the perfect fit. I guess that’s why so many of us sew though, isn’t it. How amazing does it feel to slip on a dress that fits like a glove, custom-made to your unique shape only?

An updated drop waist dress in printed linen

I made a bunch of drop waist dresses several years ago. I absolutely loved them. Two are still in very good condition. They just feel a bit outdated to me, so they have been packed away for another time (or for when my girls become teenagers and want to explore all the old clothes I used to make and wear).

I used the old pattern that I drafted for myself years ago. Sorry, there isn’t a pattern for this, but it is far from complicated. I used French darts and a slightly A-line shape to the dress bodice. I like French darts for this style as then blend in nicely with the A-line shape. The bodice has a hi-lo curve to it, and the gathered skirt is a little longer than I’ve used in the past. I also modified the shoulders to create ties instead of fixed seams.

The linen fabric is from The Fabric Store. It’s such a lovely, fresh print. And for those of you who like to wear linen, but have trouble with the delicious crinkles, I’d suggest you try a printed linen like this. It still wrinkles like linen, but the print kind of disguises them.

This will be such a cool and comfy dress to slip on during hot, summer days. I’ll probably wear it most over bathers, on trips to the pool, or outdoor swim meets.

Three steps to a Spring dress

When I started making this dress, I had an idea of what I wanted, but I was also pretty sure it would not work out. I was dreaming of a maxi knit dress with thin straps, despite the fact that the cotton knit I was working with was probably a little heavy to accomodate it. Nevertheless, I was determined to give it a try, but not without coming up with a three step back up plan first!

The fabric is a deliciously spongy, cotton knit from O’Jolly knits. I’ve used a similar fabric before to make a Megan Longline Cardigan. I know I could have easily made another beautiful cardigan, but I wanted to try something different. What is life without a challenge or two!

I really love this fabric. It’s a pretty knit, a natural fibre, and a delight to wear in Spring and Fall (or Winter in certain parts of Australia). It also launders really well. The cardigan I made in cream a few seasons ago is still going strong, and I wear it frequently.

To start with, I used the Poppy Dress pattern to make a midi version of the dress. I chickened out of the maxi verison, because I knew in my heart that the fabric wasn’t meant for a maxi. Even so, I still wanted to see what I could do with this fabric. I only overlocked the hem, because I knew it was in for the chop.

The only modification I made to the dress pattern was to remove the sleeve pleats. Such a pretty fabric needs no other details. I especially love the matching ribbing that I was able to use for the neckline and sleeves.

The second version of this dress was produced by chopping off the hem to create a mini. I actually think this version is super cute. If I was 15 years younger, I’d wear it in a heart beat. In fact, I’m pretty sure I had a this exact same dress in 1996. And I know, I know… I could still wear it now if I really wanted to. I just don’t feel like this is my style any more.

Which brings us to my third and final version. I lopped off another chunk of the dress to just below the hip level. To the bottom of this, I added a double layer of beautiful, duck egg linen from The Fabric Store. I think the double layer adds enough interest to balance the texture of the knit up top. I used a single layer of linen for the skirt initially and it just looked a bit plain.

I actually love this third version a LOT and have worn it quite a bit already. I like that it is dressy enough for (my) work, but also easy enough to run errands in with a little pair of sneakers. This is my kind of Spring dress.

 

 

 

Tessuti Skylines Competition

I had it in my head that I wanted a floaty, ruffly, backless, maxi dress. The challenge was in producing a dress that wasn’t too girly in such a (potentially) twee fabric. The fabric is really, very beautiful though. It’s a linen blend, with a lovely, crinkly texture that becomes more apparent after washing. I’m not one who likes my linen crisp. I love the way linen fabric creases and crinkles.

The design is my own, but I’ll talk you through it a bit. I honestly believe that if you have a couple of different well fitting bodice patterns in your stash, you can make virtually anything from them. This started off as a standard princess-seamed bodice that I had draped to my shape months ago. I modified the design to remove the shoulder seams so I could attach straps instead. I also lowered the back to not much more than an inch above my waist. And I lowered the back waistline to create a slightly hi-low look at the waist seam. I further exagerated the hi-lo effect in the first skirt panel, but kept the last gathered, skirt panel as a very long rectangle.

The bodice is detailed with bias binding that I cut as one inch strips and left the edges raw. I love the slightly frazzled look of well-considered, raw edges in fashion right now. I seamed these into the princess seams, the waist seam, and on either side of the back zipper. As they are cut on the bias, they shouldn’t really fray too much with wear, however I am looking forward to them looking more pronounced and “ruffled” after a few launderings.

To help keep up the weight of the skirt, I added a waist stay to the dress. This is basically a soft petersham ribbon handstitched at points along the waist. I cut up an old bra for the closures. I used the cups from this same bra to add a little shape to the front of the dress. I toyed with inserting the cups properly under the lining before I attached the skirt, but I think they may annoy me down the track, in which case I can still easily remove them.

I can tie the back in a few different ways, but my favourite is the backless version you see in the majority of the photos.

 

I’m very pleased with how this dress turned out. It’s a fancy dress, made from a very down-to-earth fabric. I love the contradiction in this. It’s something that I would feel very comfortable in dressing up to wear to an important occasion.

 

 

A Spring midi in crinkle silk

Spring is for floating around in dresses made of fairy wings, right?! I got a jump start on my favourite season with this dress. It might still be a little cool to wear it right now, but those days aren’t far away.

The fabric I used is Liberty of London silk crinkle chiffon from The Fabric Store. It’s a deliciously sheer silk that requires a bit of patience to sew, but produces a beautiful outcome.

I shouldn’t scare you though. It isn’t really that tricky to sew at all. The key is in keeping to a simple pattern and taking your time. Believe it or not, but the crinkle appearance and print also make it a very forgiving fabric to sew, particularly since it is a fabric that suits a looser fitting design.

I kept the design of this dress incredibly simple. The neckline and armscye are simply narrow hems. No binding. The silk presses beautifully. It’s a pullover style. The design is loosely based on a drop-waist dress pattern I made for myself years ago. I just turned the bodice into a high-low shape and added an extra gathered panel.

I’m wearing a simple black slip underneath. The only one I owned was tunic length, so I added a panel of leftover black lining (from this coat) to achieve the length I desired.

I love this dress! I’m envisioning a whole wardrobe of sheer dresses now. Stop me!

 

BHL Orsola dress in mustard linen

I’m excited to finally get to share my Orsola dress. It’s By Hand London‘s latest pattern release.

The Orsola dress is a true wrap dress. I sewed mine up in a beautiful linen from The Fabric Store.

I made a few small modification to my Orsola dress. I graded between sizes, sewing one size larger through the bust and blending to a smaller size through the waist and hips. I lengthened the bodice by 1/2 inch and the hem by 4 inches.

The bodice in the dress pattern has bust darts and waist darts. I’m an A-cup bust on a good day so I removed the bust darts, just keeping the waist darts for shape. It worked perfectly.

After toiling the skirt, I also removed the front darts. My body is angular rather than curvy and I didn’t need the extra fullness through the hips that the front darts provided. I also skimmed a few mm off the upper hip curve, just to reflect my shape better.

The result is a super comfortable and elegant dress that I’ve been wearing a great deal. It fills the ‘smart casual’ gap in my wardrobe perfectly. If I had more linen in my stash, I’d be inclined to sew up another!

 

BHL Poppy dress

The much anticipated release of the Poppy dress by By Hand London was today. I’m so glad I can finally share it because it’s become a big favourite in my wardrobe. I actually found #memademay a little difficult this year because I was reaching for my Poppy dress every second day, and yet I couldn’t really share it!

I made my first version in a truly lovely, Liberty of London cotton jersey from The Fabric Store. I wasn’t sure about the floral to begin with (I don’t really wear Liberty!). But now I love it SO much. The fabric is glorious to wear. It launders beautifully and has been wearing well.

The design is a simple, raglan knit dress with a twist. The shoulder pleats are the winning detail for me. They probably aren’t as pronounced in my make, but they give that little bit of extra room through the shoulders which makes this dress so good for me. I’d definitely recommend it for the #sewstrong #sewingstrong ladies out there.

It’s a very quick dress to make. I didn’t hem my dress because jersey doesn’t fray. After several wears, the hem and sleeves now have a really pretty rolled look to them and look about 1/2 inch shorter than in these photos (see today’s Instastory).

I loved my Liberty version of the Poppy dress so much that I made another last week, in a beautiful neutral viscose from Tessuti Fabrics. I love viscose jersey so much but a light coloured solid is probably not the most forgiving fabric to sew. At least you can see the great style lines of this dress better.

Refashioned into a LBD

A few years ago, I was playing around with a top design that had slightly dropped shoulders and statement sleeves. One of my early versions of this top was more of a tunic, and I had a little fun with it by adding a front cut out and big bow. This top was eventually refined into a more (daily) wearable Branson Top.

I always intendeded to make a short sleeved, dress version of the top but never got around to it. I guess this refashion is the next best thing!