I’m a little obsessed with floaty, sheer fabrics right now. And in my world, that literally means all the silks. Liberty of London do an amazing crinkle silk which I’ve used before. I’m thinking about using it next time if I sew this pattern up as a dress. For this version, I used a divine silk georgette from The Fabric Store.
I only made a few small modifications to the pattern. I sewed up a size small which is quite close to my measurements. However, I know I have to adjust for my shoulders these days, even when the bust measurement matches perfectly.
The adjustment that works well for me is this. I draw a diagonal line from the middle of the shoulder seam to the CB of the bottom of the top (or very close to it). I slice along this line and spread the shoulder seam by about 5/8″. It generally keeps the waist the same size but adds width to top most shoulder area, which fits well with the triangular body shape that those of us with strong shoulders and lats have. I repeat with both sides, and the front and back of the top. If the top hangs well below waist level, or I am dealing with a dress, I cut the pattern off at the waist so as not to widen the waist or hip area.
My first attempt at the Kobe top turned out a little shorter in the front than I expected, even with just a narrow hem. I usually lengthen patterns in the bodice by 1/2 inch to account for my 5″10 frame. I didn’t in this case and I’m pleasantly surprised. It’s a little outside my comfort zone, but still like this top a LOT. I don’t mind the sliver of tummy. But I know this top would also pair perfectly with my high waisted jeans.
The back is sitting a little lower in the photos than I expected. I think I wear this top pushed back a little to raise the neckline. I’ve been wearing the top with a little cropped top/soft bra underneath in a complementary shade of apricot in real life to avoid the peek of bra underneath. I think it works.
The pattern I used is one I’ve used many times before. It’s a vintage pattern, McCalls 6429, originally designed as a raglan style dress. However, I’ve sewn it up as a jumpsuit and a dress. Last year, I refashioned the dress into a top and wore it nearly every day until it died. That’s why I decided to replicate it.
My only modifications (apart from cutting it as a top) was to add an extra 5/8″ to the width of the centre back and collar. I’m not sure this is the perfect “broad shoulder/back” adjustment, but I’d done it this way in the past for this pattern and it fits me well.
To be perfectly fair, I only have myself to blame for the fury that I felt when preparing to sew this pattern. I’m usually more than happy taping together PDF’s but on this occasion I decided to treat myself to the paper copy. I should have read the online product description better, but I didn’t. I read blog reviews that recommended shelling out for the paper copy rather than the PDF, the catch being that those bloggers didn’t sew from the paper copy. They sewed from the PDF. They probably had no idea that the paper pattern is overlapped on one piece of paper (like a Japanese sewing pattern) and has no seam allowances either.
So my paper copy arrived by mail and I put it aside in great excitement, only to open it up on the night I wanted to get started. If I’d wanted to spend an evening on my hands and knees tracing lines and measuring allowances, I would have drafted the pattern myself or modified an existing pattern that I already owned. I already have a good number of patterns and rarely buy a new one. The whole point of buying a new pattern on this occasion (and a paper copy at that) was to be lazy.
It was an easy sew in the end. The pattern is rated average. I’d venture to call it “easy” if you make it in a woven cotton. Silk would up the ante a little. And my Asaka kimonodid turn out to be pretty awesome. The fit is spot on. I lengthened the body by one inch but didn’t change the sleeves. I had just enough fabric to make this work. My waist tie has about 16 separate seams because I was a little short on fabric, but I’m not bothered. The collar on it is lovely too.
As gorgeous as it is, this robe will be a morning cover up for me, to wear after showers and while sipping my tea. The fabric is a very lightweight cotton which is soft and washable. The sleeve design is fabulous and functional. The front slit means that those long hems won’t be dripping into my tea. It is exactly what I needed in my wardrobe.
I really do love the overall design of this robe. I can see myself using it again in the future to make a silk version for a formal occasion, but with a longer waist tie that can be looped into a bow. And after all the ranting, I’d still recommend it.
At the end of the day, I’m glad that I made it. Am I glad that I purchased the paper pattern? No. Would I have bought it knowing what I know today? No. Would I recommend purchasing the PDF version? Yes!
It all started when my daughter’s little friend pulled me aside one day and whispered, “I really, REALLY love Harper’s dress”. And that was just the icky poly tester version I made her. The poor child was suffering though the heat and weight of it that day, but she still refused to take it off.
Also about this time, the Dutch Label Shop contacted me to see if I’d like to try out some of their labels . I was given the labels for free. It was such a busy time for me that I very nearly didn’t take them up on their offer, but I’m glad I did.
I uploaded my own design to be made into a Woven Logo Label and I absolutely love how they turned out. I didn’t expect the lines to be so defined and clear. They really do look great. The service was also excellent. They have a representative on hand to check the designs to make sure they suit the label and they contact you if needed. These labels are a little larger than what I’d normally put on a kid’s dress, but in real life, I’m much more likely to put a nice label on a coat or jacket and these will suit that perfectly. I also rarely sew for anyone outside of my direct family and I don’t make a habit of labeling everything I make. However, there is something very nice about the finishing touch that a label gives the garment.
But back to my production line of Mini Chloe’s, which include some of those dresses in the picture above. The first off the rack was made in pink fabric as requested by the little admirer. It’s the only dress I didn’t get around to having modeled (P.S. my models charge me actual money for photo shoots these days!). It’s also not my best work sewing-wise, but the fabric is divine. It’s a vintage cotton or mixed natural fibre, but it feels like washed silk. I was in a big rush to get this dress done to surprise the little girl.
Then, I made her two sisters each a version. I used some Art Gallery voile for the little sister.
And a beautiful mix of silks for the eldest girl. These ones are a special gift so I took care with the making of them.
Then, I felt guilty about my middle child only having that horrid (but spritely yellow) polyester version. So I scrounged through all my scraps to discover that I had enough fabric left to whip up a rayon and silk version in her size. This one will be lovely to wear. She already has a matching skirt in this fabric, so she immediately fell in love with the dress.
But that’s not all. I was sorting through my small remnants of silk and rayon for middle child’s dress, my daughters were taking delight in recalling the clothes I’d sewn with all the different fabrics. They came up with the idea of “friendship dresses” for their closest friends (who also happen to be sisters). The plan was to incorporate fabrics in the friends’ dresses that I’d already used for theirs (so they could match). I had to use a bit of creativity to find enough fabric, but adding panels to the dress design made it easy. The second one will be on Instagram soon.
I love this little dress pattern and I love my new labels. The dress is so quick and easy to sew that it makes gift-sewing a breeze and the labels add the perfect final touch. I have no doubt that those cold-shoulder sleeves will be out of fashion at some point, but the dress is still a simple, classic shape. I might try sewing it sans-sleeves next summer.
If you follow me on Instagram or Snapchat, you’d know that I’ve been spending an inordinate amount of time at the pool this Summer. And trust me, as an ex-swimmer, I do not use the word “inordinate” lightly.
I never intended for my girls to love swimming. I just wanted them to be able to swim. But perhaps my standard for what constitutes proper swimming is slightly higher than the average Joe. And it’s also possible that my passion for the sport has rubbed off a little despite my best intentions. In any case, Miss Eight is obsessed. It’s also been stinking hot in Kansas City, so in addition to the practice and the meets, we’re at one of the local pools most evenings for a dip after dinner. Our bathers are getting a serious workout.
Finding the best swimsuit fabrics has been a big learning experience for me and not one that can be evaluated overnight. Feeling the fabrics and sewing with them is one thing, but it’s not until you immerse them in chlorine, salt, UV light, and sweat twice daily that you really get a good idea of what works the best. In order of preference (the top three tie), here are my honest evaluations.
Oh, you all know that I have a fondness for Tessuti Fabrics, but it’s not without good reason. I don’t think they’re really known for their swimsuit fabrics, but they do seem to get in a few nice prints each year. I’m pretty sure the owner hand picks their fabrics personally on their annual buying trips, but I’m not really sure where their swimsuit fabrics come from. I’ve used at least five different swimsuit fabrics of theirs (paisley, red cherries, green cherries, floral, rainbow scales) and they’ve outlasted all of the other swimsuit fabrics so far.
I should also note that leotards in our house are not just used for gymnastics. They’re rotated in as swimwear for play (not practice) because they offer a better cover up from the sun (and sometimes we can’t be bothered to get changed!). Yes, the prints have faded, but that happens with all swimsuit fabric exposed to chlorine and UV light. Yes, their fabrics may be a little more pricey than other places (but they’re a great bargain as a remnant) and the fabrics last.
This was my biggest wild card. All I wanted was a tiger print and I would have bought the fabric from anywhere. I couldn’t find what I wanted so I had to make my own. I can’t comment on other Spoonflower fabrics but I really do love their sports lycra. Like Funki Fabrics, the print is placed on white fabric, but the fabric is quite thick as far as swimsuit fabrics go. It may have a tiny bit less stretch that comes with the thickness, but the weight lends itself to a flattering fit, no sagging, or losing shape when wet. And it looks great without lining.
So far, the integrity of all my Spoonflower sports lycra is exactly as it was when it was sewn. This is most apparent when it’s been paired with other fabrics (like the blue of the swimsuit above) that has fared a lot less well. I will definitely buy Spoonflower sports lycra again. It’s not cheap, but the quality is good (which means it lasts longer). And I save on not having to fully line it. I’m very keen to check out some other prints. I feel like this will become my “novelty” swimsuit fabric favourite for my girls.
I’ve only bought a few swimsuit fabrics from here, mostly designer brands. They were also awesome. The fabric faded over the years, but it generally retained it’s original elasticity and is lasting extremely well. And the key word you should note in that sentence was ‘years’. If a swimsuit fabric is lasting years over weeks, then there’s something good going on there.
The quality of the fabric was really high which I suspect is due to the fact that they were designer labels, like Anna & Boy and Zimmerman. I keep meaning to investigate their new online presence. I used to love visiting the Fabric Store when I lived in Sydney but they fell off the radar for me when I moved overseas.
I’ve only sewn with their Limited Edition Solids and swimsuit linings. I love their swimsuit linings. They have good colour choices in the linings and they work beautifully under swimsuit fabrics. The linings are also a pretty awesome price which will keep me going back.
I have a slightly different view of the solids, which is not to say that I won’t use them again. The Solids come in an amazing array of colours, which will tempt me back when I’m after something specific. They are also one of the smoothest and most luxurious swimsuit fabrics I have ever felt. However, even the colours that appear opaque really need to be lined if they are going to get wet. I’ve sewn with a blue, green and a grey. They all feel fabulous dry, but they just look too thin against the body when wet. When fully lined, it is an entirely different matter. I love my Splash Swimsuit, but without the lining I think it would be unwearable for an adult.
I’d be interested to see how their prints work, since I know a print can disguise a fabric’s shortcomings somewhat. I’ll also continue to use their solids for dancewear for my girls, as well as smaller contrast sections in swimwear.
I was given these fabrics for free a while back, but like I said in that earlier post, it’s very difficult to make a proper assessment of swimsuit fabric without actually swimming. I’ll stand by what I said about their variety of prints.
Their printed swimsuit fabrics are probably the lightest weight I’ve dealt with, but only slightly so. They are also white-backed with a digitally printed front. I chose light-coloured prints which really needed to be lined (but this would be expected with any light-coloured print swimsuit fabric).
These fabrics did not last very long compared to my girls’ other swimsuits. They were actually the first swimsuits I had to throw away from having worn out, rather then been passed down to a smaller sister first. I’ll admit that we’re all pretty rough on our swimsuits here. I don’t rinse out the chlorine… ever! But I was still a little disappointed at how quickly these fabrics began to disintegrate.
However, it’s also important to note that Funki Fabrics do sell more robust swimwear fabrics, but just not in the prints that we’re used to seeing from them. Unfortunately, their Perform range only comes in black or white.
My experience here is extremely limited and not likely to improve anytime soon since they’re closing their doors. But I’d place their business in the same category as Joann or Spotlight when it comes to fabric. I picked up a shiny blue swimsuit remnant there for just a few dollars. It worked ok unlined (for kids bathers), but a lining would have significantly improved its appearance. This fabric also deteriorated very, very quickly.
I wonder if the age of the fabric plays a part in this. How do you know how old the fabric roll is that you’re buying from? It’s the elastic within the fabric that seems to dissolve/rot away and we all know that elastic is decayed by age, light and heat. I remember going through thousands of pairs of Speedos as a teenager (during my competitive swimming years). I’d generally get two months out of a pair of bathers before I had to wear two pairs together. And every now and again I’d strike out with a pair that would literally begin to deterioriate within a few weeks. Now I wonder if they were just made using an old or bad fabric batch.
So this has been my experience with swimsuit fabrics to date. I’ve been sewing swimsuits and leotards now for about three years. I’ve probably made over two dozen pairs, half of which remained in my ownership (3 girls, every year, Summer + Winter leotards + swimsuit = easy math). Of these, I’ve only thrown away about five (worn out) suits. The first two pairs I biffed were leotards where the metallic fabric (Mood) bit the dust. Next went the first swimsuit I ever made (the Tessuti Fabrics (paisley) which lasted through two children over 2.5 years, including being worn over clothes in Winter when swimming was not an option). The last two pairs I threw away were the Funki Fabrics duo, which sadly only lasted one season. Every other suit has been passed on to the next child or stored away.
Now, I’m not an expert when it comes to swimsuit fabrics. I’ve only shopped at five vendors and I haven’t tried all that they have to offer, but I still wanted to share my experience. I know there must be other places out there and I’m always open to new ideas. If your experience was different or if I should have tried a different product, speak up! I’d love to hear from you as my swimsuit sewing shows no sign of subsiding any time soon. Where do you buy your swimsuit fabrics from?
I made this little dress way back in April for my daughter’s birthday. She specifically requested it. We’d just been through the seasonal wardrobe shuffle which meant that a lot of her dresses were passed onto her younger sister, including this favourite that I made for her last year.
The pattern is the Twirl to Me dress, in the maxi length. The fabric is vintage, found at an estate sale for less than a few dollars. It is a beautiful cotton sateen, but quite an old fashioned print. I was surprised that Coco picked this from my stash, but it ended up suiting the dress very nicely.
I know she’ll get a lot of twirls out of this little party dress. It’s obviously not quite as practical as a simple T and shorts, or the tunic dresses I make for her day to day wear, but it is a dress that makes her feel special when she wears it. And everybody needs something like that in their closet.
I had a little bit of wool fabric and lining leftover after the making of Miss Seven’s tailored coat. It was precisely the right amount for ladies skirt. Fancy that.
My original plan was to make a simple, straight skirt using my own skirt sloper. However, when I laid out the wool, it was a lot wider than I remembered and it suddenly seemed a shame to limit myself to a pencil skirt when there was clearly more fabric I could work with.
Starting with a basic pencil shape, I left the back skirt piece unchanged. I then traced the front skirt piece in full, mirroring the pieces as if to avoid cutting on the fold. In the diagram below, the grey shaded pattern is my altered front piece. I extended the waist along the existing pattern line and shortened the hem width a little. I then simply connected these points with a diagonal line.
It was very important to identify and mark the CF point. This was a perfectly fitted skirt pattern and those CF points needed to match up when I wrapped the skirt around.
I cut my lining pieces to the same pattern as the outside fabric, minus about 1.5 inches in hem length. Although, to be honest, I always reduce my seam allowance a smidgen when I sew the lining to make sure it ends up a tiny fraction looser than the outside fabric (you don’t want to end up with any pulls or tension visible on the outside).
I sewed the hems of the lining and fabric together first and then turned the skirt out and basted all the other sides together. I bound the CF edges with the opposite side of the wool fabric, although the contrast is totally unnoticeable. I then attached the contrast (once again unnoticeable) waistband and fastenings.
The skirt I made is a true wrap skirt. It is fastened inside with a ribbon bow and secured with a hook and bar on the outside. I added a leather fastener over the hook and bar for aesthetics. The same pattern pieces could easily be used to create a mock wrap skirt. There would need to be an invisible zipper placed at the side or back. I’d also crop the top portion of the (underlayer) front piece so there is little overlap with the top layer and therefore, reduced bulk at the waistband. This would need to be stitched in place which would limit the freedom of movement that you get with a true wrap skirt, but the benefit would be a sleeker, less bulky front. It’s something I might try next time.
My original plan was to make Miss Seven a pair of pink cigarette pants to go with her new coat. However, I fell in love with every view on the front of this pattern cover and I thought I’d try out the shirt first.
I used more of my vintage sheet set to make this shirt. The print looks so lovely in a shirt that I’m planning to make myself one now too.
The pattern went together beautifully. My only complaint was to do with the sleeve cap ease, but I find excessive sleeve cap ease a fairly common feature of old patterns. Next time I’ll shave some height of the sleeve cap so it can be set in a lot easier.
I made this pattern up in a size 8, which corresponded quite well with Miss Seven and a half’s chest measurement. I expected it to be a little bigger on her than it is though. However, it would stand to reason that she has lovely broad shoulders like her mother. The torso fit is lovely and it looks comfortable. I suspect the pants and skirt in the pattern will swim on her tiny hips so I may have to grade them down first.
And before I sign off on this post, I just want to share a quick peek of the best leotard ever. It’s a birthday present for Miss Five. My beautiful, gentle Miss Seven is modelling it. The tiger poses will come later with the fierce Miss Five. I even added tiger eyes to the back of the suit so she could terrorise people behind her too. The pattern is Jalie 3136, which I’ve now made more times than I can remember.
I made the fabric myself on Spoonflower. I used the sport lycra, which is a nice weight and completely opaque. In fact, this fabric generated so much interest that I ended up purchasing the license for the photo so the design could be made available to others. It will only be available on Spoonflower for a limited time though.
I had a very specific idea in mind when I started planning for this coat. I wanted to make Miss Seven a nice Winter coat that she could wear out for special occasions. She’s old enough now to have a few special items in her wardrobe and I’m hoping this will also help educate her on how to appreciate, respect, and treat special garments.
The outer fabric of the coat is a woven wool blend. It is extremely beautiful in real life. It has a nice, coat-worthy weight, with little threads of gold and tan woven through it. Both sides of the fabric are useable, with the rose and background colours simply reversed on the underside. I thought about incorporating both sides of the fabric into this coat. I also though about keeping this coating fabric entirely for myself.
It’s probably not the best choice of fabric for a child. The weave is not exceptionally tight, but it is still quite stable. I suspect it may get a few snags during it’s lifetime, but the slightly motley mix of threads through the weave is forgiving enough to disguise any repairs that may be required.
The fabric frayed horribly while I was working with it. There was a lot of hand-stitching and basting involved in the tailoring of this coat, which made the unravelling quite an issue. I used a LOT of Fray Check. I ended up painting it around the edges of every pattern piece. It was also essential in making the bound buttonholes.
In retrospect, I think bound buttonholes were not the best choice for this fabric because of the loose weave. Hand-worked buttonholes (a la Claire Schaeffer’s French jackets) would have been the sensible option. But the heart wants what the heart wants. The buttonholes worked out wonderfully in the end, but ended up being much smaller than planned. The size reduction was due to my scaredy-cat conservative cutting, in trying to handle the fraying and loose threads as best I could. This is the reason why the buttons are so small. I had to find smaller ones than I’d originally planned. Larger, self-covered buttons would have suited the style of this coat better.
To keep Miss Seven snuggly warm, I partially underlined the coat with Thinsulate, which reportedly has more warmth for less loft, than wool or even down feathers. Keeping the bulk down in this coat was important because of the close fitting design.
The vintage pattern specifically states that the design is “not suitable for chubby girls”. It’s basically just a slim fitting style with no ease around the tummy area. The sleeves are not set in. They are joined to the back as one piece with a separate undersleeve. This design makes for very pretty style lines, but quite a challenging sew.
All of this was underlined. I didn’t underline the undersleeve or the side panels of the coat as I was afraid it might end up making the coat too bulky and adversely affect the end fit. To further reduce the bulk (or loft) of the Thinsulate, I partially quilted it to the lining. I think this makes the inside of the coat look lovely too.
The design and fit of this vintage pattern is beautiful. It is a style that fits tall, slender girls very well, which means I will probably use this pattern again in the future. However, it was also quite a challenge to sew (not helped by my difficult choice of fabric) and there are a few things I will improve on when making this coat next time.
* My pad stitching of the undercollar was not “aggressive” enough in creating the collar roll. I would like to see the ends roll down a little better. I would also cut the undercollar a little smaller next time.
* My buttonholes should be appropriate for the fabric, or maybe I might just take a break from loose weaves.
* I was careful about thread marking the buttonholes. A great way to do this is to machine baste two parallel lines down the front and mark the buttonhole positions between those lines. However, with my difficulties in making the bound buttonholes (with all the unravelling of threads), my buttonholes ended up smaller. I also made the mistake of positioning my buttonholes on the inside of the basting thread, rather than on top of it. My buttons look too small and off centre in the coat front.
I think I can live with all this though. The coat is adorable. It fits well, but is ever so slightly too big (which is exactly what I was aiming for with my growing girl). I think it is deserving of a trip out to the theatre.
I decided to make a birthday dress for myself this year. The fabric was purchased for me as a birthday present last year when my husband was on a business trip to NY. He chose it himself which impresses me to no end. At a glance, it’s gorgeous. In real life, it’s a fabric I wouldn’t have checked out myself. I would have taken one look at the label and put it back on the shelf. And I would have missed out on a lot of fun.
My friends, this delicious embroidered organza is pure, flammable polyester. I suspected as much, but was hoping for a miracle. A burn test outed this beauty. The fibres melted rather than burned. Further confirmation was delivered by an IG buddy who recognised the fabric and remembered its content.
Silk organza would have made this dress an enduring beauty. Polyester organza means this fabric does not breathe. It is stiff, scratchy, and uncomfortably hot. I can deal with the comfort issues by moving the dress into my Winter wardrobe. I think it would look good with a black slip and black tights. The contrast under the sheer organza would be fun.
Unfortunately, my birthday is in the middle of a sweltering Kansas Summer (we’re talking tropical Top End weather to my Aussie friends out there). I could have forgone the sleeves, but the sleeves are an important feature of the dress for me (these were actually the 3rd sleeves I trialled for this dress).
The fabric also does not press or hold a crease. To work around this fact, I kept the design as simple as possible. It’s a sheath with bust darts, French seams throughout, a hand-stitched bound neck, and sleeves. I toyed with the idea of back darts or a CB seam for shaping but after some online research into sheath dress shapes on designer runways, I decided to keep mine without. I’m wearing a white slip underneath it for modesty.
I wasn’t keen on hemming the dress and sleeves because the embroidery makes the organza quite bulky and of course it doesn’t press. My solution was to cut the dress and sleeves on the cross-grain so I could incorporate the beautiful selvedge into the design. After putting the dress together, however, I decided that didn’t like the pretty frayed edges after all. I ended up cutting them off but keeping a portion of the un-embroidered selvedge. I also felt that the original flared sleeves were a bit much for the loud fabric so I cut different, more streamlined sleeves instead.
It was a lot of fun making this dress. I loved problem-solving the fabric issues. I will wear it, but probably not during Summer. It might become my Christmas or New Years dress instead.