When you find the perfect silk, you really just have to make the perfect dress. I actually had another dress in mind for this silk, but when it arrived on my doorstep, I realised that it deserved something a little better.
It’s a silk satin by Trina Turk from The Fabric Store. It has a lovely, subtle texture to the good side, and the fabric is a beautiful weight that doesn’t require lining. It’s the perfect silk for a bias cut dress!
I used a design I copied from a RTW dress a few years ago. However, I lined the front and back bodice and turned it into a halter neck instead.
I love this dress A LOT. And I should. It’s the perfect fit. I guess that’s why so many of us sew though, isn’t it. How amazing does it feel to slip on a dress that fits like a glove, custom-made to your unique shape only?
This is the type of top that I will live in for the next eight months. It’s super comfy, versatile, and smart enough to wear to work.
The fabric is a sandwashed crepe de chine silk by Liberty of London from The Fabric Store. It has the softest texture and prettiest print. I would sleep in this top if I thought it was appropriate.
The pattern I used is one I’ve used many times before. It’s a vintage pattern, McCalls 6429, originally designed as a raglan style dress. However, I’ve sewn it up as a jumpsuit and a dress. Last year, I refashioned the dress into a top and wore it nearly every day until it died. That’s why I decided to replicate it.
My only modifications (apart from cutting it as a top) was to add an extra 5/8″ to the width of the centre back and collar. I’m not sure this is the perfect “broad shoulder/back” adjustment, but I’d done it this way in the past for this pattern and it fits me well.
Spring is for floating around in dresses made of fairy wings, right?! I got a jump start on my favourite season with this dress. It might still be a little cool to wear it right now, but those days aren’t far away.
The fabric I used is Liberty of London silk crinkle chiffon from The Fabric Store. It’s a deliciously sheer silk that requires a bit of patience to sew, but produces a beautiful outcome.
I shouldn’t scare you though. It isn’t really that tricky to sew at all. The key is in keeping to a simple pattern and taking your time. Believe it or not, but the crinkle appearance and print also make it a very forgiving fabric to sew, particularly since it is a fabric that suits a looser fitting design.
I kept the design of this dress incredibly simple. The neckline and armscye are simply narrow hems. No binding. The silk presses beautifully. It’s a pullover style. The design is loosely based on a drop-waist dress pattern I made for myself years ago. I just turned the bodice into a high-low shape and added an extra gathered panel.
I’m wearing a simple black slip underneath. The only one I owned was tunic length, so I added a panel of leftover black lining (from this coat) to achieve the length I desired.
I love this dress! I’m envisioning a whole wardrobe of sheer dresses now. Stop me!
Surprisingly, after several years of sewing and forty years of dressing myself, I’ve only just come to the conclusion that deep V-necks are not for me. This top helped me a lot in reaching that understanding.
The long sleeved top on the pattern cover was actually the one that caught my eye. However, since I was a little short on fabric, I decided to give the sleeveless version a go.
I made a few small modifications. I shortened the peplum and left the side seams open. I also omitted the under arm gussets. The pattern instructions are incorrect and (despite being warned) I got caught out and had sewn too far along to insert the gussets without a lot of unpicking. To correct the rather low underarms, I brought the side seams in by about an inch at the waist, narrowing to a smaller seam allowance at the underarm. This worked because the design is pretty forgiving. It is a blouson top with a good amount of ease.
Obviously, the top requires a small snap at the CF chest to secure the centre of the faux wrap and prevent gaping (as per pattern cover). I tried it but didn’t like the look. I also didn’t like the look of a low V on me. It may be different if I layer it with a sheer black top or turtleneck but I haven’t tried that yet. The most obvious solution was to wear the top backwards!
I love the loose cowl of the back when worn backwards. I don’t mind the front either. It works for me because I am small busted and the back gathers provide enough room. Whilst I quite like the look of it exactly as it is (I think the “sloppy” look of the poorly fitted armscye works ok when layered), I am tempted to play around with this pattern in the future, and switch the armscyes around properly for a better fit. I might also toy with the font (back) neckline a little so I can wear the top without a layer beneath.
So I guess the moral of this story is that if you don’t like a top you make, turn it around and try it backwards before you go and fail it!
These are my new favourite shorts. I need more of them. In linen. A pants version. A whole closet full would be nice.
The pattern is Burdastyle 111A shorts style. I made a few small modifications.
- I omitted the front fly (might have been a faux fly…)
- I also ommitted the belt carriers
- I stitched down the facing and created an elastic casing as I did this. The shorts do not include an elastic waistband, but I wanted a pair of easy, comfy shorts that could be pulled on (as well as tied up with a big bow!).
I love my new shorts. The linen is from the Fabric Store; a most divine shade of Military Green. I love the exagerated paper bag waist of the design. I’ve been wearing them with a silk tank I made ages ago. The very pretty charmeuse is an oldie from Tessuti Fabrics. I can also see myself wearing these shorts with a billowy, white linen top in Fall.
At the end of last year, I was a pattern tester for the Alix dress. You might remember my long sleeved version of this dress.
The original version of this Alix dress had beautiful long sleeves. A silk dress with long sleeves is dreamy, but ocassions to wear it are few and far between. It’s not warm enough for Spring, and yet, by Summer, I really don’t want to wear long sleeves of any description. The natural solution was to chop off those sleeves.
The Alix dress works beautifully as a sleeveless dress. There is just one thing you need to know about doing it. The armscye in the original pattern is designed to be close fitting, because it’s a pattern for a woven, sleeved dress. It needs to higher in a sleeved dress to achieve a fitted look and allow for good arm movement in a woven fabric. However, a high armscye is unnecessary and uncomfortable in a sleeveless dress. Some of the lower armscye needs to be scooped out (lowered) in order to suit a sleeveless design. I shaved about 1/2 inch off the bottom of my armsye. I could have probably taken off a little more.
I simply bound the armscye in two parts. I dealt with the lower armscye first and then re-stitched that to the yoke. Finally, I applied bias binding to the part of the yoke that was left raw. It all folds under and is nicely hidden. I should also mention that as this was a test version of the Alix dress, the bust darts are a little pointy but if gathered (as per the updated pattern), the bust area would look smoother and awesome.
I’ve been dreaming of this version of the Alix dress since I first sewed my tester version. I’m glad I have it in my closet now. I can definitely see myself making more.
The Esther shorts pattern is a very old tried ‘n’ true pattern for me. I’ve lost count of how many times I’ve sewn them up. I love the high waisted design. My preference is to sew them up in a medium weight, cotton/elastane (2-3%) blend. And given the frequency with which I’ve made them, that is probably all I need to say on the matter.
I’ve also been doing a bit of refashioning around these parts (nothing new, you say!). One of my favourite, casual, silk dresses was getting a little old and starting to look a bit too sheer in the skirt. The logical solution was to chop off the skirt. Now it’s a cute little top!
I didn’t waste the skirt portion though. The pale, neutral colours of the silk have made it a great option for lining a little Summer dress for Miss Eight. More on that one later though!
This has been my party shirt for the holiday season. I’ve mostly been wearing it with leather trousers, rather than these wool pants. There’s something so lovely and contradictory about pairing leather with silk charmeuse.
The pattern I used was Vogue 7604. The only changes I made were to lengthen the sleeves and body a little. I made my standard broad back adjustment. I also shortened the neck ties by about 6 inches on each side, because I simply didn’t have enough fabric. That bias cut collar and tie is a serious fabric hog!
There is a small amount of stretch in my silk (technically it’s called stretch silk charmeuse), which makes it very comfortable to wear. In real life, I’ve been wearing a thin, long sleeve, merino top underneath it, which makes it the warmest and most comfortable party wear ever!
The collar can be worn a few ways. I like it tied at the back best, but it can also be tied at the front, or wrapped around once with a shorter tie at the back. And suprisingly, those sleeves did not get dipped into any gravy. I did have to watch out for the pussy bow though!
I recently did a bit of pattern testing for By Hand London. You might have seen a few sneak peeks of their new design on Instagram. I’m happy to say that it is finally available.
The Alix dress is a very flattering, easy-to-wear, slipover dress, with the perfect smidgen of 70’s vibe. I made mine up in a very cool striped and spotted silk crepe de chine.
The particular version you see here was made up according to the test instructions, so there has been at least one small modification to the final version. My dress has under bust pleats which can be a bit pointy. I think the final version gives the option of gathers which will produce a much smoother result.
I should also list the other small fit modifications I made. Like many people, I’m not a standard size, so I graded from a US 8 (bust) to a US 6 (waist and hips). I lengthened the sleeves by 1 inch (long arms). I also found the underarms a bit tight initially, so I let out the underarm seams out by about 1/2 inch in total post construction. This is not a reflection on the design, just simply a post-construction fit for my broad shoulders. I would normally slash and spread either the CB or shoulder seams (design dependent) by about 5/8 inch in total to adjust for my broad back/shoulders. A US 8 (35 inch bust) is the perfect bust/chest fit for me but my shoulders expand above my bust so I need to accomodate for this increase in back width without adding volume to the chest area.
My only other change was to shorten the maxi length version by 4-6 inches, shaping the hem in a slight hi-low fashion. I basically just made myself a midi. Cutting lines for all the dress lengths are included on the maxi length version so it is very easy to cut whatever length you desire.
I love my new dress and I’ll be holding on to this pattern for future versions too. It would make a lovely Winter dress in a lightweight wool. But actually, my brain is already working overtime, thinking how I might possibly be able to modify this pattern to make a sleeveless version next Spring.
I was given a few lengths of some lovely crepe backed silk satin recently after my MIL had a big clean out. The fabric is probably quite old, but it is in perfect condition and of a beautiful quality. The smaller remnant was a gorgeous glossy black and I knew that it would make the perfect camisole.
Crepe back satin is much heavier in weight than charmeuse, with the lovely brilliance of satin on one side, and a dull, pebbly appearance on the underside. Normally, I’d prefer silk charmeuse for a slip or cami, but going into Fall, I knew this beefier silk would work well for layering over shirts, as well as wearing alone.
The pattern I used was the Camilla Camisole pattern. I made up a straight size 10 but lengthened it by about 1 inch. It is perfect. This is the third Camilla Cami I’ve sewn. I love this pattern. It stands out from the crowd because it is cut on the bias, which gives it an elegant fit that can easily be translated into both formal and day wear.
I made my first Camilla Cami in a Japanese poly and literally wore it to death a few Summers ago. I’ve recently started wearing my second version a lot more. I like the way it layers over a nice tee. And now, this classic black version is going to end up as another staple of my Fall wardrobe. I keep meaning to lengthen the pattern into a slip dress, but I find these little tops much more versatile, and great for using up small lengths of pretty silk.