I’m not usually one for animal print, but I have seen a bit of it around at my favourite haunt this season. I resisted temptation several months ago when there was some gorgeous Dolce and Gabbana printed silk crepe de chine on display at Tessuti Fabrics. Unfortunately it sold out before I could make up my mind. So when I saw a remnant of similar print in silk chiffon, I simply had to take it.
I used my Satsuki pattern from Victory Patterns. I’ve made a lovely top in the past using this pattern (as a gift for a very good friend), so I was confident it would turn out well. The only modification I needed to make was in lowering the neckline by about 1.5cm. It’s a very simple pattern to follow with only two main pattern pieces, but the element of difficulty was increased by my choice of fabric. I used French seams to keep the insides tidy and machine stitched a narrow hem on the bottom and sleeves. The neckline is finished with facing only.
Remember my first fabric dyeing foray here? Well, I finally found a use for the smaller remnant. I always had a top in mind for it, but it took me a while to decide on exactly what to sew. But the other day I stumbled across Salme Sewing Patterns and the lovely Hannah top. Immediately I was smitten.
My fabric was silk crepe de chine from Tessuti Fabrics, which worked beautifully with the design. This particular top was also a muslin of sorts for me since I wasn’t ‘in love’ with my dye job and figured near enough would be good enough with this loose fitting style. However, now that it has been put together, I really like the pattern, especially the way it comes together on the back.
My Hannah is a fraction too big for me (just in that little area between my bust and armpits) but nothing I can’t get away with, especially if I stand up tall and stick out my bust! I will definitely sew this top again (maybe with the last little bit of my fabric splurge!) but I am not sure if I should do a small bust adjustment or perhaps nip in each side seam by about 1/5 cm each. Doing this might lift the armscyes a little too which wouldn’t hurt. What would you do?
A few months ago, I made a great pair of Suzy pants using some of the most amazing Lisa Ho fabric that I picked up from the Fabric Store. The fabric was gorgeous, a lovely lightweight silk and cotton blend, with the most beautiful silky satin finish. Now as I was making my own pants, the fabric caught hubby’s eye. After a closer investigation of my fabric he declared that HE would like some pants in this fabric too. Now he may very well have been joking…but as it turned out, I had the exact amount left to make him his very own pair of boxers slash pj’s!
I used this great little pattern and made up the longer version of boxer without the side slit.
But I can definitely see the shorter style of boxer coming in handy for an 80’s night/Magnum PI party down the track.
I think they turned out rather swanky in the end. Who would have thought Lisa Ho could translate so beautifully into a pair of men’s boxers? Not I said the cat. But I am really hoping they fit…I used his undies elastic as a guide since I wanted them to be a surprise. But even if they don’t, I know they will make him smile because he loves a joke. I’m not totally sure he will model these for a photo but if he relents, I will be sure to update this post in a few weeks.
So my last fabric dyeing session wasn’t a great success. I decided to have a go at creating some floral designs on a light cotton/silk voile. Somehow, my hand decided to draw monster flowers, rather than the delicate buds in my minds eye. I also realised later that I hadn’t mixed the dye thoroughly enough and you can see grainy ‘dots’ of dye all through my flowers. You can only just see this dotty effect in the photo, but in real life it is quite an obvious flaw in the semi sheer fabric.
I can’t bear to throw away fabric, so I decided to make a summer nightie for my daughter using the pattern below. I chose to make the sleeveless nightie in View D, albeit a little shorter.
This is probably the oldest pattern I have ever attempted. The instructions were very clear and the tissue pieces were so delicate with several parts missing. I must also admit that I rushed through this project and didn’t take the time to transfer the markings from the paper correctly (well those that hadn’t been lost in time). I also skipped the ribbon seam binding because I didn’t have it at hand. The dress may have looked a little better with the ribbon, but I still don’t think it could have salvaged the nightie. But hang on…what happens if we turn the nightie around?! It’s just fabulous Mummy, all problems solved, and I especially love the big flower at centre front!
Happy birthday my little midgie! No, that’s not really her name, but that’s what she goes by in our house. She is the delightful little runt of the litter, average in height compared to her tall sisters and Miss Five quite likes the fact that ‘midgie’ is also the name of a tiny biting fly.
It may come as no surprise that her gift from me was a birthday dress. Made with some beautiful cotton/silk voile from Tessuti Fabrics. I lined it completely in cream voile because the fabric was a bit sheer. It is a simple lightweight frock in my own design, perfect for the summer heat, and a little loose to see her all the way through summer (assuming my midgie grows!).
So this is it. I modified a pattern I drafted for a little linen top last summer and turned it into a swishy floaty summer frock with a graduated hem. It feels beautiful on…and my little middle chickee loves it so much that she has put in an order for a hi-lo hem on her next dress.
It is possibly a little sheer on the bottom as I didn’t want to line the skirt with anything less than silk for fear of affecting its floatiness. However, I figure I can get away with nude underwear on a normal day and a light slip if I ever planned on attending a dressy daytime function. The silk crepe de chine is beautifully cool and swirls with funnels of air when I walk. I am pretty happy with the way the dye job turned out ,but I will still be interested to see how it will wash and wear.
This style of bodice was actually a bit fiddly to make with such a light and slippery fabric. As always, there is the matter of front access for me to consider (I am still feeding my not-so-bubby chick. Not that I am encouraging all day access, but those strong little fists manage to destroy any neckline in her way). Hence, the ever present invisible zip down the front of my dress. Buttons down the back or an invisible side zip would have looked so much better. I am dreaming of the day I can make myself a boat neck button back tank top!
In any case, I am looking forward to some hot days at the end of the week. You will most likely find me swishing elegantly around the backyard with my smallest peeps. Once again, thank you Sallieoh for the fabulous dyeing inspiration!
A while back, I happened across this inspiring blog post about dyeing fabric. And then a few months later, I happened across this post on fabric painting from The Fabric Store (you will have to scroll down to past halfway to see their beautiful work). Needless to say, I took it as an omen that I had to have a go!
Sallie from the blog site Sallioh has been wonderful enough to provide some beautifully detailed instructions on how to dye your own fabrics. She sets a high bar with her creative designs on silk, so I am not ashamed to say that I shamelessly copied one of her prints.
Now, I have never done anything like this before, but I was lucky enough to have quite a large piece of ivory/white silk crepe de chine in my stash. I ordered my chemicals and dyes online from Kraftkolour using Sallie’s ingredients list. As I live in Australia, I found it a bit difficult to find Blue Dawn/Synthanpol, so I took a stab in the dark and purchased Dynazol Washof instead.
The chemical list was all a bit foreign to me so I probably made a few mistakes. My thickener was a solid alginate which I probably should have dissolved in the warm chemical water at the start. I found it a bit difficult to stir it into the dye water since it separated into lumps instead of making a nice thick dye that I could paint on my fabric a bit easier. So my finished dye was a bit more runny than I liked, making my designs bleed a little more into the fabric.
One of the best tips on the Sallioh blog was to tape two layers of plastic to the floor so you can roll up your finished fabric in the top layer for storage until the dye is washed out. Not only does this keep your floor spotless, but trying to move or roll the freshly dyed fabric is a recipe for disaster. One end of my fabric was a bit longer than my top layer of plastic and moving this at the end resulted in smudged dye and runs on my fabric. Elsewhere, the dyed fabric just stuck to the underlayer of plastic and I rolled it up carefully, then folded it away to wash out the next day. Perfect! I simply used my surplus of plastic double/single mattress covers you can easily obtain from most storage warehouses for a few dollars. (Don’t ask!)
So this is what I ended up creating. I am pretty pleased with the results and have a bit of an idea on how to use the fabric. But I also think I can do a lot better next time. It has certainly broadened my knowledge on use of textiles. I know I will never look the same at a plain white remnant of fabric when I next go shopping!