A silk button up and DIY distressed jeans

Once upon a time, this shirt pattern was an Archer. I’ve adjusted it quite a bit to fit, as well as switched out the cuff plackets for a more polished look. I also removed the back pleat. In this version, I introduced a covered front placket, lengthened the back hem, and left off the collar.

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The fabric is silk crepe de chine. I was immediately drawn to the colour of it. I love silk CDC. It’s not difficult to sew, but it does take time and patience, especially when you start adding extra design features like cuffs, plackets and collars. I couldn’t use my standard shirt interfacings on a silk shirt like this, which was lightweight and slightly translucent. I needed an interfacing that wouldn’t be too stiff or visible through the fabric. I used beige silk organza (hand-basted in place) to interface the placket, cuffs, and collar band and it worked beautifully.

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The white jeans were thrifted from an estate sale. They were too big around the waist but fit fine on the derriere (my standard issue with RTW jeans). The legs were also a looser, straight leg style, which unless I wanted to dive headfirst into a BH90210 episode, needed to be corrected immediately. I narrowed the waistband and the leg inseams. I also shortened the crotch a smidgen. I didn’t touch the outer leg seam because that would have twisted it around too far towards the front (and I was being lazy by skipping seam-ripping with this seam).

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Lastly, I attacked the knees with a cheese grater. I went conservative on the DIY distressing because I’ve learnt from past experience that dressing quickly (which one always does if they have kids under eight) results in one’s feet being pushed through the distressed sections of jeans. These jeans will no doubt become more distressed as time progresses, which is kind of what I want anyway.

 

 

More luxe loungewear

I made this set using a gorgeous, loose weave, rayon knit. I tried to keep the style extremely simple because the fabric was a little annoying to work with. The raw edges stretched out and unravelled just to look at them. The seams also stretched easily when stitching or overlocking and it took me a while to get the tension right to avoid wavy seam syndrome. I’m not too bothered though. This was always intended to be a comfy, at-home, lounge-around set, and nothing more.

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The top is very loosely based on the Simplicity 1366 pattern. It’s been a magically morphing design for me. I think I may have dropped the shoulders and widened the sleeves. I also lengthened the arms, modified the bodice length and neckline, added a (loose) turtleneck, and a waistband. Some of these changes were made for this top, and some have been made in the past. I’ve lost track.

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Both the leather pants and the shorts were based on V8909. I made the leather pants about three years ago now. I refashioned them more recently to have wider, and longer trouser-style legs, but they are otherwise, very much a reflection of the original pattern. The shorts are a summation of all the fit-changes I’ve made over the past few years, including a lower waist height, and improved crotch curve and length. I also omitted the faux fly and pockets, and shortened them significantly and added hembands.

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Vintage Kwik Sew 1034 // scrapbust sweaters

I hope everybody had a wonderful Christmas! We had a great day, but not a white Christmas in Kansas. However, I believe we are expecting snow any day now, so it could be a special white birthday for Miss Five tomorrow.

Santa was very generous this year. The big guy bought a joint present for all my girls, in the form of a very basic, but well reviewed, Brother XL-2610 sewing machine. I didn’t want to spend a lot of money on a learning machine for my kids (and I wasn’t about to share my Pfaff), but I did want them to have a machine that would be simple to use and reasonably sturdy. So far the machine is working well and the girls are finding it easy to develop confidence on. And because it’s not my precious machine, I’m happy to let them play on it alone without too much anxiety.

At the moment, we’re still working on threading the machine and sewing straight lines at a precise distance from the fabric edge, but I’m happy to report that Miss Five has proclaimed it the best present from Santa this year.

And while we’re talking about Christmas, I thought I’d share a few little sweaters I made for my girls using an old Kwik Sew pattern in my stash. I modified it slightly to block in a few different fabrics and lengthen the bodice, but otherwise I left it pretty unchanged.

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Miss Seven’s sweater was made up in a size 8. It’s pretty roomy on her, but my big girls grow like weeds so I always err on the larger size with them. The bodice length is extremely short in the pattern so I also lengthened it by 2 inches before adding the bottom band. The black portion of the sweater is from a new merino jersey sweater of mine (that was too small). The ivory ruffles and tiger fabric were both small remnants in my scrap basket and specifically chosen by the recipients.

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Miss Five’s sweater is mostly tiger fabric, with a little merino trim. I made this one as a tunic to incorporate the ivory trim better. I also made a standard version of this pattern for her in rainbow French terry. It’s a very simple and practical raglan pattern.

 

Kate top in silk stripes

This is a new pattern by Tessuti Fabrics, called the Kate top. It might look like a simple boxy top pattern, but it actually has a few unexpected, yet elegant design details. And then, of course, I went and added a few more of my own.

The pattern includes a back placket, hem, and side slits and instructions on how to make the inside of the top as beautiful as the outside. It’s these extra details that make Tessuti patterns great. It’s quite obvious that they are written by those with decades of experience in sewing and patternmaking.

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Since this was a competition, I felt it was important for me to complicate this simple top as much as possible. I used a remnant of silk (perhaps CDC) that I scored off the Tessuti remnant table about two years ago. Silk is a perfect choice for this top, but given the fact that I added a few complicated seams and stripes, it turned out to be a challenging choice.

I added two curved panels in the top section of the front, a waist panel, as well as a creatively shaped panel above the hem. With the bottom panel, I tried to follow the shape of the hem, including the way it sharply turns at the side splits. My intention was to flick the fabric grain on it’s side in order to use the direction of the stripes as a contrast feature in the panels.

I’m not entirely happy with the fit of this top on me, but it is pretty good for a first go, and certainly very wearable. I didn’t muslin it (pure laziness on my behalf) and just guessed at the adjustments I’d need. I started with a size S, widened the back a smidgen, and tapered the sides in towards the hem by about an 1.5inches. I also lengthened the body by an inch. These are all standard modifications I make to any pattern.

I should have reduced the bust dart before I started. The dart seems small enough but I forgot to consider the fact that this top is boxy by design, and probably contains enough ease without the dart for an A/B cup. See how beautifully it fits Lara of Thornberry with her more ample bust. I compensated mid-construction by arcing the side seam in at bust level. This worked quite well at correcting the fit on the fly. Next time, I’ll do a poper SBA, widen the back more, and drop the armscye a smidgen.

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And if you are wondering why I look so miserable in these photos. The frosts have arrived. My garage was the warmest photo option at about 2 degrees Celsius. I’m really surprised you can’t see my goosebumps!

 

 

Grainline Archer // vintage sheet shirt

So, I loved Miss Seven’s vintage sheet shirt so much that I just had to make my own. Here it is.

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My Grainline Archer has been modified to accommodate my standard broad back/long arm/height requirements. I also added a classic, tailored sleeve placket, and two fish eye darts in the back.

 

 

 

Vintage McCall’s 6497 // A shirt for Miss Seven

My original plan was to make Miss Seven a pair of pink cigarette pants to go with her new coat. However, I fell in love with every view on the front of this pattern cover and I thought I’d try out the shirt first.

I used more of my vintage sheet set to make this shirt. The print looks so lovely in a shirt that I’m planning to make myself one now too.

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The pattern went together beautifully. My only complaint was to do with the sleeve cap ease, but I find excessive sleeve cap ease a fairly common feature of old patterns. Next time I’ll shave some height of the sleeve cap so it can be set in a lot easier.

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I made this pattern up in a size 8, which corresponded quite well with Miss Seven and a half’s chest measurement. I expected it to be a little bigger on her than it is though. However, it would stand to reason that she has lovely broad shoulders like her mother. The torso fit is lovely and it looks comfortable. I suspect the pants and skirt in the pattern will swim on her tiny hips so I may have to grade them down first.

And before I sign off on this post, I just want to share a quick peek of the best leotard ever. It’s a birthday present for Miss Five. My beautiful, gentle Miss Seven is modelling it. The tiger poses will come later with the fierce Miss Five. I even added tiger eyes to the back of the suit so she could terrorise people behind her too. The pattern is Jalie 3136, which I’ve now made more times than I can remember.

I made the fabric myself on Spoonflower. I used the sport lycra, which is a nice weight and completely opaque.  In fact, this fabric generated so much interest that I ended up purchasing the license for the photo so the design could be made available to others. It will only be available on Spoonflower for a limited time though.

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Sentimental sewing // Vintage leather bag repair

My Father-in-law passed away recently. It was a little unexpected and obviously very sad. We will all miss him a great deal. Living so far away meant that it wasn’t possible for our whole family to make such a huge trip on a moment’s notice. However, my husband was able to return to New Zealand and he was fortunate enough to make it home in time (21 hours of travelling later) to be there with his Dad and to spend time with his Mother and siblings.

My husband is very sentimental, so I suggested that he look through his Dad’s wardrobe and ask his Mum if he could bring home a suit or jacket that I could alter to fit him. I was expecting one nice item (his Dad wore a lot of quality RTW and designer brands). He came home with an extra suitcase brimming with shorts, pants, jackets, shirts, an old leather bag, and a particularly fabulous collection of belts (I’ll post some pictures of those belts on Instagram as soon as a day passes when they aren’t being worn).

The clothes fit near enough that I haven’t needed to do any immediate alterations, although everything is a tiny bit bigger than what my husband would normally wear. With plain T’s, casual shorts, and business shirts, this hasn’t really mattered. He’s been wearing at least one of those items every day and I know it makes him feel closer to his father, especially when I know he still feels so much sadness.

I will definitely need to take a closer look at the suit pants and jackets in the future. They are too nice to make do with a less than perfect fit. The bag, however, required immediate attention. The lining was disintegrating on the touch and leaving everything in it’s path covered with a powdery white residue.

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My first step was to cut out the lining. I left 1/2″  of lining still attached to the bag. I wasn’t quite sure at that point whether I would want to stitch though the bag leather or re-stitch the lining to the top most portion of the existing lining. In the end, I unpicked it all, and hand-stitched it in exactly the same position as the original lining.

Once the lining had been removed, I was able to copy the pattern pieces. There were four pieces in total; two sides, a bottom, and a pocket bag (it was incredibly simple). I was also able to see what a disgraceful mess of inner construction there was hidden beneath the original lining.

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The fabric I used to line the bag was a mix of cotton shirting and heavy silk twill. Both fabrics were leftover from previous projects (here and here) and I had to do a bit of piecing to come up with the amount of fabric that I needed. I put a silk twill panel in the sides of the bag and used the same silk for the pocket bag. There’s one extra seam in the striped shirting, but my stripe matching game was strong and you can hardly see it.

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Once I’d finished sewing the lining, I pressed down the top seam allowance and glued the lining to the inner leather (in the same manner as the old lining had been attached). I then hand-stitched the lining to the outer bag. I tried to avoid adding new stitching holes, but it was difficult to see where I was going in the old stitching line. The old seam line was quite stained and creased because of age. In the end, I somehow managed to finish with what resembles a modified prick stitch on the inside and a running stitch on the outside. The outside stitches don’t look out of place, and I really like the vintage feel of the tiny inner stitches.

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It’s actually really difficult to photograph the lining of a bag. Perhaps I should have turned it inside out but I didn’t think of that at the time.

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A Grainline Archer and refashioned RTW trousers

This is my second Archer. My first Archer fit reasonably well, but this one fits a lot better. I made a few extra changes to better accommodate my broad shoulders. This consisted of lengthening the shoulder seams by 1/2 inch and spreading the back by 5/8 inch (without changing the neck width). However, next time I think I’ll shorten the shoulder seams back again by about 3-5mm on each side. The armscye sits a little wide in this version.

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I might consider adding fish-eye darts to the back if I decide I want to change it to a more streamlined fit. Right now I’m happy with the relaxed look. This is probably how I’ll wear the shirt in Fall.

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I most likely won’t be wearing it with the collar stand buttoned, but the fact that I can (and still move my arms) is nothing short of a miracle. Well, it would be if we were talking about RTW. Another great thing about sewing for yourself is the fact that you can position the buttons pretty much anywhere you want. I have no idea what the actual pattern recommends. I focus on the third button down and position that in relation to my body. The rest of the buttonholes are measured equally apart from there with this neat tool. The third button down is generally the top button I keep buttoned so I want it to be at a modest height but not too high either.

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My favourite thing about the Archer is the collar. It has such a lovely shape. My least favourite thing about the design is the sleeve placket. A sleeve placket is very easy to change though. I used a very standard sleeve placket pattern piece, pilfered from my husband’s TNT shirt pattern, Simplicity 6138. I used white cotton as a contrast for the sleeve plackets, inside collar stand and yoke facing.

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The grey wool trousers belong to a Herringbone Sydney suit that I’ve owned for ten years. The original shape was a long, boot cut. However, they’ve never quite been long enough on me and the boot cut style is now quite outdated.

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Oh dear, look at the not-so-blind stitching on the left hem. I machine blind-stitched the hems and will have to re-do the left leg. I knew I’d left the tension too high on that leg but was hoping those puckers would iron out.

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The following diagram helps to describe my modifications. I narrowed the side seams and re-hemmed the legs. I tried to keep a deep hem in case I want to lengthen them again in the future. The picture below shows the shape of my modified seamline (red).

pantsMy main concern with these pants was in getting the leg length and width correct, particularly towards the calf and ankle. I wanted them to be narrow and tapered but not too tight around my calf. I’m quite happy with the shape I achieved.

I have another pair of trousers planned, but next time I will sew them from scratch in black cotton sateen. I’m working on the pattern right now. It’s nearly drafted, but I want to mull over the pocket design first. I like to sleep on a design before I cut into the actual fabric. More often than not, I’ll wake up with the idea I couldn’t quite grasp the night before.

 

A very simple top in THE fabric of the month

I’ve had this gorgeous fabric languishing in my stash for nearly two years. I don’t use a lot of floral and I rarely have the occasion to justify sewing with silk charmeuse. Even so, this one stopped me in my tracks and I had to have at least a little bit of it. I went home with a little over 1m. In retrospect, I wish I’d purchased more. It would have been the perfect silk to use for my bias cut dress.

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I was just waiting for the right idea to come along. I should thank from Melanie from Poppykettle and Rachel from Boo Dog and Me for inspiring me with their beautiful Frocktail tops. In particular, I liked the idea of pairing such a delicate floral print with leather.

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The design is a loosely fitted shell top with straight side seams and bust darts for a little shape. I hand-stitched the binding and hem down. I felt like this fabric deserved it.

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I also tried to achieve a length that would suit wearing it out loose or tucked in. I’m very happy with how it worked out, but next time I will raise the armscye by smidgen (about 1/4 inch).

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I love the way this fabric pairs with leather. These shorts were a bit of a rush make compared to the other leather pants I’ve made (here and here), and the leather is more faux than real, but I’ve always recognised them for being the trend-piece that they are. I’m not going to love this style forever, but I have been getting a lot of wear out of them this season. No, I don’t wear them on the school pick up, but when paired with a nice top, I find them to be the perfect blend of smart and casual for outdoor parties and BBQ’s.

 

Shop the Look

(No affiliate links. It’s just fun to compare to RTW. See how much we save by sewing!)

floral top

                      Zara                                              St. John                                              Vince

 

Daisy Chain Top for Miss Three

I made this  Daisy Chain top specifically to go with Miss Three’s fairy shorts. I salvaged my last little bits of fairy fabric and paired it with a little bit of white linen.

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I bound the hem with self made binding in a floral that co-ordinates with the fairy fabric. Unfortunately, it doesn’t match perfectly. I didn’t have any suitable white binding on hand or enough fairy fabric, or any confidence that I would like the look of a top with fairies on it anyway. For the back placket, I made use of what buttons I already had on hand (quite boring but in the perfect subtle shade of pearl blush).

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I’m not usually a fan of novelty fabric (heaven knows why I purchased the fairy cotton in the first place). My plan was to simply get those fairy faces out of my stash. It has, however, turned out to be one of the sweetest things that I’ve made for this child. I catch myself admiring her each and every time she twirls by.

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