What do you do if you can’t decide if your top should have a sleeve or not? You make both versions of course!
I originally only had the sleeved version of this little one-shoulder top in mind, but that changed mid-construction. I left the sleeve off the first version, but since I’d already cut the sleeve, I decided to follow through with the sleeved version too.
The fabric is a vintage score from an estate sale. It’s some type of seersucker, but most likely a poly version, which means I’d already delegated it to the “wearable muslin/kid” section of my stash. I love having a few good lengths of stress-free fabrics like this in my stash. It takes the fear out of experimenting with new designs and styles, but still makes a fun, wearable item if I do end up liking it.
Now, let me talk about the design a little, because it is something you can easily replicate yourself. I used my Branson Top pattern as a base because I love the more fitted back and slightly dropped shoulders of that design. You could use any TNT top version that you already have on hand.
Here are the steps I took in making the modifications:
Removed the CF seam and traced the front and back pieces in full. You won’t be able to cut any pieces on the fold because the pieces are all asymmetrical.
I raised the front hemline to match the back (the front hem dips lower in the Branson top).
I brought the neckline of one shoulder seam in towards the neck by 1.5 inches.
Sliced diagonally across the pattern pieces to create the one-shoulder shape. I shaped this line with a very slight curve in my version but you could keep the line straight. The diagram below shows the back pattern pieces, but I kept the line the same for the front.
In the sleeveless version, I simply added some elastic in a strip of casing at waist level in the front of the top only (the waist is marked by the back seam above the peplum in the Branson top). The back of my top is fitted so it doesn’t need any elastic. I used pre-made bias tape for the casing.
I bound the neckline with pre-made bias binding, turned to the inside to function as elastic casing for thin elastic. The neckline only needs a lightweight/thin elastic to pull it in against the body, rather than hold it up.
Every time I wear this dress (or this one), I always get a few compliments, and yet, it is possibly the simplest dress I’ve ever sewn. It is really nothing more than two rectangles and a bit of elastic casing.
I hesitate to call it a ‘tutorial’ because it really is so easy. Read the steps below to see why.
STEP 1. Cut two rectangles for the dress body.
STEP 2. Cut two smaller rectangles for the sleeves.
If you want a fuller volume in the dress and sleeves, simply multiply the width by 2 instead of 1.5, or any other number in between.
To create the elastic casing, you can fold down the top of the dress and sleeves. I got a little bit fancy and added a contrast band as casing.
The sleeves are attached to the dress by matching the top side seam of the dress (at the casing) to the undersleeve seam and sewing through both securely to fix them in place.
This dress is a style of off the shoulder that I’ve seen in some high end RTW (despite the simplicity of the design!). It shows a little underarm cleavage but the elastic allows a good range of arm movement.
My dress was made using vintage cotton/silk voile, which I lined with a bit of cream silk habutai from my stash. It’s a very lightweight and cool dress that can easily be dressed up with a pair of funky heels. I wore it most recently to an evening function in sweltering KC. It was bliss.
I also want to mention the shoulder straps that you see in some of the photos as they quite obviously aren’t a part of this tutorial (you can find a bit more information about them here). Several months ago, I made my first off the shoulder dress (to a slightly different design). I wear it as an off the shoulder dress sometimes, but mostly I wear it with the same bra that you see in these photos. The bra is just stock standard in my closet, but I covered the straps in the same fabric as the dress so it looks like it is a part of the dress. I hate strapless bras, so the bra increases the wearability of the dress for me.
To be perfectly fair, I only have myself to blame for the fury that I felt when preparing to sew this pattern. I’m usually more than happy taping together PDF’s but on this occasion I decided to treat myself to the paper copy. I should have read the online product description better, but I didn’t. I read blog reviews that recommended shelling out for the paper copy rather than the PDF, the catch being that those bloggers didn’t sew from the paper copy. They sewed from the PDF. They probably had no idea that the paper pattern is overlapped on one piece of paper (like a Japanese sewing pattern) and has no seam allowances either.
So my paper copy arrived by mail and I put it aside in great excitement, only to open it up on the night I wanted to get started. If I’d wanted to spend an evening on my hands and knees tracing lines and measuring allowances, I would have drafted the pattern myself or modified an existing pattern that I already owned. I already have a good number of patterns and rarely buy a new one. The whole point of buying a new pattern on this occasion (and a paper copy at that) was to be lazy.
It was an easy sew in the end. The pattern is rated average. I’d venture to call it “easy” if you make it in a woven cotton. Silk would up the ante a little. And my Asaka kimonodid turn out to be pretty awesome. The fit is spot on. I lengthened the body by one inch but didn’t change the sleeves. I had just enough fabric to make this work. My waist tie has about 16 separate seams because I was a little short on fabric, but I’m not bothered. The collar on it is lovely too.
As gorgeous as it is, this robe will be a morning cover up for me, to wear after showers and while sipping my tea. The fabric is a very lightweight cotton which is soft and washable. The sleeve design is fabulous and functional. The front slit means that those long hems won’t be dripping into my tea. It is exactly what I needed in my wardrobe.
I really do love the overall design of this robe. I can see myself using it again in the future to make a silk version for a formal occasion, but with a longer waist tie that can be looped into a bow. And after all the ranting, I’d still recommend it.
At the end of the day, I’m glad that I made it. Am I glad that I purchased the paper pattern? No. Would I have bought it knowing what I know today? No. Would I recommend purchasing the PDF version? Yes!
It all started when my daughter’s little friend pulled me aside one day and whispered, “I really, REALLY love Harper’s dress”. And that was just the icky poly tester version I made her. The poor child was suffering though the heat and weight of it that day, but she still refused to take it off.
Also about this time, the Dutch Label Shop contacted me to see if I’d like to try out some of their labels . I was given the labels for free. It was such a busy time for me that I very nearly didn’t take them up on their offer, but I’m glad I did.
I uploaded my own design to be made into a Woven Logo Label and I absolutely love how they turned out. I didn’t expect the lines to be so defined and clear. They really do look great. The service was also excellent. They have a representative on hand to check the designs to make sure they suit the label and they contact you if needed. These labels are a little larger than what I’d normally put on a kid’s dress, but in real life, I’m much more likely to put a nice label on a coat or jacket and these will suit that perfectly. I also rarely sew for anyone outside of my direct family and I don’t make a habit of labeling everything I make. However, there is something very nice about the finishing touch that a label gives the garment.
But back to my production line of Mini Chloe’s, which include some of those dresses in the picture above. The first off the rack was made in pink fabric as requested by the little admirer. It’s the only dress I didn’t get around to having modeled (P.S. my models charge me actual money for photo shoots these days!). It’s also not my best work sewing-wise, but the fabric is divine. It’s a vintage cotton or mixed natural fibre, but it feels like washed silk. I was in a big rush to get this dress done to surprise the little girl.
Then, I made her two sisters each a version. I used some Art Gallery voile for the little sister.
And a beautiful mix of silks for the eldest girl. These ones are a special gift so I took care with the making of them.
Then, I felt guilty about my middle child only having that horrid (but spritely yellow) polyester version. So I scrounged through all my scraps to discover that I had enough fabric left to whip up a rayon and silk version in her size. This one will be lovely to wear. She already has a matching skirt in this fabric, so she immediately fell in love with the dress.
But that’s not all. I was sorting through my small remnants of silk and rayon for middle child’s dress, my daughters were taking delight in recalling the clothes I’d sewn with all the different fabrics. They came up with the idea of “friendship dresses” for their closest friends (who also happen to be sisters). The plan was to incorporate fabrics in the friends’ dresses that I’d already used for theirs (so they could match). I had to use a bit of creativity to find enough fabric, but adding panels to the dress design made it easy. The second one will be on Instagram soon.
I love this little dress pattern and I love my new labels. The dress is so quick and easy to sew that it makes gift-sewing a breeze and the labels add the perfect final touch. I have no doubt that those cold-shoulder sleeves will be out of fashion at some point, but the dress is still a simple, classic shape. I might try sewing it sans-sleeves next summer.
I have this theory about fashion trends and sewing. Being able to sew amplifies any trend (well, it does in my closet anyway!).
I’ve always been interested in fashion and I’ve always followed trends to one degree or another. But ever since I began sewing, fashion trends have been so much more pronounced as they’ve worked their way into my wardrobe.
In 2012 (pre-blogging photos from the archives), I made peplums. There were more than these, but I can’t find the photos right now.
Next, I made drop waist dresses. There were more here too.
Then I made culottes, which gradually progressed to wide leg and gaucho pants.
Now, I’m working through the off-shoulder/cold-shoulder trend. There have been other trends along the way that also managed to captivate my interest. I seem to make between 3-5 garments that are in line with any trend. In my pre-sewing days, I’d have purchased 1-2 trend-driven pieces and otherwise kept to classic staples.
I’ve been thinking a lot about why sewing enables me to do this. Here are my ideas:
Sometimes it takes more than one go to get a handmade garment right. A wearable muslin first, followed by a better version immediately doubles the number of items. Maybe I would have bought one RTW item in the past, but I would have had the opportunity to try on several first to find which one worked best. You don’t get that opportunity with home sewing.
If the design worked and it fitted well, of course I’ll want to sew it again. And sometimes it’s simply easier to sew repeats than to work through new designs and muslins, particularly if the garment was seasonably appropriate and nice to wear.
Sewing means that I can refashion, recycle, and reuse old fabrics and old clothes. It means that I can also make more trend-driven items without spending more, or expanding my wardrobe. I don’t have to be as sensible with my clothing choices, because I can always refashion back to sensible if need be.
Sometimes (if I really like a style) I might decide to digitize a pattern, which means I have to test the pattern and make it perfect, thereby making multiple versions of the same style.
It usually costs me next to nothing to sew a few extra pieces. This wasn’t always the case though. When I was a beginner, there were so many wadders and ho-hum makes that it cost more to sew than to buy RTW (just check out those peplums!). These days, it’s very economical for me. I spend well on fabric for classic, long term pieces. I save a fortune by making swimsuits and leotards for myself and my girls. And for the trend-driven items that I know will only last a season, I’ll often use thrifted, upcycled, or economically priced fabric that is nice enough to produce a quality garment, but costs a tiny fraction of RTW. For example, the entire fabric cost of all the cold-shoulder makes below was about $18 (the largest portion coming from the $10-15 white linen tablecloth of which I still have a lot remaining). I also know that I’m very capable of cutting up any of those tops and dresses to refashion into something new down the track.
I can make it so I can do it. And I can do it now! Sewing gives me freedom to follow a trend and make something immediately. Unlike RTW shopping where I’d have a vision in my mind but never be able to find exactly what I wanted, sewing enables me to make a garment to match my vision. It also enables the power of now. I can cut up an old sheet on the spot and make something at midnight, before garments hit RTW shops or are even available online. I’m not saying I do this, but I could!
So I think this explains how I end up with so many trend-driven pieces in my closet each year. It may seem like I have a lot of clothes, but I take a lot of care (via refashioning) to make sure that my closet doesn’t expand too much, despite sewing all year round. I’m also lucky to have a lot of girls to sew for. In any case, I think I’m just about ready to move on to my next obsession. I just have to figure out what it will be!
If you follow me on Instagram or Snapchat, you’d know that I’ve been spending an inordinate amount of time at the pool this Summer. And trust me, as an ex-swimmer, I do not use the word “inordinate” lightly.
I never intended for my girls to love swimming. I just wanted them to be able to swim. But perhaps my standard for what constitutes proper swimming is slightly higher than the average Joe. And it’s also possible that my passion for the sport has rubbed off a little despite my best intentions. In any case, Miss Eight is obsessed. It’s also been stinking hot in Kansas City, so in addition to the practice and the meets, we’re at one of the local pools most evenings for a dip after dinner. Our bathers are getting a serious workout.
Finding the best swimsuit fabrics has been a big learning experience for me and not one that can be evaluated overnight. Feeling the fabrics and sewing with them is one thing, but it’s not until you immerse them in chlorine, salt, UV light, and sweat twice daily that you really get a good idea of what works the best. In order of preference (the top three tie), here are my honest evaluations.
Oh, you all know that I have a fondness for Tessuti Fabrics, but it’s not without good reason. I don’t think they’re really known for their swimsuit fabrics, but they do seem to get in a few nice prints each year. I’m pretty sure the owner hand picks their fabrics personally on their annual buying trips, but I’m not really sure where their swimsuit fabrics come from. I’ve used at least five different swimsuit fabrics of theirs (paisley, red cherries, green cherries, floral, rainbow scales) and they’ve outlasted all of the other swimsuit fabrics so far.
I should also note that leotards in our house are not just used for gymnastics. They’re rotated in as swimwear for play (not practice) because they offer a better cover up from the sun (and sometimes we can’t be bothered to get changed!). Yes, the prints have faded, but that happens with all swimsuit fabric exposed to chlorine and UV light. Yes, their fabrics may be a little more pricey than other places (but they’re a great bargain as a remnant) and the fabrics last.
This was my biggest wild card. All I wanted was a tiger print and I would have bought the fabric from anywhere. I couldn’t find what I wanted so I had to make my own. I can’t comment on other Spoonflower fabrics but I really do love their sports lycra. Like Funki Fabrics, the print is placed on white fabric, but the fabric is quite thick as far as swimsuit fabrics go. It may have a tiny bit less stretch that comes with the thickness, but the weight lends itself to a flattering fit, no sagging, or losing shape when wet. And it looks great without lining.
So far, the integrity of all my Spoonflower sports lycra is exactly as it was when it was sewn. This is most apparent when it’s been paired with other fabrics (like the blue of the swimsuit above) that has fared a lot less well. I will definitely buy Spoonflower sports lycra again. It’s not cheap, but the quality is good (which means it lasts longer). And I save on not having to fully line it. I’m very keen to check out some other prints. I feel like this will become my “novelty” swimsuit fabric favourite for my girls.
I’ve only bought a few swimsuit fabrics from here, mostly designer brands. They were also awesome. The fabric faded over the years, but it generally retained it’s original elasticity and is lasting extremely well. And the key word you should note in that sentence was ‘years’. If a swimsuit fabric is lasting years over weeks, then there’s something good going on there.
The quality of the fabric was really high which I suspect is due to the fact that they were designer labels, like Anna & Boy and Zimmerman. I keep meaning to investigate their new online presence. I used to love visiting the Fabric Store when I lived in Sydney but they fell off the radar for me when I moved overseas.
I’ve only sewn with their Limited Edition Solids and swimsuit linings. I love their swimsuit linings. They have good colour choices in the linings and they work beautifully under swimsuit fabrics. The linings are also a pretty awesome price which will keep me going back.
I have a slightly different view of the solids, which is not to say that I won’t use them again. The Solids come in an amazing array of colours, which will tempt me back when I’m after something specific. They are also one of the smoothest and most luxurious swimsuit fabrics I have ever felt. However, even the colours that appear opaque really need to be lined if they are going to get wet. I’ve sewn with a blue, green and a grey. They all feel fabulous dry, but they just look too thin against the body when wet. When fully lined, it is an entirely different matter. I love my Splash Swimsuit, but without the lining I think it would be unwearable for an adult.
I’d be interested to see how their prints work, since I know a print can disguise a fabric’s shortcomings somewhat. I’ll also continue to use their solids for dancewear for my girls, as well as smaller contrast sections in swimwear.
I was given these fabrics for free a while back, but like I said in that earlier post, it’s very difficult to make a proper assessment of swimsuit fabric without actually swimming. I’ll stand by what I said about their variety of prints.
Their printed swimsuit fabrics are probably the lightest weight I’ve dealt with, but only slightly so. They are also white-backed with a digitally printed front. I chose light-coloured prints which really needed to be lined (but this would be expected with any light-coloured print swimsuit fabric).
These fabrics did not last very long compared to my girls’ other swimsuits. They were actually the first swimsuits I had to throw away from having worn out, rather then been passed down to a smaller sister first. I’ll admit that we’re all pretty rough on our swimsuits here. I don’t rinse out the chlorine… ever! But I was still a little disappointed at how quickly these fabrics began to disintegrate.
However, it’s also important to note that Funki Fabrics do sell more robust swimwear fabrics, but just not in the prints that we’re used to seeing from them. Unfortunately, their Perform range only comes in black or white.
My experience here is extremely limited and not likely to improve anytime soon since they’re closing their doors. But I’d place their business in the same category as Joann or Spotlight when it comes to fabric. I picked up a shiny blue swimsuit remnant there for just a few dollars. It worked ok unlined (for kids bathers), but a lining would have significantly improved its appearance. This fabric also deteriorated very, very quickly.
I wonder if the age of the fabric plays a part in this. How do you know how old the fabric roll is that you’re buying from? It’s the elastic within the fabric that seems to dissolve/rot away and we all know that elastic is decayed by age, light and heat. I remember going through thousands of pairs of Speedos as a teenager (during my competitive swimming years). I’d generally get two months out of a pair of bathers before I had to wear two pairs together. And every now and again I’d strike out with a pair that would literally begin to deterioriate within a few weeks. Now I wonder if they were just made using an old or bad fabric batch.
So this has been my experience with swimsuit fabrics to date. I’ve been sewing swimsuits and leotards now for about three years. I’ve probably made over two dozen pairs, half of which remained in my ownership (3 girls, every year, Summer + Winter leotards + swimsuit = easy math). Of these, I’ve only thrown away about five (worn out) suits. The first two pairs I biffed were leotards where the metallic fabric (Mood) bit the dust. Next went the first swimsuit I ever made (the Tessuti Fabrics (paisley) which lasted through two children over 2.5 years, including being worn over clothes in Winter when swimming was not an option). The last two pairs I threw away were the Funki Fabrics duo, which sadly only lasted one season. Every other suit has been passed on to the next child or stored away.
Now, I’m not an expert when it comes to swimsuit fabrics. I’ve only shopped at five vendors and I haven’t tried all that they have to offer, but I still wanted to share my experience. I know there must be other places out there and I’m always open to new ideas. If your experience was different or if I should have tried a different product, speak up! I’d love to hear from you as my swimsuit sewing shows no sign of subsiding any time soon. Where do you buy your swimsuit fabrics from?
I was recently contacted by HATCH Hats, to see if I’d like to try out some of their hats and possibly feature a giveaway on my blog. So I checked out their products and was pleasantly surprised with what they had to offer.
I don’t photograph myself in hats very often, but I probably should! It’s who I am in real life. On more than one occasion, I’ve been called The Hat Lady or The Mum in the Hat Family. What can I say? I’m Australian. Sun safety has been drilled into me since I was a child. No hat means no play to kids in Australian schools. Literally. It’s a rule I continue to enforce with my kids here. We wear hats everywhere. And we probably stand out a bit for doing so. But it’s worth it. You don’t need me to tell you that skin cancer is the real deal, but the sun is also your worst enemy when it comes to premature skin ageing.
When it comes to sunhats, I look for a few features. Functionality is important to me. I need a broad brim and I need it to fit securely. I have enough on my plate each day without having to keep one hand on my hat to prevent it from flying away. Hatch Hats are comfortable and they do actually stay put. There is an adjustable band of elastic within the facing that helps fit the hat securely to the head.
I also love the selection of styles available. I chose the Sophisticate in grey (below) and the broad brimmed Weaver (above). The Sophisticate pairs perfectly with my new silk Chloe and white Esthers. I’ve been wearing this hat to late afternoon swim meets and to all the evening parties that happen in Summer here. The brim on the Sophisticate is narrower, but it still provides some protection from the hot, late afternoon sun and I LOVE the beaded band.
I’ve been wearing my Weaver nearly every day too. It has a great, broad brim which has made it my daytime go-to. I love that the brim is stiff enough to resist flopping down over my eyes.
The great people at HATCH Hats want to give away a sunhat each to two lucky people. Follow HATCH Hats on Instagram and like the photo linked to this giveaway. The winner will be selected at random on Friday, June 24th and announced that day via Instagram and Facebook. No purchase necessary. US + Canada only.
Disclaimer: I was given these awesome hats for free, in exchange for writing a review and featuring them on my blog. As always, I only accept products if I’m genuinely interested in them. And the opinions expressed are entirely my own.
There’s never any fabric waste in my house, especially when it’s something as lovely as this Saratoga knit by O! Jolly!. I only had the tiniest amount left after finishing my Megan longline cardigan, but I knew exactly what I wanted to do with it.
I used the raglan view of V8952 as a base for the top. I made a few fit modifications, raised the neckline, and added my own neck and hem bands. I used some plain white ponte for the back and sleeves, and seamed together three scraps of Saratoga knit for the front. I love the texture of the spongy knit as a feature and the contrast of cream against white.
The shorts are an old favourite and TNT for me. I used the Esther shorts pattern and simply added an asymmetrical overlay at the front. I used scraps for this make too. I salvaged some gorgeous, meaty Theory cotton sateen (from this dress) to use for the back of the shorts and for the front overlay. The dress was tired (with a few stains) and needed to be retired. I didn’t have quite enough sateen though, so I used some scrap linen for the shorts front and overlay lining. The linen was too lightweight for the shorts on its own, but perfect for this design where the front is layered.
I’ll wear these shorts a lot. I made a yellow version a few years ago which are still on the go, but have been downgraded to gardening/painting gear. It feels good to replace a wardrobe item that was very much loved.
I made this little dress way back in April for my daughter’s birthday. She specifically requested it. We’d just been through the seasonal wardrobe shuffle which meant that a lot of her dresses were passed onto her younger sister, including this favourite that I made for her last year.
The pattern is the Twirl to Me dress, in the maxi length. The fabric is vintage, found at an estate sale for less than a few dollars. It is a beautiful cotton sateen, but quite an old fashioned print. I was surprised that Coco picked this from my stash, but it ended up suiting the dress very nicely.
I know she’ll get a lot of twirls out of this little party dress. It’s obviously not quite as practical as a simple T and shorts, or the tunic dresses I make for her day to day wear, but it is a dress that makes her feel special when she wears it. And everybody needs something like that in their closet.
My girls have been watching my production of cold-shoulder dresses and tops and begging me to make them the same. This make is literally all scraps, right down to the miscellaneous, handmade, but unmatched silk and rayon bias bindings.
The fabric is an old poly from Spotlight. It fades a little, and catches occasionally, but it’s lightweight, and otherwise wears pretty well. In fact, it wears incredibly well, because I’m pretty sure I’ve seen Miss Eight wearing her other dress in this fabric at least twice a week since I made it.
This dress was always intended as a wearable muslin, but it has turned into one of those rare occasions where I don’t want to change a single thing about it. And I’m pretty sure Miss Eight feels the same. I’ve been watching her wear it. It looks comfortable and non-restrictive for play. It’s nearly too short for her, but she likes to wear bike pants under dresses anyway, so it still works. On an average height girl, the dress would be more modest.
Miss Six and Miss Four have put in their orders so I better get to work grading this pattern down for them. It looks like we might all be twinning in a few weeks.