When you find the perfect silk, you really just have to make the perfect dress. I actually had another dress in mind for this silk, but when it arrived on my doorstep, I realised that it deserved something a little better.
It’s a silk satin by Trina Turk from The Fabric Store. It has a lovely, subtle texture to the good side, and the fabric is a beautiful weight that doesn’t require lining. It’s the perfect silk for a bias cut dress!
I used a design I copied from a RTW dress a few years ago. However, I lined the front and back bodice and turned it into a halter neck instead.
I love this dress A LOT. And I should. It’s the perfect fit. I guess that’s why so many of us sew though, isn’t it. How amazing does it feel to slip on a dress that fits like a glove, custom-made to your unique shape only?
This is my little Chickmunk. Yes, you read correct. We don’t have chipmunks around these parts. We have Chickmunks. No matter how many times I correct the child, it still always comes out as chickmunk. I personally think that she’s a bit of a chickmunk herself.
This bright, summery suit is a new girl’s pattern that I’ve been working on. It’s a copy of the tie-back suit all the big girls wear at swim practice. The fabric is the most delicious Liberty of London swimsuit fabric from The Fabric Store.
It’s been a while now since I’ve sewn up my first Liberty of London suit. I can now attest to the fact that the fabric lasts well with constant use. It feels beautiful and smooth to the hand and it performs nicely in the pool. It definitely outlasts any of the cheaper swimsuit fabric I’ve picked up from Joann or Hancocks over the years. I’ve learnt the hard way that you get what you pay for.
Miss Six claimed this suit before it was even finished. It’s actually a size too big for her. She should be wearing a 24. This is size 26. It looks ok when it’s dry, but if you look at the photos, you can see some gathering/wrinkling around the leg and through the waist area. There is also more tie than there should be.
The fit becomes more apparent when in the water. A good fitting suit SHOULD actually stetch a little over the curves of the body. There should be negative ease; a little bit of negative ease in a practice suit, a LOT of negative ease in race suit. The back tie allows a bit of flexibility with fit. You can tighten or loosen the straps as you please. And I know that I see plenty of kids in poorly fitting swimsuits. However, when you are swimming laps, it feels awful wearing a suit that doesn’t fit. I’ve always made sure my girls have suits that fit correctly. I’ve possibly spoilt them…
Anyway, this little chickmunk still gives the suit a big thumbs up!
This is the type of top that I will live in for the next eight months. It’s super comfy, versatile, and smart enough to wear to work.
The fabric is a sandwashed crepe de chine silk by Liberty of London from The Fabric Store. It has the softest texture and prettiest print. I would sleep in this top if I thought it was appropriate.
The pattern I used is one I’ve used many times before. It’s a vintage pattern, McCalls 6429, originally designed as a raglan style dress. However, I’ve sewn it up as a jumpsuit and a dress. Last year, I refashioned the dress into a top and wore it nearly every day until it died. That’s why I decided to replicate it.
My only modifications (apart from cutting it as a top) was to add an extra 5/8″ to the width of the centre back and collar. I’m not sure this is the perfect “broad shoulder/back” adjustment, but I’d done it this way in the past for this pattern and it fits me well.
Spring is for floating around in dresses made of fairy wings, right?! I got a jump start on my favourite season with this dress. It might still be a little cool to wear it right now, but those days aren’t far away.
The fabric I used is Liberty of London silk crinkle chiffon from The Fabric Store. It’s a deliciously sheer silk that requires a bit of patience to sew, but produces a beautiful outcome.
I shouldn’t scare you though. It isn’t really that tricky to sew at all. The key is in keeping to a simple pattern and taking your time. Believe it or not, but the crinkle appearance and print also make it a very forgiving fabric to sew, particularly since it is a fabric that suits a looser fitting design.
I kept the design of this dress incredibly simple. The neckline and armscye are simply narrow hems. No binding. The silk presses beautifully. It’s a pullover style. The design is loosely based on a drop-waist dress pattern I made for myself years ago. I just turned the bodice into a high-low shape and added an extra gathered panel.
I’m wearing a simple black slip underneath. The only one I owned was tunic length, so I added a panel of leftover black lining (from this coat) to achieve the length I desired.
I love this dress! I’m envisioning a whole wardrobe of sheer dresses now. Stop me!
These are my new favourite shorts. I need more of them. In linen. A pants version. A whole closet full would be nice.
The pattern is Burdastyle 111A shorts style. I made a few small modifications.
- I omitted the front fly (might have been a faux fly…)
- I also ommitted the belt carriers
- I stitched down the facing and created an elastic casing as I did this. The shorts do not include an elastic waistband, but I wanted a pair of easy, comfy shorts that could be pulled on (as well as tied up with a big bow!).
I love my new shorts. The linen is from the Fabric Store; a most divine shade of Military Green. I love the exagerated paper bag waist of the design. I’ve been wearing them with a silk tank I made ages ago. The very pretty charmeuse is an oldie from Tessuti Fabrics. I can also see myself wearing these shorts with a billowy, white linen top in Fall.
To be perfectly fair, I only have myself to blame for the fury that I felt when preparing to sew this pattern. I’m usually more than happy taping together PDF’s but on this occasion I decided to treat myself to the paper copy. I should have read the online product description better, but I didn’t. I read blog reviews that recommended shelling out for the paper copy rather than the PDF, the catch being that those bloggers didn’t sew from the paper copy. They sewed from the PDF. They probably had no idea that the paper pattern is overlapped on one piece of paper (like a Japanese sewing pattern) and has no seam allowances either.
So my paper copy arrived by mail and I put it aside in great excitement, only to open it up on the night I wanted to get started. If I’d wanted to spend an evening on my hands and knees tracing lines and measuring allowances, I would have drafted the pattern myself or modified an existing pattern that I already owned. I already have a good number of patterns and rarely buy a new one. The whole point of buying a new pattern on this occasion (and a paper copy at that) was to be lazy.
It was an easy sew in the end. The pattern is rated average. I’d venture to call it “easy” if you make it in a woven cotton. Silk would up the ante a little. And my Asaka kimono did turn out to be pretty awesome. The fit is spot on. I lengthened the body by one inch but didn’t change the sleeves. I had just enough fabric to make this work. My waist tie has about 16 separate seams because I was a little short on fabric, but I’m not bothered. The collar on it is lovely too.
As gorgeous as it is, this robe will be a morning cover up for me, to wear after showers and while sipping my tea. The fabric is a very lightweight cotton which is soft and washable. The sleeve design is fabulous and functional. The front slit means that those long hems won’t be dripping into my tea. It is exactly what I needed in my wardrobe.
I really do love the overall design of this robe. I can see myself using it again in the future to make a silk version for a formal occasion, but with a longer waist tie that can be looped into a bow. And after all the ranting, I’d still recommend it.
At the end of the day, I’m glad that I made it. Am I glad that I purchased the paper pattern? No. Would I have bought it knowing what I know today? No. Would I recommend purchasing the PDF version? Yes!
I made this little dress way back in April for my daughter’s birthday. She specifically requested it. We’d just been through the seasonal wardrobe shuffle which meant that a lot of her dresses were passed onto her younger sister, including this favourite that I made for her last year.
The pattern is the Twirl to Me dress, in the maxi length. The fabric is vintage, found at an estate sale for less than a few dollars. It is a beautiful cotton sateen, but quite an old fashioned print. I was surprised that Coco picked this from my stash, but it ended up suiting the dress very nicely.
I know she’ll get a lot of twirls out of this little party dress. It’s obviously not quite as practical as a simple T and shorts, or the tunic dresses I make for her day to day wear, but it is a dress that makes her feel special when she wears it. And everybody needs something like that in their closet.
I’m calling this authentic because the thread and the fabric were both picked up at an estate sale. It’s plausible that the fabric is from the 70’s. It certainly looks the part.
To be perfectly honest, most of the fabric I find at estate sales is truly awful. There’s lots of old, rough quilting remnants, ugly home deco cottons, and dusty poly knits. The pricing is often absurd too, clearly valued by people who know nothing about fabric and sewing. I walk past a lot of rubbish. However, every now and then I find a gem and a bargain.
This fabric was a part of several bundles that I found at one particular house several months ago. Each bundle was $1-3 and contained 3-5 remnants of varying lengths. I was immediately apparent to me that some of the fabric was of high quality, but sometimes it’s hard to tell the exact fibre content of a fabric without a burn test, particularly with “nicer” synthetics. So I nabbed three of the more appealing bundles and took them home to inspect more closely.
Subsequent burn tests revealed a LOT of silk in that bundle, including this absolute gem. Needless to say, I popped back to the sale later that day and grabbed the remaining decent bundles. I ended up with several long lengths of pretty silks, two really long lengths of Liberty of London (one was a wool blend), and a few nice poly and cotton florals. Some prints are old fashioned, but even so, are still delightful for the right project.
I was able to determine that this particular floral fabric was a synthetic. It doesn’t press. It definitely melts (please don’t ask me about this!)! It’s stiffer than a silk chiffon. It’s not my kind of fabric at all, but I LOVED the 70’s vibe of the print. It was going to make the perfect partner for my suede mini and flares.
I wasn’t planning to spend much time or effort on a horrid poly like this but I didn’t have a lot of choice. I needed to bind the raw edges somehow. Self-fabric binding would have been beautiful (but an awful job with a fabric that won’t hold a crease). My solution was to use some sheer pink, silk organza that I already had on hand. Obviously, silk organza presses well but I’ve never used it for bias binding before. It’s a very crisp fabric to begin with but after several washes, silk organza turns super soft. It was the perfect compliment to this sheer blouse.
This dress was not on the top of my sewing queue but somehow I managed to drop everything else as soon as I spotted this Tibi ensemble. It was love at first sight sight. The fabric is to die for, but I also loved the laid-back, cut-out design of the shoulder and the loose-fitted, fluid nature of the outfit. To me, it screamed, “hot, steamy, Summer”, which is exactly what we get to expect in Kansas City.
I used a gorgeous fluid (cotton-like) viscose that I purchased recently on whim (I’m a sucker for filling my trolley to get free shipping!). I had no idea what I wanted to use it for at the time, but it was absolutely perfect for this dress.
The design is my own, but it was a very simple one. If you have a basic shift dress pattern that fits you well the modifications are easy. I simply slashed the length of a TNT shift dress pattern to spread it into a slightly more A-line shape (rather than a boxy shift). And then I lined up the pattern pieces to create cut-outs over the shoulder seam. I used the same principal described in my off-the-shoulder top.
This dress worked out even better than I imagined. It’s like slipping into cool cotton sheets on a hot day, which is probably going to make it my favourite dress to wear in a few months time.
So, I loved Miss Seven’s vintage sheet shirt so much that I just had to make my own. Here it is.
My Grainline Archer has been modified to accommodate my standard broad back/long arm/height requirements. I also added a classic, tailored sleeve placket, and two fish eye darts in the back.