Asaka Kimono in Peach Silk

I made my first Asaka Kimono years ago. I wear it daily in Summer as a morning robe. I LOVE it more than words can say, and for years, I’ve also been meaning to make a more “dressy” version of it.

When I saw this lovely double georgette silk from Pitt Trading, I knew immediately what I would make with it. 

The fabric is a beautiful weight, with a dry hand and lovely drape. It’s not exactly sheer, but it isn’t totally opaque either. I actually photographed most of these pictures without the slip. And if I was to wear this dress out in the evening, I could probably get away without the slip. However, if I was off to a daytime wedding, I’d definitely wear a nude slip.

I used to avoid sewing with sheer fabrics because I couldn’t figure out how to line them or what with. I’ve discovered that I much prefer to sew up sheer dresses and tops without a lining because it gives me more freedom to mix up the look of the final garment. I just pop a slip underneath it. Slips also get me out of trouble if I decide a linen I’ve sewn with is too sheer in the sunlight, or a skirt could do with a lining (post construction). I own three different types of slips, in nude, white, and black. I generally start with long dress slips and trim them down as required. If they get too short, I keep the short one and start on another long one. 

The Asaka Kimono pattern is a great pattern. It’s a little bit of a fabric hog and always takes me longer than I expect to sew. However, perhaps that’s because I’ve always tried to take a little extra care when I’ve sewn this pattern. French seams are a deserving feature when using a lovely fabric like this.

I’m super happy with how my new Asaka Kimono turned out. I can’t decide if I’ll wear it out first on a date night, or try layering it with black tights and a turtleneck to wear to work this weekend…

 

A floor length skirt in leopard print

This a wardrobe staple. Everybody needs a floor length, leopard print skirt, right?!

The fabric is a luxe, cotton jacquard from The Fabric Store. I say luxe, because the print is so beautiful. The fabric though, is actually perfect for daywear. It is a lovely, heavyweight cotton blend that is easy to wash and care for. It does fray a little though, so I’d recommend serging the edges before prewashing. Otherwise, it was a dream to work with.

I decided on a skirt, but I think this fabric would also be amazing made up into a blazer or jacket. And if you are looking for something similar but for a more formal occasion, you need to check out this animal print jacquard!

I didn’t use a pattern to make this skirt. It was freestyle sewing all the way. The design is pretty simple. The top edge is turned over in a very deep “hem” which rises above the natural waist to create that high-waisted, “paper-bag” waist look. There is only one seam at the back of the dress, an invisible zipper which extends all the way to the top. It is basically one big rectangle (aside from the slight hi-lo shape at the bottom hem, which I cut away at the end).

I finished the top of the skirt and sewed the zipper in first. Then I pinned it to my body to create the perfect sized pleats at the waist. There are two big pleats at the front and two at the back. It was a very back to front way of sewing a skirt but it worked out perfectly! It fits perfectly with, or without a belt. However, I prefer the look of the skirt with a little skinny belt worn at the waist.

Vintage refashion

I found this wonderful pink silk dress at an estate sale recently. It is completely covered in sequins and beads which obviously made it irresistible to a magpie like me.

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The dress was a very good fit exactly at is was, but with the wide, unfitted sleeves and shoulder pads, it was also quite old-fashioned looking. However, I could see that it had potential.

My first job was to remove the shoulder pads. This was as easy as a quick snip, and it let me get a better visual of how the dress would look with simpler sleeves. Losing the shoulder pads helped the look of the dress immensely, however, I still needed to do something about the sleeves.

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I thought about slimming down the sleeves and then re-attaching them, but the armscye was set too low for a slimmer sleeve and the fabric was too delicate to play around with too much. In the end, I simply unpicked the sleeves, brought the side seams in a little (by a tiny wedge under the arm) and then re-finished the sleeveless armscye. To maintain the contrast edge beading and to keep the whole thing neat, I stitched everything by hand.

 

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I thought about shortening the hem of the dress, but I’m going to keep it long. I’ll probably need to wear a slip though. That silk is sheer in the light!