Plaid oversize top

This is the kind of top I wear a lot in Spring. It’s oversize enough to wear as a sweater but it also looks fine as a top.

I used an old pattern in my stash. I suspect it may have started out as Simplicity 1366 but has been modified within an inch of its life. I know I changed the neckline shape, added a collar (which I can stand up if I like), dropped the shoulders, adjusted the shoulder seam slope, widened the sleeves, and changed the armscye. I also modified the hem and added side slits. In fact, it would be a disservice to you all if I were to still call this Simplicity 1366…

In any case, I’ve made this top twice before, and worn them both to death. One has a shoulder seam zipper like this one and has since been demoted into a painting smock. The other was made in a stable knit fabric and has become my go-to gym sweater. It’s nice to have another version that is respectable enough to wear in public again.

The fabric is an unknown wool blend, thrifted from an estate sale many months ago. It is double-faced and launders beautifully, but it creases a little. Perhaps it contains a bit of cotton?

Itsy bitsy Heiress Bikini and rashie

 

Sharon, from Swimstyle Patterns, contacted me a few weeks ago to see if I’d like to try one of her patterns. I was under no obligation to blog about it, but I’m very impressed, so I want to share my experience.

I’d already discovered this Australian indie pattern maker a few months earlier via Instagram so I knew what patterns she had to offer. There were two main reasons why I hadn’t already purchased any patterns off her myself. It was mid-Winter here! Also, I don’t wear bikini’s very often. I’m not opposed to a good bikini. They just don’t suit my lifestyle (which involves real swimming, rather than sunbathing). And on the odd occasion that I might be lazing around a pool, I’m always in hiding from the sun, covered up from head to waist with a long sleeve rash vest, thus rendering a bikini pointless anyway.

There are lots of swimsuit patterns out there, including vintage, indie, and modern. I’ve sewn more than a few of each. However, it’s still hard to find style lines and sophisticated construction techniques that replicate RTW. I work in a high end clothing boutique once a week (and do the odd modelling job for them as you may have guessed from my IG feed!). On Saturdays, I spend my time studying, styling, and fitting designer clothes, mainly on customers (but sometimes on myself too ;-)). One such item I was admiring recently was a very cute bikini by Milly. I especially loved the seamless design and the simple, yet flattering shape of the separates. The Heiress bikini has a very similar seamless design, so I was quite keen to try it out.

I cut a size 10 for the bikini, which corresponds very closely to my measurements. The top portion is drafted for a B-cup. I’m an A-cup on a good day, but I wanted to trial the pattern first before I attempted any modifications.

The fabric I used is not your traditional swimsuit fabric. It’s actually a double layer of swimsuit fabric, bonded together. This makes it extra thick (a little scuba-like), extra flattering, but with a little less stretch. I think it makes the bikini top extra supportive, but perhaps the reduced stretch also makes the bottoms a little skimpier.

The bottoms are actually a perfect fit (albeit in a very cheeky style!). The seamless design makes for such a pretty finish. The top would be perfectly suited to a B-cup. I think (given the stretch of swimsuit fabric and style of cut) it would probably look great on a C-cup too. It’s a little “empty” on me and since I don’t need or want padding in my swimsuits, I’ll probably give it away.

I’m keeping the bottoms though. I have another top underway that I’ll pair with the rashie below (also by Swimstyle Patterns). Ideally, I would have made this up in the long sleeve version (sun safety all the way here!) but I just didn’t have quite enough fabric. I sized down in this pattern, and then adjusted the side seams further as I made it. Swimsuit fabric is stretchy and I like my rash vests to fit like a second skin. That way, you almost forget you are wearing one. I could probably still bring the seams in a smidgen around the waist and arms. I’m amazed at how many loose-fitting, oversized skinsuits and rash vests I see people wearing in real life, especially poor kids. They must feel so unpleasant and heavy when wet!

The other great thing about this bikini pattern, is that there is a free pattern hack for anyone wanting a bit of extra butt coverage. There are also more strap options for the top. I chose the halter version, but there is also an adjustable strap version, and a really neat cross back hack available.

 

Spring stripes

When I purchase fabric, I usually have a project in mind, but I rarely follow sewing patterns without some sort of modification. This means that I’ve had to get pretty good at estimating fabric requirements on my own. I usually come pretty close these days, but sometimes I end up erring on the more generous side (because it gives me a little leeway to change my mind on the design, and because I know that I’ll always find a good use for the scraps if any remain).

This was the case with some lovely hand-dyed velvet, wool crepe, and ponte that I found in my stash. I loved the way the contrasting colours looked together. They all have some stretch, but not enough to do away with darts. The velvet and wool are woven, but the ponte was a knit.

I started by cutting the fabrics into wide strips (seaming some of the velvet strips for extra length where needed). Then I stitched them together to create a striped fabric. I had just enough fabric to make a midi skirt in a slim-fitting style. I designed it by draping (on myself!) and re-stitching those stripe seams around the hips and bottom until they absorbed the darts needed to create the fitted shape.

In retrospect, I should have left the initial (striped fabric) seams unfinished (no overlocking!) until I’d sewn the final garment. I ended up doing a lot of unpicking of those overlocked seams to shape the top of the skirt. I also added gores (of orange wool crepe) to the bottom of the skirt for a bit of extra flare.

There’s a bit of a difference in the amount of stretch in each fabric. So, even though the stripes are the same width, the white ponte stretches more than the velvet, and this is most apparent at the waist. I probably should have made the ponte a little narrower, or the velvet a little wider to adjust for this.

I’m still pretty happy with how it turned out though. It’s a warm and comfortable skirt for Spring. And it just so happens to match perfectly with my refashioned velvet top.

 

Esther shorts and a little refashioning

The Esther shorts pattern is a very old tried ‘n’ true pattern for me. I’ve lost count of how many times I’ve sewn them up. I love the high waisted design. My preference is to sew them up in a medium weight, cotton/elastane (2-3%) blend. And given the frequency with which I’ve made them, that is probably all I need to say on the matter.

I’ve also been doing a bit of refashioning around these parts (nothing new, you say!). One of my favourite, casual, silk dresses was getting a little old and starting to look a bit too sheer in the skirt. The logical solution was to chop off the skirt. Now it’s a cute little top!

I didn’t waste the skirt portion though. The pale, neutral colours of the silk have made it a great option for lining a little Summer dress for Miss Eight. More on that one later though!

 

Statement sleeves in blush silk

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This has been my party shirt for the holiday season. I’ve mostly been wearing it with leather trousers, rather than these wool pants. There’s something so lovely and contradictory about pairing leather with silk charmeuse.

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The pattern I used was Vogue 7604. The only changes I made were to lengthen the sleeves and body a little. I made my standard broad back adjustment. I also shortened the neck ties by about 6 inches on each side, because I simply didn’t have enough fabric. That bias cut collar and tie is a serious fabric hog!

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There is a small amount of stretch in my silk (technically it’s called stretch silk charmeuse), which makes it very comfortable to wear. In real life, I’ve been wearing a thin, long sleeve, merino top underneath it, which makes it the warmest and most comfortable party wear ever!

The collar can be worn a few ways. I like it tied at the back best, but it can also be tied at the front, or wrapped around once with a shorter tie at the back. And suprisingly, those sleeves did not get dipped into any gravy. I did have to watch out for the pussy bow though!

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A Summer dress

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Apparently you guys like pretty dresses, well those of you who follow me on IG do. My top posts of 2016 are pretty much all the dresses. I hadn’t even blogged about this one and it still made the cut.

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I made this one using a large remnant of vintage linen, thrifted from an estate sale. The textured windowpane fabric was from a small length purchased on whim from Tessuti Fabrics some time ago. I think the blue pairs perfectly with it.

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The pattern is modification on a self-drafted princess bodice that fits me perfectly. You’ve seen me use different versions of this bodice all Summer (here, here, here, and here). The skirt is just gathered (with pockets of course!). I was after a cool, easy-to-wear, Summer dress.

I was worried about the straps being too stiff, but I’m glad for their sturdiness now. And they don’t feel too stiff when I wear the dress. They actually feel comfortable and secure. I hate flimsy straps that feel like they may stretch out or tear. Instead of creating tubes and pressing flat (as I’d normally do for a strap of this width), I used wider lengths of linen, folded the raw edges in and then in on themselves again, and then topstitched both edges. It means that there are four layers of linen in each strap, perfectly suited to holding up the weight of a midi-length, gathered skirt.

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I’m a big fan of the midi length dress. It’s an easy length for tall ladies to wear. I know I’m going to get a lot of wear out of this, maybe even sooner rather than later!

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Vogue 8952 – View B in a linen knit

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I don’t like sewing staples very much. However, I had a bit of linen jersey in my stash and thought it might make a nice top for Fall.

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I used Vogue 8952, and made View B in a size 12.

I made a few very small changes to the pattern:

  • I narrowed the waist/hip flare.
  • I *think* I shortened it a little too. I wanted a simple, long sleeved top rather than a flared (borderline) tunic.
  • I lengthened the sleeves by an inch.
  • I also attached the funnel neck a little differently. I doubled it over, rather than leaving it as a single hemmed piece. I didn’t want quite so much drape around my neck.

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I don’t mind the way this top turned out. It’s not perfect, but it is perfectly wearable. The neckline is more stretched out in my top than what you’d normally see (even though I did stabilise it). I should have adjusted for my broad shoulders/back (as I would normally do if I were sewing a woven fabric). The neck seam should probably sit a little further in towards my neck on each side. However, I knew that the type of knit I was using, and the wide nature of the neckline would be very forgiving to broad shoulders. And it is comfortable to wear so I can deal with it.

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BHL Alix dress – pattern tested

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I recently did a bit of pattern testing for By Hand London. You might have seen a few sneak peeks of their new design on Instagram. I’m happy to say that it is finally available.

The Alix dress is a very flattering, easy-to-wear, slipover dress, with the perfect smidgen of 70’s vibe. I made mine up in a very cool striped and spotted silk crepe de chine.

The particular version you see here was made up according to the test instructions, so there has been at least one small modification to the final version. My dress has under bust pleats which can be a bit pointy. I think the final version gives the option of gathers which will produce a much smoother result.

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I should also list the other small fit modifications I made. Like many people, I’m not a standard size, so I graded from a US 8 (bust) to a US 6 (waist and hips). I lengthened the sleeves by 1 inch (long arms). I also found the underarms a bit tight initially, so I let out the underarm seams out by about 1/2 inch in total post construction. This is not a reflection on the design, just simply a post-construction fit for my broad shoulders. I would normally slash and spread either the CB or shoulder seams (design dependent) by about 5/8 inch in total to adjust for my broad back/shoulders. A US 8 (35 inch bust) is the perfect bust/chest fit for me but my shoulders expand above my bust so I need to accomodate for this increase in back width without adding volume to the chest area.

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My only other change was to shorten the maxi length version by 4-6 inches, shaping the hem in a slight hi-low fashion. I basically just made myself a midi. Cutting lines for all the dress lengths are included on the maxi length version so it is very easy to cut whatever length you desire.

I love my new dress and I’ll be holding on to this pattern for future versions too. It would make a lovely Winter dress in a lightweight wool. But actually, my brain is already working overtime, thinking how I might possibly be able to modify this pattern to make a sleeveless version next Spring.

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Satin pants – Vogue 1347

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Some time ago, I was the recipient of several large remnants of lovely vintage fabric. Mostly, it was made up of silks, but there were a few synthetics in there too, including the pale green satin I used for these pants.

This satin (although very beautiful and silk-like) is a pretty tricky colour to pair with most of the skin types in my immediate family. Harper, Annecy and I have very fair skin and blue eyes. I have a very warm undertone to my skin which gives me the illusion of a looking tanned at times, but (for example) I use the palest shade of Lancome foundation available. This particular shade of green is probably one of the worst colours you could ever put on us. Miss Eight, with her coppery hair and green-tinted, blue eyes, could have pulled it off, but even so, I think there are more beautiful colours I could put her in when she gets old enough to wear a heavy satin like this.

It probably would have sat in my stash indefinitely had the thought of satin track pants not occured to me. And pants, being a considerable distance from my face, would not be as likely to drain me of all my human colour.

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I used a Chado Ralph Rucci pattern (Vogue 1347) that I’ve used a few times before. I like the fit of the elastic waist pants, and the legs are drafted long and wide (even for me!). I made a few small modifications to the pattern.

  • I changed the waistband construction, by stitching on a separate waistband casing, rather than simply folding down (albeit with some tidy bias facing). This *may* have dropped the waist height by about a half inch. I can’t quite remember. I also made my wasitband extra wide. I stitched a seam 1 cm from the folded edge of the waistband so it would “ruffle” slightly above the encased elastic.
  • I omitted the pockets because I though they might be too visible/bulky under the satin. I regret this decision a bit now! I do love pockets.
  • I added a black panel down the side of the leg. I seamed the back leg portion of the pants to include this panel.
  • I added 1 inch to the length of the legs.

I took a while to decide whether I wanted to line these pants or not. In the end I chose to fully line them in a beige-coloured, acetate lining fabric. The lining will increase their comfort against my skin since acetate is breathable and poly satin is not. It also adds warmth (Winter!), smooths and strengthens the outer fabric.

These are fun pants that I will enjoy wearing during Winter as a change from jeans. I’ve paired them with the satin cami I made recently, because it was still very hot when I was taking photos. I’ll probably be wearing them differently in a few months, perhaps with a button down shirt and blazer, or a sweater and coat. I’m sure I’ll have more photos to share on Instagram soon.

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