The original version of this Alix dress had beautiful long sleeves. A silk dress with long sleeves is dreamy, but ocassions to wear it are few and far between. It’s not warm enough for Spring, and yet, by Summer, I really don’t want to wear long sleeves of any description. The natural solution was to chop off those sleeves.
The Alix dress works beautifully as a sleeveless dress. There is just one thing you need to know about doing it. The armscye in the original pattern is designed to be close fitting, because it’s a pattern for a woven, sleeved dress. It needs to higher in a sleeved dress to achieve a fitted look and allow for good arm movement in a woven fabric. However, a high armscye is unnecessary and uncomfortable in a sleeveless dress. Some of the lower armscye needs to be scooped out (lowered) in order to suit a sleeveless design. I shaved about 1/2 inch off the bottom of my armsye. I could have probably taken off a little more.
I simply bound the armscye in two parts. I dealt with the lower armscye first and then re-stitched that to the yoke. Finally, I applied bias binding to the part of the yoke that was left raw. It all folds under and is nicely hidden. I should also mention that as this was a test version of the Alix dress, the bust darts are a little pointy but if gathered (as per the updated pattern), the bust area would look smoother and awesome.
I’ve been dreaming of this version of the Alix dress since I first sewed my tester version. I’m glad I have it in my closet now. I can definitely see myself making more.
The off the shoulder and cold shoulder trend is still around. I also know for a fact it will still be here when Spring RTW hits the stores sometime in the new year. However, I personally need a break from the style. I’d also like to have warm shoulders during Winter. I’m all about comfort in cold weather. If it isn’t soft and warm, it won’t get a look in, no matter what.
Not everything is worth refashioning, but this particular top was. The fabric is a beautiful pure cotton Italian jersey. It is a smooth, lightweight knit without the addition of any other fibres or elastic, so it washes beautifully and wears well. The fabric deserves to be worn, which is probably why this top has been modified so many times.
It started as an off the shoulder top. But I hate strapless bras so after the first few wears, I made it more wearable by adding shoulder straps to conceal a bra. However, this top does not suit being worn under a jacket or even on it’s own in Winter for that matter.
I had a cotton/viscose cardigan in my closet that was given to me (that I was never going to wear), so I used that to replace the missing shoulder portion of the original top. I sliced the elastic and shoulder straps off my cold shoulder top (in a straight line). I then placed the cold shoulder top over an existing top and used that as a guide to cut the shoulder portion from the cardigan.
If I’d been working with a plain T instead of a cardigan, I could have simply sewn the top portion on to the cold shoulder top. However, the cardigan needed a little more prep. I overlapped the front, removed the neck ribbing and then reattached it. I also gathered the sleeves to fit the cold sholder sleeves (which were more fitting). This is my favourite feature of the new top – those little puffs above the old sleeves. Why am I feeling puffy sleeves so much lately?!
I love my new top. I loved the old versions too. If it were Summer all year round, I may have kept them, but I’m going to get so much more wear out of this beautiful fabric now.
I am totally obsessed with orange right now. Instead of filtering by fabric type in my online shopping, I’ve been filtering by colour.
The fabric I used for this trench is an Italian stretch wool suiting that goes by the colour, “pumpkin”. It couldn’t be more appropriate for Fall. Originally, I had my mind set on sewing a trench coat in a heavy silk satin, but economics had me looking at poly satin instead (which I just couldn’t find the love for, or perhaps it wasn’t the perfect shade of orange). In the end, I was sensible and landed on some wool fabric and I’m very glad I did. Anything other than wool just wouldn’t get any wear here in the Midwest.
The fabric is a beautifully, weighted wool twill, with a significant amount of stretch in both directions. It’s not a knit, but its lycra content meant that I had to treat it like knit. Stabilising the shoulder seams and neckline was essential. I toyed with lining this coat (as per the original pattern), but I really wanted something casual, that I could throw on and go. And lining deinitely wasn’t necessary with this fabric. The wool is perfectly opaque and the underside is as respectable as the right side. In fact, the wrong side is smoother, which makes it suitable for resting against the skin. Lastly, I pretreated the fabric in the machine and dryer before sewing, so I can wash and dry it easily at home.
I used vintage Vogue 2915 with a few small modifications. I sewed a size 12 but adjusted the shoulder seams for a broader back. In retrospect, I possibly could have gotten away without this fit adjustment because of the fabric’s generous stretch. And in fact, a tighter fit through the shoulders (in a stretchy fabric like this) would have resulted in a more consistently nice shape in the sleeve cap when worn because the sleeve cap would stretch over the shoulders. In some of my photos (above and below), the sleeve seam has slipped off my shoulder and the sleeve cap doesn’t look great (because there is no sleeve head to support it). But in the two photos below that, the shoulder seams sit in the correct postion and the sleeve looks perfect. I guess this is also the thing with an unstructured, cardigan-style coat. Technically, the fit is good though, and at least I know that this pattern will fit me well when I’m ready to use it again and make it up in a stable woven.
Other changes I made to the pattern:
I lengthened the sleeves by 1 inch.
I ditched the collar and front yoke flaps as I felt they wouldn’t suit the casual drape of the front.
The front coat pieces have been made wider at the centre front (by about 4-5 inches), to create the front drape.
I skipped all front fastenings and the belt. The original pattern was double breasted.
This was one of those makes that just seemed to grow more involved as I got into it. I set out to whip together a quick trench coat without all the detailing. But once I got started, anything less than a bound buttonhole (amongst other things) just seemed unacceptable. And whilst on the topic of unacceptable, I can’t, for the life of me, remember if I pressed that hem or not… I think Netflix turned my brain to smush while I was blind-stitching it…so it’s back to the ironing board with this trench before I wear it!
I recently did a bit of pattern testing for By Hand London. You might have seen a few sneak peeks of their new design on Instagram. I’m happy to say that it is finally available.
The Alix dress is a very flattering, easy-to-wear, slipover dress, with the perfect smidgen of 70’s vibe. I made mine up in a very cool striped and spotted silk crepe de chine.
The particular version you see here was made up according to the test instructions, so there has been at least one small modification to the final version. My dress has under bust pleats which can be a bit pointy. I think the final version gives the option of gathers which will produce a much smoother result.
I should also list the other small fit modifications I made. Like many people, I’m not a standard size, so I graded from a US 8 (bust) to a US 6 (waist and hips). I lengthened the sleeves by 1 inch (long arms). I also found the underarms a bit tight initially, so I let out the underarm seams out by about 1/2 inch in total post construction. This is not a reflection on the design, just simply a post-construction fit for my broad shoulders. I would normally slash and spread either the CB or shoulder seams (design dependent) by about 5/8 inch in total to adjust for my broad back/shoulders. A US 8 (35 inch bust) is the perfect bust/chest fit for me but my shoulders expand above my bust so I need to accomodate for this increase in back width without adding volume to the chest area.
My only other change was to shorten the maxi length version by 4-6 inches, shaping the hem in a slight hi-low fashion. I basically just made myself a midi. Cutting lines for all the dress lengths are included on the maxi length version so it is very easy to cut whatever length you desire.
I love my new dress and I’ll be holding on to this pattern for future versions too. It would make a lovely Winter dress in a lightweight wool. But actually, my brain is already working overtime, thinking how I might possibly be able to modify this pattern to make a sleeveless version next Spring.
I may have jumped the gun a little with this make, but I know I will get a LOT of wear out of these overalls in a few months time when the weather eventually cools. My plan is to wear them with crisp, collared shirts, and my plethora of off-the-shoulder tops. But in the meantime, there might be the odd occasion that I could wear them sans layers.
I didn’t follow a complete pattern for this make. I slightly narrowed the pants from this playsuit, and then just modified this fitted bodice to a new shape. Having already sewn a few playsuits, I had a good idea of the bodice length I needed (which is one of the most important aspects of a playsuit in my opinion. Nobody wants a saggy butt, or to be cut in half!).
The fabric I used is a very thick, crisp, cotton twill by Theory. It has a little bit of stretch like a cotton sateen and the good side has a soft, washed silk appearance and feel to it which makes the black appear more charcoal in colour. It’s a wonderful fabric that will be lovely and warm for Winter, but way too heavy for any other time of the year. I’ve purchased Theory branded fabric from Mood on several occasions now and the quality of this particular brand has always been exceptional.
Part of the reason why I got started on these overalls was because I stumbled across a buckle kit for sale at Hancocks before they closed down. I didn’t use the no-sew buttons though. I had a couple of deep shank metal buttons in my stash that I liked so much better.
At this point, I’ve only basted the hem in place. I just can’t decide how long or short I want the pants! I’m very tempted to crop them a little bit more for Fall, but with a deep hem that I can lengthen again in the future.
It all started when my daughter’s little friend pulled me aside one day and whispered, “I really, REALLY love Harper’s dress”. And that was just the icky poly tester version I made her. The poor child was suffering though the heat and weight of it that day, but she still refused to take it off.
Also about this time, the Dutch Label Shop contacted me to see if I’d like to try out some of their labels . I was given the labels for free. It was such a busy time for me that I very nearly didn’t take them up on their offer, but I’m glad I did.
I uploaded my own design to be made into a Woven Logo Label and I absolutely love how they turned out. I didn’t expect the lines to be so defined and clear. They really do look great. The service was also excellent. They have a representative on hand to check the designs to make sure they suit the label and they contact you if needed. These labels are a little larger than what I’d normally put on a kid’s dress, but in real life, I’m much more likely to put a nice label on a coat or jacket and these will suit that perfectly. I also rarely sew for anyone outside of my direct family and I don’t make a habit of labeling everything I make. However, there is something very nice about the finishing touch that a label gives the garment.
But back to my production line of Mini Chloe’s, which include some of those dresses in the picture above. The first off the rack was made in pink fabric as requested by the little admirer. It’s the only dress I didn’t get around to having modeled (P.S. my models charge me actual money for photo shoots these days!). It’s also not my best work sewing-wise, but the fabric is divine. It’s a vintage cotton or mixed natural fibre, but it feels like washed silk. I was in a big rush to get this dress done to surprise the little girl.
Then, I made her two sisters each a version. I used some Art Gallery voile for the little sister.
And a beautiful mix of silks for the eldest girl. These ones are a special gift so I took care with the making of them.
Then, I felt guilty about my middle child only having that horrid (but spritely yellow) polyester version. So I scrounged through all my scraps to discover that I had enough fabric left to whip up a rayon and silk version in her size. This one will be lovely to wear. She already has a matching skirt in this fabric, so she immediately fell in love with the dress.
But that’s not all. I was sorting through my small remnants of silk and rayon for middle child’s dress, my daughters were taking delight in recalling the clothes I’d sewn with all the different fabrics. They came up with the idea of “friendship dresses” for their closest friends (who also happen to be sisters). The plan was to incorporate fabrics in the friends’ dresses that I’d already used for theirs (so they could match). I had to use a bit of creativity to find enough fabric, but adding panels to the dress design made it easy. The second one will be on Instagram soon.
I love this little dress pattern and I love my new labels. The dress is so quick and easy to sew that it makes gift-sewing a breeze and the labels add the perfect final touch. I have no doubt that those cold-shoulder sleeves will be out of fashion at some point, but the dress is still a simple, classic shape. I might try sewing it sans-sleeves next summer.
If you follow me on Instagram or Snapchat, you’d know that I’ve been spending an inordinate amount of time at the pool this Summer. And trust me, as an ex-swimmer, I do not use the word “inordinate” lightly.
I never intended for my girls to love swimming. I just wanted them to be able to swim. But perhaps my standard for what constitutes proper swimming is slightly higher than the average Joe. And it’s also possible that my passion for the sport has rubbed off a little despite my best intentions. In any case, Miss Eight is obsessed. It’s also been stinking hot in Kansas City, so in addition to the practice and the meets, we’re at one of the local pools most evenings for a dip after dinner. Our bathers are getting a serious workout.
Finding the best swimsuit fabrics has been a big learning experience for me and not one that can be evaluated overnight. Feeling the fabrics and sewing with them is one thing, but it’s not until you immerse them in chlorine, salt, UV light, and sweat twice daily that you really get a good idea of what works the best. In order of preference (the top three tie), here are my honest evaluations.
Oh, you all know that I have a fondness for Tessuti Fabrics, but it’s not without good reason. I don’t think they’re really known for their swimsuit fabrics, but they do seem to get in a few nice prints each year. I’m pretty sure the owner hand picks their fabrics personally on their annual buying trips, but I’m not really sure where their swimsuit fabrics come from. I’ve used at least five different swimsuit fabrics of theirs (paisley, red cherries, green cherries, floral, rainbow scales) and they’ve outlasted all of the other swimsuit fabrics so far.
I should also note that leotards in our house are not just used for gymnastics. They’re rotated in as swimwear for play (not practice) because they offer a better cover up from the sun (and sometimes we can’t be bothered to get changed!). Yes, the prints have faded, but that happens with all swimsuit fabric exposed to chlorine and UV light. Yes, their fabrics may be a little more pricey than other places (but they’re a great bargain as a remnant) and the fabrics last.
This was my biggest wild card. All I wanted was a tiger print and I would have bought the fabric from anywhere. I couldn’t find what I wanted so I had to make my own. I can’t comment on other Spoonflower fabrics but I really do love their sports lycra. Like Funki Fabrics, the print is placed on white fabric, but the fabric is quite thick as far as swimsuit fabrics go. It may have a tiny bit less stretch that comes with the thickness, but the weight lends itself to a flattering fit, no sagging, or losing shape when wet. And it looks great without lining.
So far, the integrity of all my Spoonflower sports lycra is exactly as it was when it was sewn. This is most apparent when it’s been paired with other fabrics (like the blue of the swimsuit above) that has fared a lot less well. I will definitely buy Spoonflower sports lycra again. It’s not cheap, but the quality is good (which means it lasts longer). And I save on not having to fully line it. I’m very keen to check out some other prints. I feel like this will become my “novelty” swimsuit fabric favourite for my girls.
I’ve only bought a few swimsuit fabrics from here, mostly designer brands. They were also awesome. The fabric faded over the years, but it generally retained it’s original elasticity and is lasting extremely well. And the key word you should note in that sentence was ‘years’. If a swimsuit fabric is lasting years over weeks, then there’s something good going on there.
The quality of the fabric was really high which I suspect is due to the fact that they were designer labels, like Anna & Boy and Zimmerman. I keep meaning to investigate their new online presence. I used to love visiting the Fabric Store when I lived in Sydney but they fell off the radar for me when I moved overseas.
I’ve only sewn with their Limited Edition Solids and swimsuit linings. I love their swimsuit linings. They have good colour choices in the linings and they work beautifully under swimsuit fabrics. The linings are also a pretty awesome price which will keep me going back.
I have a slightly different view of the solids, which is not to say that I won’t use them again. The Solids come in an amazing array of colours, which will tempt me back when I’m after something specific. They are also one of the smoothest and most luxurious swimsuit fabrics I have ever felt. However, even the colours that appear opaque really need to be lined if they are going to get wet. I’ve sewn with a blue, green and a grey. They all feel fabulous dry, but they just look too thin against the body when wet. When fully lined, it is an entirely different matter. I love my Splash Swimsuit, but without the lining I think it would be unwearable for an adult.
I’d be interested to see how their prints work, since I know a print can disguise a fabric’s shortcomings somewhat. I’ll also continue to use their solids for dancewear for my girls, as well as smaller contrast sections in swimwear.
I was given these fabrics for free a while back, but like I said in that earlier post, it’s very difficult to make a proper assessment of swimsuit fabric without actually swimming. I’ll stand by what I said about their variety of prints.
Their printed swimsuit fabrics are probably the lightest weight I’ve dealt with, but only slightly so. They are also white-backed with a digitally printed front. I chose light-coloured prints which really needed to be lined (but this would be expected with any light-coloured print swimsuit fabric).
These fabrics did not last very long compared to my girls’ other swimsuits. They were actually the first swimsuits I had to throw away from having worn out, rather then been passed down to a smaller sister first. I’ll admit that we’re all pretty rough on our swimsuits here. I don’t rinse out the chlorine… ever! But I was still a little disappointed at how quickly these fabrics began to disintegrate.
However, it’s also important to note that Funki Fabrics do sell more robust swimwear fabrics, but just not in the prints that we’re used to seeing from them. Unfortunately, their Perform range only comes in black or white.
My experience here is extremely limited and not likely to improve anytime soon since they’re closing their doors. But I’d place their business in the same category as Joann or Spotlight when it comes to fabric. I picked up a shiny blue swimsuit remnant there for just a few dollars. It worked ok unlined (for kids bathers), but a lining would have significantly improved its appearance. This fabric also deteriorated very, very quickly.
I wonder if the age of the fabric plays a part in this. How do you know how old the fabric roll is that you’re buying from? It’s the elastic within the fabric that seems to dissolve/rot away and we all know that elastic is decayed by age, light and heat. I remember going through thousands of pairs of Speedos as a teenager (during my competitive swimming years). I’d generally get two months out of a pair of bathers before I had to wear two pairs together. And every now and again I’d strike out with a pair that would literally begin to deterioriate within a few weeks. Now I wonder if they were just made using an old or bad fabric batch.
So this has been my experience with swimsuit fabrics to date. I’ve been sewing swimsuits and leotards now for about three years. I’ve probably made over two dozen pairs, half of which remained in my ownership (3 girls, every year, Summer + Winter leotards + swimsuit = easy math). Of these, I’ve only thrown away about five (worn out) suits. The first two pairs I biffed were leotards where the metallic fabric (Mood) bit the dust. Next went the first swimsuit I ever made (the Tessuti Fabrics (paisley) which lasted through two children over 2.5 years, including being worn over clothes in Winter when swimming was not an option). The last two pairs I threw away were the Funki Fabrics duo, which sadly only lasted one season. Every other suit has been passed on to the next child or stored away.
Now, I’m not an expert when it comes to swimsuit fabrics. I’ve only shopped at five vendors and I haven’t tried all that they have to offer, but I still wanted to share my experience. I know there must be other places out there and I’m always open to new ideas. If your experience was different or if I should have tried a different product, speak up! I’d love to hear from you as my swimsuit sewing shows no sign of subsiding any time soon. Where do you buy your swimsuit fabrics from?
One great thing about living in the USA is that my birthday is in Summer here! I’m so much more inspired to dress up and head out for the night in the middle of Summer. The end of June always seems so cold and dark in Sydney (relatively speaking).
To be perfectly honest though, I’ll use any excuse to sew a nice dress. Yes, there’s still over a month until my birthday, but several years ago I came up with best birthday strategy ever. For the next month, many sentences will begin with, “It’s my birthday soon, so…”. If I really stretch it, I can milk my birthday for a good eight weeks, which could possibly turn into several dinners out, maybe some new shoes, fabric…and you’ve already seen my “birthday” sunnies if you follow me on Instagram.
But let’s get back to the birthday dress. It is my own design, albeit a very simple one, and also one you’ve seen before. The skirt is the only real part of the design I changed, moving and adjusting the pleats a bit to create the volume and shape of the skirt. I also moved the zipper to the back and left it exposed (because it is a bit fancy!).
I’ve been calling the outer fabric lace, for want of a better word. Perhaps it is, perhaps it isn’t. It is actually faux leather embroidered on scuba mesh. Surprisingly though, it is very stable. There isn’t much stretch in that mesh so I was able to turn the fabric on the cross grain to utilise the mesh edging/selvedge as a hem. I decided that the lining needed to be black for contrast and cotton for breathability under the spongy synthetic exterior.
Now, the construction of this dress is where things went a little Pete Tong. My original plan was to partially line the bodice, just like this blue Milly dress. However, after sewing all the seams (of the outer fabric) and serging them, I realised that the underside of the lace was so hard and scratchy that the dress would be unwearable if it was left even partially unlined. I could have used silk organza blocked into the top part of the lining and sewn it as a full lining, but I didn’t have the right shade of nude on hand and I just wanted to get on with it.
My solution was to first bind the armscye of the outer lace. Then I sewed together the lining in full and attached it to the lace at the neckline. Then a lot of hand-stitching ensued. I slip-stitched the lining to the armscye binding and down the centre back. The dress is actually very close to passing as reversible.
I’m very happy with the fit. It shouldn’t be a surprise, but I think I will always feel an element of surprise and delight when I step into a garment that is perfectly molded to my body. It’s a sensation that I’ve never felt with RTW.
And while we are speaking of perfect fit… I drove past an estate sale last week and bumped into the impeccable Jill Sander shoes that you see in the photos. They were not only my exact size, but comfortable, possibly unworn, and totally meant for the dress I was sewing. I felt like Cinderella!
Aghhhh, I’m so rough on clothes. I wear all my good clothes. There’s no such thing as “too special to wear” in my closet. Once there was, but now there’s not. If I spend the time and energy to make something nice, I’m definitely going to be out there wearing it!
I wear all kinds of fibres, but in Summer, I’m particularly fond of linen and silk crepe de chine. Both of these are pretty hard-wearing. I machine wash and dry most of my clothes (because that is what one does in our neighbourhood). I try to avoid the dryer with my silks but reality means they always end up in there at some point. I’ve completely given up line-drying my kid’s silk garments and the three pairs of silk PJ pants that I own and wear day in, day out (here and here). Silk can be as tough as nails.
So I got complacent. Well, I actually just wore my favourite shirt ALL THE TIME. What did I expect? A cotton shirt isn’t immune to the terror of the underarm deodorant stain, so why did I think my wonderful silk shirt would survive such daily wear? It was good while it lasted.
As you can see below, the discolouration under the arms is beyond horrible. I hated the idea of throwing away all the good work I put into those plackets, and cuffs, and collar… so I decided to cut it away as much as I could (about 0.5 inches below the bottom armscye seam to be precise). I didn’t dare cut away anymore because I knew doing so would bring the armscye down too low. I cut away a bit more at the top shoulder seam so the sleeveless top would have a nice shape. My plan was to wear a nice, sporty bandeau style bra underneath and treat the low armscye as a design feature.
I salvaged the bias binding from the undamaged portions of the sleeves. There’s still a tiny bit of stain at the bottom of the armscye but most of it was concealed with the binding. Otherwise, any remaining stain is mostly hidden by the natural position of my arm.
It turned out that the low armscye wasn’t as bad as I expected. The most bra that could be seen in any of my photos was in this one. I can deal with this. Long live my revived silk Archer!
It’s been so long since I’ve made a dress like this, with a fitted bodice and a pleated skirt. The design is very similar to one of the first few dresses I ever designed and made from scratch. If I was still living in Australia, I’d probably still own those dresses, but the nature of moving overseas calls for ruthless culling and I’ll freely admit that I have a few small regrets.
To craft this pattern, I draped both a muslin and the fashion fabric directly onto my mannequin. I find draping gets the best fit for me through the bodice. I did a rough calico for the bodice, but draped the skirt fabric directly on the mannequin. The skirt is a very simple design, just two pleats and some whopping big side pockets.
Because this was the first fitted (woven) bodice I’ve designed or made for a long time, I chose to use an invisible zipper down the front of the dress. I actually quite like this style of fastening, but I had another sneaky reason for placing the zipper in the front. I didn’t sew a full muslin of the dress so I wasn’t fully confident that the bodice fit wouldn’t need a bit more tweaking. I knew it would fit well enough but I wanted the opportunity to aim for perfection, as well as be able to accurately adjust my pattern pieces for the future. I’m reasonably flexible, but there’s no way I can pin out a CB seam accurately on my own!
As it turned out, the fit was pretty good. I only needed to let the waist out by 0.5cm on each seam and this was easy to do by reducing the seam allowance at that point when inserting the zipper.
The fabric is a medium-heavy weight embroidered cotton. It has the most amazing texture and structure due to the black embroidery and it suits the design of the pleated skirt perfectly. You can see how the skirt holds it’s shape. I tried to be clever and freestyle a back cutout into the pattern once I’d already commenced sewing the bodice. However, I didn’t like the way the edges sat so I inserted some silk organza between the fabric and the lining. I probably could have used elastic along the cutout edges to bring them in towards the body instead of the organza. I’ll remember that next time.
Overall, I’m very happy with the fit and feel of this dress. It’s a simple, elegant design that I’ll get a lot of wear out of. I’m also happy to have a TNT fitted, princess-seamed bodice pattern in my arsenal. It’s been something I’ve been meaning to make for over a year now.