Summer scrapbust dress in mustard linen

What do you do with all those lovely little lengths of fabric that are too small to sew even a pair of shorts, but too good to give to the kids? I usually just hold on to them and hope some inspiration comes. It often takes a very long time!

This time, I had an idea. I had several beautiful pieces of white, and mustard linen from The Fabric Store. It was leftover from these recent projects (here and here). I had my mind set on making a simple, Summer shift dress, but I wanted to test the design first. The dress pattern I used was little more than a loose sketch I made using several patterns I already own for guidance. It’s basically just two unfitted, T-shirt shaped, pattern pieces (front and back), plus some binding and cuffs for the sleeves. It’s an easy, slipover dress that will be great for throwing on over swimsuits or dressing on a hot day.

Before I could cut out any pattern pieces, I needed to create the fabric. I pieced together random lengths of linen to create a big, random design. I doubled up the white linen to give it the same density as the mustard linen (except in the shoulder area). It was fun creating the random design and quite interesting to see how they would work together in the end. Turns out that I quite like this little dress.

 

Kobe top in sheer silk

I’m a little obsessed with floaty, sheer fabrics right now. And in my world, that literally means all the silks. Liberty of London do an amazing crinkle silk which I’ve used before. I’m thinking about using it next time if I sew this pattern up as a dress. For this version, I used a divine silk georgette from The Fabric Store.

I only made a few small modifications to the pattern. I sewed up a size small which is quite close to my measurements. However, I know I have to adjust for my shoulders these days, even when the bust measurement matches perfectly.

The adjustment that works well for me is this. I draw a diagonal line from the middle of the shoulder seam to the CB of the bottom of the top (or very close to it). I slice along this line and spread the shoulder seam by about 5/8″. It generally keeps the waist the same size but adds width to top most shoulder area, which fits well with the triangular body shape that those of us with strong shoulders and lats have. I repeat with both sides, and the front and back of the top. If the top hangs well below waist level, or I am dealing with a dress, I cut the pattern off at the waist so as not to widen the waist or hip area.

My first attempt at the Kobe top turned out a little shorter in the front than I expected, even with just a narrow hem. I usually lengthen patterns in the bodice by 1/2 inch to account for my 5″10 frame. I didn’t in this case and I’m pleasantly surprised. It’s a little outside my comfort zone, but still like this top a LOT. I don’t mind the sliver of tummy. But I know this top would also pair perfectly with my high waisted jeans.

The back is sitting a little lower in the photos than I expected. I think I wear this top pushed back a little to raise the neckline. I’ve been wearing the top with a little cropped top/soft bra underneath in a complementary shade of apricot in real life to avoid the peek of bra underneath. I think it works.

 

 

Silk bias cut dress for Summer

When you find the perfect silk, you really just have to make the perfect dress. I actually had another dress in mind for this silk, but when it arrived on my doorstep, I realised that it deserved something a little better.

It’s a silk satin by Trina Turk from The Fabric Store. It has a lovely, subtle texture to the good side, and the fabric is a beautiful weight that doesn’t require lining. It’s the perfect silk for a bias cut dress!

I used a design I copied from a RTW dress a few years ago. However, I lined the front and back bodice and turned it into a halter neck instead.

 

I love this dress A LOT. And I should. It’s the perfect fit. I guess that’s why so many of us sew though, isn’t it. How amazing does it feel to slip on a dress that fits like a glove, custom-made to your unique shape only?

An updated drop waist dress in printed linen

I made a bunch of drop waist dresses several years ago. I absolutely loved them. Two are still in very good condition. They just feel a bit outdated to me, so they have been packed away for another time (or for when my girls become teenagers and want to explore all the old clothes I used to make and wear).

I used the old pattern that I drafted for myself years ago. Sorry, there isn’t a pattern for this, but it is far from complicated. I used French darts and a slightly A-line shape to the dress bodice. I like French darts for this style as then blend in nicely with the A-line shape. The bodice has a hi-lo curve to it, and the gathered skirt is a little longer than I’ve used in the past. I also modified the shoulders to create ties instead of fixed seams.

The linen fabric is from The Fabric Store. It’s such a lovely, fresh print. And for those of you who like to wear linen, but have trouble with the delicious crinkles, I’d suggest you try a printed linen like this. It still wrinkles like linen, but the print kind of disguises them.

This will be such a cool and comfy dress to slip on during hot, summer days. I’ll probably wear it most over bathers, on trips to the pool, or outdoor swim meets.

A Spring midi in crinkle silk

Spring is for floating around in dresses made of fairy wings, right?! I got a jump start on my favourite season with this dress. It might still be a little cool to wear it right now, but those days aren’t far away.

The fabric I used is Liberty of London silk crinkle chiffon from The Fabric Store. It’s a deliciously sheer silk that requires a bit of patience to sew, but produces a beautiful outcome.

I shouldn’t scare you though. It isn’t really that tricky to sew at all. The key is in keeping to a simple pattern and taking your time. Believe it or not, but the crinkle appearance and print also make it a very forgiving fabric to sew, particularly since it is a fabric that suits a looser fitting design.

I kept the design of this dress incredibly simple. The neckline and armscye are simply narrow hems. No binding. The silk presses beautifully. It’s a pullover style. The design is loosely based on a drop-waist dress pattern I made for myself years ago. I just turned the bodice into a high-low shape and added an extra gathered panel.

I’m wearing a simple black slip underneath. The only one I owned was tunic length, so I added a panel of leftover black lining (from this coat) to achieve the length I desired.

I love this dress! I’m envisioning a whole wardrobe of sheer dresses now. Stop me!

 

Coco Racer #11001

There’ll be no prizes for guessing who this swimsuit pattern is named after. She was instrumental in testing the first samples for me…over…and…over…again, during the past 18 months. This design has taken time, but in the end we nailed it. No underarm or neck chaffe, no pulling on the shoulders, no constricting the shoulder blades, no wedgies, no catching water in the bottom or through the neck.

We like it best made fully lined, as the design instructs. However, I have made a “racing” version of the suit by just lining the crotch and omitting the front and back lining. It’s a nice suit that looks good and performs well.

I have several more swimsuit designs in the pipeline, both for kids and adults. I’m also considering putting together some kits since I have a stash of the most beautiful Italian swimsuit fabric on hand (chlorine resist, UP50, recycled). As soon as I finish juggling some of life’s curveballs, I might get on with it! 😉

Refashioned into a LBD

A few years ago, I was playing around with a top design that had slightly dropped shoulders and statement sleeves. One of my early versions of this top was more of a tunic, and I had a little fun with it by adding a front cut out and big bow. This top was eventually refined into a more (daily) wearable Branson Top.

I always intendeded to make a short sleeved, dress version of the top but never got around to it. I guess this refashion is the next best thing!

Vogue 1027: a faux wrap dress

At some point, I must have decided that I needed more Summer neutrals in my closet. What better than a DKNY jersey dress in the most beautiful, weighty viscose. I’ve used several different shades of this viscose jersey over the years. It always sews up really nicely.

I’m also quite fond of Vogue patterns. I find they fit me very consistantly. I can make my standard adjustments and sew up the pattern right off the bat, without a muslin. My standard adjustments are 1/4 inch extra width through each shoulder seam, and lengthening a 1/2 inch through the bodice (#sewingtall). I usually also lengthen the hem length.

I didn’t bother with lengthening the skirt because I wasn’t planning on hemming the fabric. I prefer to leave a weighty viscose in a skirt like this with a raw hem. I feel like it looks a lot cleaner than a hem. However, having said that, I did follow the rest of the pattern instructions properly, which involved facings on the sleeves and a hemmed neckline. They worked out beautifully.

The measurements on the pattern envelope correspond very well to my actual size. I believe my dress reflects what I see on the pattern cover. I did make a few observations on the design, mostly relating to my fabric choice.

1. The waistline is supposed to be higher. Mine does technically sit in the right spot, but the weight of the fabric in the circle skirt pulls the dress and stretches the bodice down. Furthermore, I’ve folded the fabric belt half down to cover my elastic seaming below the waistline. I believe the belt is supposed to be folded up completely, again shortening the look of the bodice. It’s a catch-22. I adore the drape of a weighty viscose, but it does make for a heavier dress.

2. The instructions say to create casing for elastic with an extra seam below the bodice seam, using the seam allowances from inside the dress. Looking at the pattern cover, I’m not convinced that they did this step. I don’t like the look of this seam line on the finished dress, so I’ve tried to hide it with the belt. Also, measure your own waist to determine the elastic length required. Their measurements here are completely off. My elastic probably isn’t tight enough to hold the heavy skirt up adequately, but I was wary of too-tight elastic being uncomfortable and creating too much “gathering” through the waist seam.

3. Considering the 4-way stretch of my jersey, I probably could have sized down through the waist and skirt to achieve a more snug fit (which I feel would suit the style of jersey I used). I also wonder what the crossover bodice would look like if I ditched the pleats (I certainly don’t need the space with my bust size!). I’m not unhappy with the way this dress turned out. The bodice fit is good, and the shoulders are comfortable. And the dress even has pockets!

I will definitely sew this pattern again, maybe in a bit more colour next time. Meanwhile, I can see myself wearing this dress quite a bit over the next few months.

 

A black silk cami

I was given a few lengths of some lovely crepe backed silk satin recently after my MIL had a big clean out. The fabric is probably quite old, but it is in perfect condition and of a beautiful quality. The smaller remnant was a gorgeous glossy black and I knew that it would make the perfect camisole.

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Crepe back satin is much heavier in weight than charmeuse, with the lovely brilliance of satin on one side, and a dull, pebbly appearance on the underside. Normally, I’d prefer silk charmeuse for a slip or cami, but going into Fall, I knew this beefier silk would work well for layering over shirts, as well as wearing alone.

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The pattern I used was the Camilla Camisole pattern. I made up a straight size 10 but lengthened it by about 1 inch. It is perfect. This is the third Camilla Cami I’ve sewn. I love this pattern. It stands out from the crowd because it is cut on the bias, which gives it an elegant fit that can easily be translated into both formal and day wear.

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I made my first Camilla Cami in a Japanese poly and literally wore it to death a few Summers ago. I’ve recently started wearing my second version a lot more. I like the way it layers over a nice tee. And now, this classic black version is going to end up as another staple of my Fall wardrobe. I keep meaning to lengthen the pattern into a slip dress, but I find these little tops much more versatile, and great for using up small lengths of pretty silk.

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Pleated silk skirt

So this was a bit of a random make and totally unplanned, but the fabric just grabbed me and demanded to be made into something wearable… and immediately. It arrived in the mail and bypassed my stash completely.

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I actually went shopping for wool coating, but as always, I ended up with fabric in my cart that I never set out to purchase, namely, this glorious silk CDC. The colours just scream Fall, even if the fabric isn’t really the most Fall-appropriate.

What I wanted to sew with it was a floor length, ruffly, slinky skirt. But we all know how much wear that would get in real life. I thought sensible thoughts and turned it into a  gently pleated midi instead. I can wear this skirt with sandals and tanks, or with long boots, tights, and sweaters. It will get heaps of wear.

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I didn’t use a pattern because I’m good with measuring my waist and a skirt like this is simply just two big rectangles. I winged the pleats, but made sure to match them up. When I had the volume I liked, I jiggled the side seams to match up with my waistband.

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The waistband is the only point of interest in this skirt. Because the design was pretty foolproof, I thought I’d try something a little new. I’d read somewhere (no idea where) that you could use elastic to face a pair of pants (for comfort). I didn’t have the right width elastic on hand, but I did have a yard of a performance ribbing fabric, which feels and stretches like woven elastic. The only thing I had to do was measure the length and overlock the edges. Normal elastic used as facing would look a lot neater than my version (as would matching thread!), but as this was an experiment (and on the inside of my skirt), I wasn’t too worried about appearance.

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Contstruction of the waistband with elastic is almost identical to if you were using facing. I still interfaced the waistband fabric. I just avoided creating seams with the elastic. To do this, I overlapped the waistband fabric with the elastic so only the waistband fabric was folded back against itself.

Using elastic as a facing just creates a bit more comfort with the waistband. It stays tight, but has more give when sitting and breathing. I’m definitely going to use this method in future waistbands, and refine it so it looks pretty too.