A floor length skirt in leopard print

This a wardrobe staple. Everybody needs a floor length, leopard print skirt, right?!

The fabric is a luxe, cotton jacquard from The Fabric Store. I say luxe, because the print is so beautiful. The fabric though, is actually perfect for daywear. It is a lovely, heavyweight cotton blend that is easy to wash and care for. It does fray a little though, so I’d recommend serging the edges before prewashing. Otherwise, it was a dream to work with.

I decided on a skirt, but I think this fabric would also be amazing made up into a blazer or jacket. And if you are looking for something similar but for a more formal occasion, you need to check out this animal print jacquard!

I didn’t use a pattern to make this skirt. It was freestyle sewing all the way. The design is pretty simple. The top edge is turned over in a very deep “hem” which rises above the natural waist to create that high-waisted, “paper-bag” waist look. There is only one seam at the back of the dress, an invisible zipper which extends all the way to the top. It is basically one big rectangle (aside from the slight hi-lo shape at the bottom hem, which I cut away at the end).

I finished the top of the skirt and sewed the zipper in first. Then I pinned it to my body to create the perfect sized pleats at the waist. There are two big pleats at the front and two at the back. It was a very back to front way of sewing a skirt but it worked out perfectly! It fits perfectly with, or without a belt. However, I prefer the look of the skirt with a little skinny belt worn at the waist.

Vogue 9186 in a Mini Big Cat print

A short while ago, I made a long, linen dress using V9186. I love it a lot. I especially like the shape of the sleeves and collar. I like it so much that I decided to have a go turning it into a little top.

I had to modify the pattern a bit. The original pattern is asymmetrical in design so the pattern pieces are all cut flat. I simply traced one side of the pattern front and back and used those pieces to cut on the fold. I cut it to a top length and left everything else pretty much the same. The top is slightly flared and there’s plenty of ease so no bust darts were required.

It’s a very simple, cotton top. The fabric is a Mini Big Cat printed cotton from The Fabric Store. It’s a lovely lightweight cotton and easy to work with. I’ve got a little extra left over which I hope to make into a Summer frock for Miss Eight. I’m just hesitant to cut into it quite yet, given Miss Eight’s tendency to grow like a weed. I can’t find my particular print on their site anymore, but I think this option would also make a super cute top.

I like this top with jeans. It’s a simple, fresh look that I love. However, I have bigger plans for the top and you will be updated soon (unless you follow me on IG of course!).

Fall and Rise Turtleneck for Fall

Sometimes I get my hands on a fabric that is just so gorgeous that I want to make a dozen things from it. Sometimes (but not very often at all) I’ll go back for seconds, and I’ll add that exact same fabric to my cart more than once. Let me introduce this organic cotton knit to you. It’s from The Fabric Store. It comes in two colourways. Sadly, the navy option is sold out, but I can tell you from experience, that the white option is just as beautiful. I love it because it is quite thick, stable, and ever so snuggly to wear.

I have the white colourway on my sewing table as we speak. Yes, I went back for seconds but I wasn’t quick enough to get more of the navy. I desperately want some to make myself some pyjamas with it. However, I can’t stop second guessing myself, that perhaps I should make something to wear out of the house instead… Stay tuned.

The pattern I used is the Rise and Fall Turtleneck by Papercut Patterns. I made the Fall version of this pattern, for Fall of course. Well, I was actually lured in by the nice dropped shoulder shape of the top. I shortened the turtleneck a bit and I wear it folded down. I also added a bit of length to the shoulder seams (broad shoulder adjustment). I think I may have lengthened the top a smidgen too.

Obviously, the biggest change I made is to the sleeves. I very nearly sewed the top exactly as per the pattern, but I chickened out at the last minute and added myself some big old flounces. It’s not a difficult modification. I basically just measured the armscye, copied that measurement to some pattern paper and drew a big circle flounce around it (think circle skirt shape). I graduated the length of the sleeve to be a little longer in the back. So I look like I have wings…

I’ve already worn this top quite a bit. It’s warm and cozy. It’s fun to wear with jeans. It’s also easy to layer when the weather gets colder.

Vogue 9186 in linen stripes

My second Fall project for 2018 is this linen dress. I love the oversized style of it!

I used Vogue pattern 9186 and a beautiful medium weight linen (Hampton Stripe) from Pitt Trading Fabrics in Australia (obviously they ship internationally ;-)). The fabric is truly beautiful. I think they may have sold out of this now, but I imagine it would have made a great pair of trousers or a blazer too. No lining required.

I altered this pattern a little. I did my usual broad shoulder adjustment at the shoulder seams. I took a photo this time too!

I also lengthened the hem by about 14 inches. This turned out to be a little too much on one side because of the asymmetrical nature of the dress. I ended up chopping off a corner and piecing the hem a little to create a more even hem, whilst still maintaining a good length.

I really LOVE the sleeves and placket and the fit and shape of the dress. I’m not so sure about the elastic casing at the waist. I loved the dress without, but there is excess fabric on one side of the dress to allow for the ruching. I sewed the elastic casing in and then unpicked most of it because I didn’t like the look. I don’t mind keeping just a little section on one side. I will sew this pattern again, but I’ll probably cut the front and back on the fold and ditch the elastic casing and extra fabric on the other side.

 

A silver dress for Fall

Everybody needs a silver dress, right? I’m not actually sure what inspired me to sew this dress. It all started with an amazing silver “Tiara” knit that I found online at Pitt Trading. The fabric is so fabulous that the dress design only needed to be simple.

I used the Poppy Dress pattern by By Hand London as a base for this dress design. I widened the neck and lowered it a bit at the back. I know the pattern has long sleeves but I didn’t have those pieces printed out. So I extended the short version myself, to create a nice, long, slim-fitting sleeve. I also increased the back darts to shape the dress more closely to my measurements.

The fabric has a great stripe on the underside of the silver right side. I utilized this stripe by folding up the hem on the bottom and sleeve edge. I hate wasting a good double-sided fabric.

This is such a fun dress. It will be the perfect holiday dress in a couple of months.

Another simple linen shift

I love (and wear!) my last linen shift so much that I knew I needed another. My love for this dress is so strong that I don’t even flinch at the thought that I’m going to have to iron it if I wear it. Trust me, this can be a big deciding factor in my outfit choice for the day.

For this dress, I did a little bit of a scrapbust, using leftover linen from these earlier makes (here and here). Like my last version, this was also a pretty heavily modified version of the Lou Box Top from Sew DIY. My version is sized down several inches through the body. The armscye are dropped at least three inches. I also narrowed the neck a smidge. For the sleeves, I added a little ruffle.

The most interesting thing to note from this make is about the lovely linen. I used a classic light weight linen called Duck Egg and a block printed linen. Both are from The Fabric Store. I think the blue is always kept in stock but the printed linen is disappearing fast. I used exactly the same blue linen to make this dress, but found the blue to be too sheer, which is why I layered the skirt. I planned to do the same for this shift but realised I didn’t actually need to. Obviously the weight of the linen hasn’t magically changed over time. The difference was the fabric I was pairing it with and the fit of the dress. The very opaque knit of the blue dress made the skirt look too lightweight and the style was also a lot more fitted. When I paired the same blue linen with a similar printed linen, the eye was no longer drawn to the lighter fabric on the bottom. The looser style also disguises any possible silhouette, should I decide to stand with my back to a window at midday.

I will wear this dress a lot. It’s very versatile in the sense that I’ll throw it on over a swimsuit to wear to the pool, and the next week I’ll dress it up with some cool shoes for work.

V9313 wrap dress in linen

This dress is already one of the favourite things I’ve ever made. I used a Vogue custom fit pattern, which has separate bodice pieces for different cup sizes. I used the A cup version. I cut a size 14 pattern as this corresponded most closely with my chest and waist measurements. Even so, I still made a few adjustments for cutting the fabric.

I added 5/8 inch to the shoulder seams on each side (as a wedge, as per my usual broad shoulders adjustment). I also added an extra half inch to the bodice length. I think I lengthened the sleeves too, but I can’t remember by how much. I also slashed and spread the sleeves by about an inch to widen them, and I cut them on the bias. Finally, I flattened the sleeve cap a little to reduce the ease. I wanted a very smooth armscye fit without much shape since I fit the bodice to sit the armscye right on the edge of my shoulders.

The pattern has great skirt options for this dress. However, I had my heart set on a gathered, midi length skirt. It’s basically just a big rectangle. As I often do, I start out by following the instructions and then get a little side-tracked with doing what I want to do. I began sewing this pattern in the same manner. The bodice is made up as per the instructons, with a fair bit of slip stitching! I lost interest in following the instructions after that so I really can’t comment on them anymore. I added a little hole in my waistband and lengthened the waistband straps so that I could wear the dress like a true wrap dress, with a tie at the back. I think the actual pattern calls for a button to secure the skirt at the front though.

The fabric is linen from The Fabric Store. I love it so much! The main stripes are a beautiful weight that really doesn’t need to be lined. The green micro striped linen is so soft and delicious that I want to make a hundred t-shirts out of it.

 

 

A Kobe Dress in Colette Dinnigan lace

My basement is currently in a bit of disarray. Unfortunately, that is where I usually sew… We’ve just had the concrete floor cut and pulled up to replace the old metal sewer pipes with brand, spanking new plastic ones. Yesterday, the concrete was poured. Today, we have a proper floor, but oh my, the dust!!! Soon, I’ll have to move everything so carpet can be put down. When the carpet is FINALLY down, I suspect I’ll take a bottle of champers to the basement to quietly celebrate in peace with my sewing equipment… for a whole weekend.

I’m currently waging a seemingly endless war against dust. But in the midst of my battles, I try to squeeze in a little sewing, even if it is only on Sundays right now. Summer break with the kiddos doesn’t help much. I don’t know why I always think I’ll find more time to sew over Summer. It never really happens.

In any case, last Sunday, I sloped off to our dusty basement (avoiding the big centre line ditch that still hadn’t been filled with concrete at that point. I slipped the drop sheets off my sewing tables and snuck in a little sewing. The outcome was a lovely lace, Kobe Dress. The pattern is one I’ve used before, by Papercut Patterns. The lace is Colette Dinnigan from Pitt Trading. The lace I used is sadly now sold out, but Pitt Trading has loads of other gorgeous laces that would do the job. My Colette lace came in panels. I used three for my version of this dress pattern, but I’m tall and I also lengthened the hem and sleeves quite a lot. I think most people could get away with using two panels to make the dress right out of the packet.

Sewing with lace isn’t that difficult. You just have to take your time. I’m by no means an expert, however, I am super happy with how this dress turned out.

To cut this lace, I knew I wanted to use the lace edge as a hem so I lined that up for the front and back. I used the entire panel length for the dress back pattern piece, and pretty much an entire panel for the front. But remember, I lengthened my dress (not sure how much by as I was most focussed on using the entire panel and lining up the hems). I’m also 5″10.  I used my third panel for the sleeves. Again, I wanted to use the lace edge to avoid hemming, so this used up most of one side of the panel. I have a little leftover lace, but no more useful lace edge left.

I finished the neckline with a narrow hem. I just took my time, basting down one fold, and then stitching slowly over the next fold. Using a walking foot helps with tension. It’s very important not to stretch the neck out as you sew, OR sew with the tension too tight. The rest of the seams in this dress are French seams. I think the fabric deserved that.

I’m wearing my Kobe dress over a black slip that is partly store-bought, and partly modified by me. It’s become one of my most important wardrobe accessories because I’m loving sheer dresses at the moment. I love this dress on it’s own, but the style also works well with a narrow belt. I’m also pleased that I spent the time on finishing it nicely with French seams. It’s a dress that I’ll probably hold on to forever.

Summer scrapbust dress in mustard linen

What do you do with all those lovely little lengths of fabric that are too small to sew even a pair of shorts, but too good to give to the kids? I usually just hold on to them and hope some inspiration comes. It often takes a very long time!

This time, I had an idea. I had several beautiful pieces of white, and mustard linen from The Fabric Store. It was leftover from these recent projects (here and here). I had my mind set on making a simple, Summer shift dress, but I wanted to test the design first. The dress pattern I used was little more than a loose sketch I made using several patterns I already own for guidance. It’s basically just two unfitted, T-shirt shaped, pattern pieces (front and back), plus some binding and cuffs for the sleeves. It’s an easy, slipover dress that will be great for throwing on over swimsuits or dressing on a hot day.

Before I could cut out any pattern pieces, I needed to create the fabric. I pieced together random lengths of linen to create a big, random design. I doubled up the white linen to give it the same density as the mustard linen (except in the shoulder area). It was fun creating the random design and quite interesting to see how they would work together in the end. Turns out that I quite like this little dress.

 

Kobe top in sheer silk

I’m a little obsessed with floaty, sheer fabrics right now. And in my world, that literally means all the silks. Liberty of London do an amazing crinkle silk which I’ve used before. I’m thinking about using it next time if I sew this pattern up as a dress. For this version, I used a divine silk georgette from The Fabric Store.

I only made a few small modifications to the pattern. I sewed up a size small which is quite close to my measurements. However, I know I have to adjust for my shoulders these days, even when the bust measurement matches perfectly.

The adjustment that works well for me is this. I draw a diagonal line from the middle of the shoulder seam to the CB of the bottom of the top (or very close to it). I slice along this line and spread the shoulder seam by about 5/8″. It generally keeps the waist the same size but adds width to top most shoulder area, which fits well with the triangular body shape that those of us with strong shoulders and lats have. I repeat with both sides, and the front and back of the top. If the top hangs well below waist level, or I am dealing with a dress, I cut the pattern off at the waist so as not to widen the waist or hip area.

My first attempt at the Kobe top turned out a little shorter in the front than I expected, even with just a narrow hem. I usually lengthen patterns in the bodice by 1/2 inch to account for my 5″10 frame. I didn’t in this case and I’m pleasantly surprised. It’s a little outside my comfort zone, but still like this top a LOT. I don’t mind the sliver of tummy. But I know this top would also pair perfectly with my high waisted jeans.

The back is sitting a little lower in the photos than I expected. I think I wear this top pushed back a little to raise the neckline. I’ve been wearing the top with a little cropped top/soft bra underneath in a complementary shade of apricot in real life to avoid the peek of bra underneath. I think it works.