Vintage McCall’s 6497 // A shirt for Miss Seven

My original plan was to make Miss Seven a pair of pink cigarette pants to go with her new coat. However, I fell in love with every view on the front of this pattern cover and I thought I’d try out the shirt first.

I used more of my vintage sheet set to make this shirt. The print looks so lovely in a shirt that I’m planning to make myself one now too.

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The pattern went together beautifully. My only complaint was to do with the sleeve cap ease, but I find excessive sleeve cap ease a fairly common feature of old patterns. Next time I’ll shave some height of the sleeve cap so it can be set in a lot easier.

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I made this pattern up in a size 8, which corresponded quite well with Miss Seven and a half’s chest measurement. I expected it to be a little bigger on her than it is though. However, it would stand to reason that she has lovely broad shoulders like her mother. The torso fit is lovely and it looks comfortable. I suspect the pants and skirt in the pattern will swim on her tiny hips so I may have to grade them down first.

And before I sign off on this post, I just want to share a quick peek of the best leotard ever. It’s a birthday present for Miss Five. My beautiful, gentle Miss Seven is modelling it. The tiger poses will come later with the fierce Miss Five. I even added tiger eyes to the back of the suit so she could terrorise people behind her too. The pattern is Jalie 3136, which I’ve now made more times than I can remember.

I made the fabric myself on Spoonflower. I used the sport lycra, which is a nice weight and completely opaque.  In fact, this fabric generated so much interest that I ended up purchasing the license for the photo so the design could be made available to others. It will only be available on Spoonflower for a limited time though.

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Sentimental sewing // Vintage leather bag repair

My Father-in-law passed away recently. It was a little unexpected and obviously very sad. We will all miss him a great deal. Living so far away meant that it wasn’t possible for our whole family to make such a huge trip on a moment’s notice. However, my husband was able to return to New Zealand and he was fortunate enough to make it home in time (21 hours of travelling later) to be there with his Dad and to spend time with his Mother and siblings.

My husband is very sentimental, so I suggested that he look through his Dad’s wardrobe and ask his Mum if he could bring home a suit or jacket that I could alter to fit him. I was expecting one nice item (his Dad wore a lot of quality RTW and designer brands). He came home with an extra suitcase brimming with shorts, pants, jackets, shirts, an old leather bag, and a particularly fabulous collection of belts (I’ll post some pictures of those belts on Instagram as soon as a day passes when they aren’t being worn).

The clothes fit near enough that I haven’t needed to do any immediate alterations, although everything is a tiny bit bigger than what my husband would normally wear. With plain T’s, casual shorts, and business shirts, this hasn’t really mattered. He’s been wearing at least one of those items every day and I know it makes him feel closer to his father, especially when I know he still feels so much sadness.

I will definitely need to take a closer look at the suit pants and jackets in the future. They are too nice to make do with a less than perfect fit. The bag, however, required immediate attention. The lining was disintegrating on the touch and leaving everything in it’s path covered with a powdery white residue.

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My first step was to cut out the lining. I left 1/2″  of lining still attached to the bag. I wasn’t quite sure at that point whether I would want to stitch though the bag leather or re-stitch the lining to the top most portion of the existing lining. In the end, I unpicked it all, and hand-stitched it in exactly the same position as the original lining.

Once the lining had been removed, I was able to copy the pattern pieces. There were four pieces in total; two sides, a bottom, and a pocket bag (it was incredibly simple). I was also able to see what a disgraceful mess of inner construction there was hidden beneath the original lining.

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The fabric I used to line the bag was a mix of cotton shirting and heavy silk twill. Both fabrics were leftover from previous projects (here and here) and I had to do a bit of piecing to come up with the amount of fabric that I needed. I put a silk twill panel in the sides of the bag and used the same silk for the pocket bag. There’s one extra seam in the striped shirting, but my stripe matching game was strong and you can hardly see it.

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Once I’d finished sewing the lining, I pressed down the top seam allowance and glued the lining to the inner leather (in the same manner as the old lining had been attached). I then hand-stitched the lining to the outer bag. I tried to avoid adding new stitching holes, but it was difficult to see where I was going in the old stitching line. The old seam line was quite stained and creased because of age. In the end, I somehow managed to finish with what resembles a modified prick stitch on the inside and a running stitch on the outside. The outside stitches don’t look out of place, and I really like the vintage feel of the tiny inner stitches.

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It’s actually really difficult to photograph the lining of a bag. Perhaps I should have turned it inside out but I didn’t think of that at the time.

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A Grainline Archer and refashioned RTW trousers

This is my second Archer. My first Archer fit reasonably well, but this one fits a lot better. I made a few extra changes to better accommodate my broad shoulders. This consisted of lengthening the shoulder seams by 1/2 inch and spreading the back by 5/8 inch (without changing the neck width). However, next time I think I’ll shorten the shoulder seams back again by about 3-5mm on each side. The armscye sits a little wide in this version.

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I might consider adding fish-eye darts to the back if I decide I want to change it to a more streamlined fit. Right now I’m happy with the relaxed look. This is probably how I’ll wear the shirt in Fall.

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I most likely won’t be wearing it with the collar stand buttoned, but the fact that I can (and still move my arms) is nothing short of a miracle. Well, it would be if we were talking about RTW. Another great thing about sewing for yourself is the fact that you can position the buttons pretty much anywhere you want. I have no idea what the actual pattern recommends. I focus on the third button down and position that in relation to my body. The rest of the buttonholes are measured equally apart from there with this neat tool. The third button down is generally the top button I keep buttoned so I want it to be at a modest height but not too high either.

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My favourite thing about the Archer is the collar. It has such a lovely shape. My least favourite thing about the design is the sleeve placket. A sleeve placket is very easy to change though. I used a very standard sleeve placket pattern piece, pilfered from my husband’s TNT shirt pattern, Simplicity 6138. I used white cotton as a contrast for the sleeve plackets, inside collar stand and yoke facing.

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The grey wool trousers belong to a Herringbone Sydney suit that I’ve owned for ten years. The original shape was a long, boot cut. However, they’ve never quite been long enough on me and the boot cut style is now quite outdated.

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Oh dear, look at the not-so-blind stitching on the left hem. I machine blind-stitched the hems and will have to re-do the left leg. I knew I’d left the tension too high on that leg but was hoping those puckers would iron out.

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The following diagram helps to describe my modifications. I narrowed the side seams and re-hemmed the legs. I tried to keep a deep hem in case I want to lengthen them again in the future. The picture below shows the shape of my modified seamline (red).

pantsMy main concern with these pants was in getting the leg length and width correct, particularly towards the calf and ankle. I wanted them to be narrow and tapered but not too tight around my calf. I’m quite happy with the shape I achieved.

I have another pair of trousers planned, but next time I will sew them from scratch in black cotton sateen. I’m working on the pattern right now. It’s nearly drafted, but I want to mull over the pocket design first. I like to sleep on a design before I cut into the actual fabric. More often than not, I’ll wake up with the idea I couldn’t quite grasp the night before.

 

Back to School // Oliver + S Ice Cream Dress

This dress was a last minute back to school wardrobe top up for Miss Seven. It’s one of her favourite styles of dress during Summer, and the simplicity of the design also makes it a perfect little school frock.  It is the third one I’ve made for her.

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For this version, I made a size 7, but lengthened the dress by omitting the double hem construction. This resulted in a lengthened bottom band which I machine blind hemmed in place. I think I may have forgotten to switch the iron on when I pressed the bottom band! I do that sometimes and wonder why the iron isn’t working. The crease you see is where I’ve blind stitched the hem. I also omitted the front pockets.

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I used beautiful Italian cotton shirting scraps for the top and bottom panels of the dress. Both fabrics were leftover from sewing her father’s business shirts. The mid section of the dress is from a vintage pillowcase I picked up at an estate sale recently. I love the combination of prints and colours, and I especially love that I was able to use up some very lovely shirting scraps to make it. Now, if only I could get her into a pair of shoes other than those horrid Crocs.

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A blue cotton top

I’m putting this top to bed. I like it from some angles and not from others. I might still wear it, or I might cut it up and modify it, but I don’t think I want to make another.

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The fabric that I’ve used does it no favours. It’s a denim-look cotton shirting with just enough stretch to keep the bound armscye and neckline permanently wrinkled, despite a good pressing.

Perhaps I could lower the neckline and change the shape of the front armscye, or add darts, but I’m just not loving it either way. And I need to love it if I’m going to spend any more time on it. Sometimes you just have to let things go.

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