Sharon, from Swimstyle Patterns, contacted me a few weeks ago to see if I’d like to try one of her patterns. I was under no obligation to blog about it, but I’m very impressed, so I want to share my experience.
I’d already discovered this Australian indie pattern maker a few months earlier via Instagram so I knew what patterns she had to offer. There were two main reasons why I hadn’t already purchased any patterns off her myself. It was mid-Winter here! Also, I don’t wear bikini’s very often. I’m not opposed to a good bikini. They just don’t suit my lifestyle (which involves real swimming, rather than sunbathing). And on the odd occasion that I might be lazing around a pool, I’m always in hiding from the sun, covered up from head to waist with a long sleeve rash vest, thus rendering a bikini pointless anyway.
There are lots of swimsuit patterns out there, including vintage, indie, and modern. I’ve sewn more than a few of each. However, it’s still hard to find style lines and sophisticated construction techniques that replicate RTW. I work in a high end clothing boutique once a week (and do the odd modelling job for them as you may have guessed from my IG feed!). On Saturdays, I spend my time studying, styling, and fitting designer clothes, mainly on customers (but sometimes on myself too ;-)). One such item I was admiring recently was a very cute bikini by Milly. I especially loved the seamless design and the simple, yet flattering shape of the separates. The Heiress bikini has a very similar seamless design, so I was quite keen to try it out.
I cut a size 10 for the bikini, which corresponds very closely to my measurements. The top portion is drafted for a B-cup. I’m an A-cup on a good day, but I wanted to trial the pattern first before I attempted any modifications.
The fabric I used is not your traditional swimsuit fabric. It’s actually a double layer of swimsuit fabric, bonded together. This makes it extra thick (a little scuba-like), extra flattering, but with a little less stretch. I think it makes the bikini top extra supportive, but perhaps the reduced stretch also makes the bottoms a little skimpier.
The bottoms are actually a perfect fit (albeit in a very cheeky style!). The seamless design makes for such a pretty finish. The top would be perfectly suited to a B-cup. I think (given the stretch of swimsuit fabric and style of cut) it would probably look great on a C-cup too. It’s a little “empty” on me and since I don’t need or want padding in my swimsuits, I’ll probably give it away.
I’m keeping the bottoms though. I have another top underway that I’ll pair with the rashie below (also by Swimstyle Patterns). Ideally, I would have made this up in the long sleeve version (sun safety all the way here!) but I just didn’t have quite enough fabric. I sized down in this pattern, and then adjusted the side seams further as I made it. Swimsuit fabric is stretchy and I like my rash vests to fit like a second skin. That way, you almost forget you are wearing one. I could probably still bring the seams in a smidgen around the waist and arms. I’m amazed at how many loose-fitting, oversized skinsuits and rash vests I see people wearing in real life, especially poor kids. They must feel so unpleasant and heavy when wet!
The other great thing about this bikini pattern, is that there is a free pattern hack for anyone wanting a bit of extra butt coverage. There are also more strap options for the top. I chose the halter version, but there is also an adjustable strap version, and a really neat cross back hack available.
The Esther shorts pattern is a very old tried ‘n’ true pattern for me. I’ve lost count of how many times I’ve sewn them up. I love the high waisted design. My preference is to sew them up in a medium weight, cotton/elastane (2-3%) blend. And given the frequency with which I’ve made them, that is probably all I need to say on the matter.
I’ve also been doing a bit of refashioning around these parts (nothing new, you say!). One of my favourite, casual, silk dresses was getting a little old and starting to look a bit too sheer in the skirt. The logical solution was to chop off the skirt. Now it’s a cute little top!
I didn’t waste the skirt portion though. The pale, neutral colours of the silk have made it a great option for lining a little Summer dress for Miss Eight. More on that one later though!
I made a few mistakes when I was a beginner at sewing. I was sucked in by every pretty quilting cotton, which of course I was never going to use. I also snatched up Liberty of London remnants when I saw them. Why? Liberty looks cute on other bloggers, but have you ever seen me wear Liberty of London?
Another thing I used to do was buy completely inappropriate amounts of fabric for a project. I lived pretty close to my favourite bricks and mortar stores in Sydney, and yet I still harboured a morbid fear of winding up short on a make. Remember this dress? Now, please note the very small amount of lace I used for the back insets. Past-Debbie purchased a good 2.5m of that lace, just to make sure she had enough… The remnants had been in my stash since 2012.
It was nice to finally put this great fabric to good use. I used Simplicity 1366 with a few modifications.
I extended the inside shoulder seams to create a closely fitted neckline. I worked out the gradient of the extended shoulder seam very scientifically. I put on an existing Simplicity 1366 top and eyeballed the shape and length of the new shoulder seam. I think I got it pretty spot on.
I also added a high collar. This was super easy, since the lace had perfectly shaped rick rack panels.
Because of the high collar, I added three buttons and a keyhole/slit back for back fastenings.
I lengthened the sleeves and added jersey cuffs.
I lengthened the body a smidgen and added a jersey cuff.
I love my new top. It’s a great addition to my Fall wardrobe and I love that it works equally well with jeans and trousers.
I made this dress some time ago and entered it into the Tessuti cut out lace competition. However, I always had bigger plans for it. Here are some updated photos.
Pretty much all the details are the same as before. I simply unpicked all the extra overlay that I’d handstitched in place over the shoulder straps, and turned the black trim back to the outside. There was a little seam-ripping and re-sewing involved but it was worth it (and easier because I’d made allowances for the changes to begin with).
Now it’s just a shame that Summer is edging away from us. I’ve probably only got a few weeks of lace left but I will enjoy it while I can.
Not all bathers are meant for swimming. And by swimming, I mean actual laps, freestyle at a pace, butterfly, and flip turns. I have no tolerance for togs that bag out, grab air bubbles, or shift over my bust as I swim. I’ve always stuck to Speedos for my training, racing, and now lap-swimming togs, fiercely loyal in fact. But there could be an extra challenger soon. Me.
I loved my Splash swimsuits, but they weren’t designed for lap swimming. Even so, they worked really well when worn with a rashie over the top half (halter necks just won’t do for real swimming!). This Summer, I’ve been wearing my tiger one-piece mostly. I’ve been playing with the kids, hanging at the pool, and swimming lots of casual laps in it. The fabric has held up beautifully. The design worked well enough, but doing so much swimming also gave me lots of time to analyse the features that needed to be changed.
It was a smidgen too short through the body. The cross back was positioned too high which meant I could feel it across my shoulder blades as I rotated my arms. Also, whilst I loved the novelty of low cut, full bottom bathers last season, I just wasn’t feeling this trend any more. A higher cut leg was calling, not just for the look, but also for functionality and range of movement. Either that, or a to-the-knee bike short style, but I wasn’t going there.
In fact, all this pondering about swimsuits got me thinking about the evolution of competitive swimsuits and the use of technical fabrics (and non-textiles). I ushered swimming out of my life around 1996. Around that time, we raced in ultra small, skin-tight suits, and occasionally what we called ‘paper suits’. The ‘paper’ lycra was developed in 1988 for the Seoul Olympics and the Australian swim team swam in them at Barcelona. This swimsuit fabric was different to normal lycra. It was extremely thin and felt very crisp and dry to the hand. Even the dark colours were semi-transparent in the light. The fabric was strong, extremely lightweight and we wore them skin-tight and a few sizes too small. They only really lasted for one competition. I was fortunate enough to swim under the guidance of a national coach, who bought back souvenirs that he swapped at international meets. That’s how I got my hands on a paper suit, and the ribbed swimwear I’ll talk about later. By the time I swam at an international meet, in about 1995, the swimsuits were back to being regular lycra and ultra small (for a brief window anyway).
More technical, ribbed fabrics started coming in just as I was signing off, but these were still a woven textile. I had an Aquablade catsuit that was really just a high-necked swimsuit. The fabric was designed in a striped print, created by the addition of water-repellent resin. It was supposed to increase the speed of water flow over the suit. The picture below is the best I could find (from the Powerhouse Museum of Sydney, Swimsuit collection). I might still have my suit hiding somewhere in a box in Australia.
The history that follows this is even more fascinating. In 2000, Speedo introduced the Fastskin suit that was said to mimic sharkskin, with ridges and bumps to channel water around the body. They covered most of the body, wrist to neck to ankle. These suits were approved for the 2000 Olympics and 83% of the medals were won wearing them.
In 2008, Speed then launched the LZR racer swimsuit, which they developed in conjunction with NASA, the Australian Institute of Sport, and an Italian company, Mectex. The patented technology for these suits apparently increases blood flow to the muscles, compresses certain parts of the body, and holds the body in a more hydrodynamic position in the water. Suits were also designed specifically to match the stroke being swum and the different pattern of movement/muscle use in that stroke. The “fabric” consisted of woven elastane-nylon and 50% polyurethane. The seams are ultrasonically welded together, rather than stitched! Other companies followed suit with similar technology, making their suits out of up to 100% polyurethane.
Prior to the Beijing Olympics, FINA endorsed these suits. At Beijing, 23 of 25 world records were smashed, and 94% of races were won wearing them. It was suggested that these suits resulted in times being swum 2-4% faster, which is hugely significant in a fixed environment like a swimming pool. By 2009, 130 world records had been broken by swimmers wearing these non-textile suits. FINA backflipped and the suits are now banned. Yet, those records still stand.
Current policy states that swimsuit fabric must be a textile, which is defined as any open-mesh material like cotton, nylon, lycra, etc. So, no more polyurethane with welded seams! There are also regulations on how much of the body a swimsuit can cover. A good example is what you may have seen all the swimmers wearing recently in Rio (ignore the two-piece!).
Meanwhile, back in the normal world, I’m just focusing on a very basic design, in a definitive textile of course. No chance of me being banned from any local pools any time soon! Even after all the modifications, my suit is still not perfect, but it is pretty close to meeting all my needs! The length is great. The cross back feels as though it is in a much better position but I’ll have to do some swimming to test that out properly. I love the bottom half of the bathers. The bottom coverage is perfect and I feel like I got the leg cut just right. I like the way the sides come forward a little more than a generic suit, and the back comes up a little higher. Next time, I’ll widen the bust area a smidgen. I might also have a go at lowering the back to a more traditional swimsuit height.
I never intended to make two dresses with this fabric. I had less than a full panel remaining after finishing my main entry. I toyed with turning the leftover bits of lace into a top for one of my girls, but my sewjo just couldn’t get behind that idea. It seems that I needed another white lace dress in my closet.
I spent way too much time mulling over the positioning of the lace, perhaps even more so with this one because my options were limited. To achieve symmetry with the scraps I had on hand, the bodice had to be seamed down the CF in addition to the princess seams. I didn’t have much choice with the lace placement for the skirt. I like the way I was able to place the lace in the front and whilst I also like the back, it’s perhaps not as cohesive through the sides as I would like. The dot-lace hem is seamed on.
Design-wise, this dress is very similar to my previous entry. The princess-seamed bodice is almost the same, but with a slightly more scooped out neckline and skinny, self-fabric straps. The skirt portion was modified from one of my TNT pencil skirt patterns. I slashed and spread the pattern slightly into a subtle A-line shape for a more casual fit. I absorbed the back darts through the flare and back waist seam.
The bodice is unlined, but the skirt is lined. I faced the neckline raw edges with bias binding. The skirt is lined with a beige coloured acetate. I kept the skirt lining as short as possible so as not to be seen through the bottom panel of the hem. I won’t be bending over in this dress!
Like my other dress, this dress is also designed to be worn with a very specific bra (the one I wore in the last lace dress post). You can see that the bodice fits a lot better when I wear that bra here (and I will be wearing it in real life). It is mostly unseen behind the straps, but for a cleaner look in some of these photos (since I didn’t have a wardrobe assistant on hand to check for strap visibility), I decided to wear a strapless bra. The fit is just not as good across the bust when I have to resort to a strapless bra. It’s a very good reminder of how undergarments affect the outer fit.
Also, try to ignore the big smear of white paint across my calf… maybe we should start a game called, “Spot the Paint on Her”, in all my blog photos for the next six months….
I know I should sit on my competition entries like everyone else, but it’s like sitting on a hot potato, especially since I couldn’t wait to get started on this one. It’s finished, photographed, and I’ll be squeezing in as many wears as possible before Fall, so I figured I might as well share it! The inspiration came from THIS dress that I posted on my IG account a few weeks ago.
As soon as I saw the ivory lace, I knew exactly what I wanted to make with it. The only problem was that the rules stated that no trims could be used and that the outer fabric of the garment had to be made entirely of the competition fabric, and in a single colourway only. That was a big problem. The contrasting black trim against the ivory lace was the element that I most liked about my inspiration dress.
It took me a bit of thinking to come up with a solution, and a LOT of hand-stitching post construction. However, I found a way to keep all my black trim to the underside of the lace fabric and in a manner that I could reverse in the future. With the trim kept to the inside, the contrast is muted through the lace, but still visible as a subtle feature.
This is a post about my competition dress. I will share more pictures one day after I have unpicked all my handiwork to reveal the black trim again.
I designed this dress using a combination of flat pattern-making and draping. I tried very hard to design a bodice that would be low cut (and slightly shaped) in the back, yet with straps that would conceal my favourite bra. I think I did a pretty good job.
I also tried to position the lace in such a way as to avoid lining the bodice. I wanted the dress to show glimpses of skin through the lace rather than lining. But I also didn’t want the dress to be too revealing. The bodice isn’t lined at all but the ruffle provides a little extra coverage. The skirt has a short lining. I couldn’t quite manage to place the lace of the skirt in such a way that would cover my bottom completely.
The lining I used for the skirt is an ivory/beige coloured acetate. I gathered the lining in my dress rather than pleating it because I wanted to add a bit more bulk through the skirt. And that is the beauty of sewing your own clothes. My hips are narrower than my shoulders and this difference gets a little more pronounced the fitter I get so a gathered lining in the skirt helps me achieve an illusion of filling it out better and having a more hourglass figure. (I blame Pokemon, the Olympics, and active kids for getting me out running and swimming laps everyday this Summer!).
I made the straps using wide, black, foldover elastic (FOE). The gathered sleeves are sandwiched between the fold and then the entire length of the elastic is stitched down to create an enclosed strap. I used a very strong/stable FOE. Too much stretch would have made for weak straps, but a little bit of firm stretch and a lightning stitch creates very comfortable and strong shoulder straps.
The sharp contrast of black against ivory in the shoulder straps was what my heart desired, but I compromised by using it as a strap lining instead. I created lace tubes to cover those black elastic straps and hand-stitched them in place. I’ll remove those lace tubes at a later date.
I also encased the edges of the lace ruffle in black, self-made, silk binding. I then turned that trim to the underside and hand-stitched it in place. I like that I can still see a glimpse of the black through the lace. To cover the very edges of the black binding (near the neckline and CB zipper), I cut tiny squares of the competition fabric and appliqued them over the visible binding. The result is a dress with outer fabric made completely of the competition lace.
I’m so pleased with how this dress turned out. I will definitely enjoy wearing it during the last few weeks of Summer. Meanwhile, there’s still plenty of time to enter the competition and if you don’t like ivory lace, there is also red and black to choose from. I have less than a full panel remaining of my ivory lace, but I think I’ve just worked out a way to scrapbust it into another little frock!
To be perfectly fair, I only have myself to blame for the fury that I felt when preparing to sew this pattern. I’m usually more than happy taping together PDF’s but on this occasion I decided to treat myself to the paper copy. I should have read the online product description better, but I didn’t. I read blog reviews that recommended shelling out for the paper copy rather than the PDF, the catch being that those bloggers didn’t sew from the paper copy. They sewed from the PDF. They probably had no idea that the paper pattern is overlapped on one piece of paper (like a Japanese sewing pattern) and has no seam allowances either.
So my paper copy arrived by mail and I put it aside in great excitement, only to open it up on the night I wanted to get started. If I’d wanted to spend an evening on my hands and knees tracing lines and measuring allowances, I would have drafted the pattern myself or modified an existing pattern that I already owned. I already have a good number of patterns and rarely buy a new one. The whole point of buying a new pattern on this occasion (and a paper copy at that) was to be lazy.
It was an easy sew in the end. The pattern is rated average. I’d venture to call it “easy” if you make it in a woven cotton. Silk would up the ante a little. And my Asaka kimonodid turn out to be pretty awesome. The fit is spot on. I lengthened the body by one inch but didn’t change the sleeves. I had just enough fabric to make this work. My waist tie has about 16 separate seams because I was a little short on fabric, but I’m not bothered. The collar on it is lovely too.
As gorgeous as it is, this robe will be a morning cover up for me, to wear after showers and while sipping my tea. The fabric is a very lightweight cotton which is soft and washable. The sleeve design is fabulous and functional. The front slit means that those long hems won’t be dripping into my tea. It is exactly what I needed in my wardrobe.
I really do love the overall design of this robe. I can see myself using it again in the future to make a silk version for a formal occasion, but with a longer waist tie that can be looped into a bow. And after all the ranting, I’d still recommend it.
At the end of the day, I’m glad that I made it. Am I glad that I purchased the paper pattern? No. Would I have bought it knowing what I know today? No. Would I recommend purchasing the PDF version? Yes!
It all started when my daughter’s little friend pulled me aside one day and whispered, “I really, REALLY love Harper’s dress”. And that was just the icky poly tester version I made her. The poor child was suffering though the heat and weight of it that day, but she still refused to take it off.
Also about this time, the Dutch Label Shop contacted me to see if I’d like to try out some of their labels . I was given the labels for free. It was such a busy time for me that I very nearly didn’t take them up on their offer, but I’m glad I did.
I uploaded my own design to be made into a Woven Logo Label and I absolutely love how they turned out. I didn’t expect the lines to be so defined and clear. They really do look great. The service was also excellent. They have a representative on hand to check the designs to make sure they suit the label and they contact you if needed. These labels are a little larger than what I’d normally put on a kid’s dress, but in real life, I’m much more likely to put a nice label on a coat or jacket and these will suit that perfectly. I also rarely sew for anyone outside of my direct family and I don’t make a habit of labeling everything I make. However, there is something very nice about the finishing touch that a label gives the garment.
But back to my production line of Mini Chloe’s, which include some of those dresses in the picture above. The first off the rack was made in pink fabric as requested by the little admirer. It’s the only dress I didn’t get around to having modeled (P.S. my models charge me actual money for photo shoots these days!). It’s also not my best work sewing-wise, but the fabric is divine. It’s a vintage cotton or mixed natural fibre, but it feels like washed silk. I was in a big rush to get this dress done to surprise the little girl.
Then, I made her two sisters each a version. I used some Art Gallery voile for the little sister.
And a beautiful mix of silks for the eldest girl. These ones are a special gift so I took care with the making of them.
Then, I felt guilty about my middle child only having that horrid (but spritely yellow) polyester version. So I scrounged through all my scraps to discover that I had enough fabric left to whip up a rayon and silk version in her size. This one will be lovely to wear. She already has a matching skirt in this fabric, so she immediately fell in love with the dress.
But that’s not all. I was sorting through my small remnants of silk and rayon for middle child’s dress, my daughters were taking delight in recalling the clothes I’d sewn with all the different fabrics. They came up with the idea of “friendship dresses” for their closest friends (who also happen to be sisters). The plan was to incorporate fabrics in the friends’ dresses that I’d already used for theirs (so they could match). I had to use a bit of creativity to find enough fabric, but adding panels to the dress design made it easy. The second one will be on Instagram soon.
I love this little dress pattern and I love my new labels. The dress is so quick and easy to sew that it makes gift-sewing a breeze and the labels add the perfect final touch. I have no doubt that those cold-shoulder sleeves will be out of fashion at some point, but the dress is still a simple, classic shape. I might try sewing it sans-sleeves next summer.
If you follow me on Instagram or Snapchat, you’d know that I’ve been spending an inordinate amount of time at the pool this Summer. And trust me, as an ex-swimmer, I do not use the word “inordinate” lightly.
I never intended for my girls to love swimming. I just wanted them to be able to swim. But perhaps my standard for what constitutes proper swimming is slightly higher than the average Joe. And it’s also possible that my passion for the sport has rubbed off a little despite my best intentions. In any case, Miss Eight is obsessed. It’s also been stinking hot in Kansas City, so in addition to the practice and the meets, we’re at one of the local pools most evenings for a dip after dinner. Our bathers are getting a serious workout.
Finding the best swimsuit fabrics has been a big learning experience for me and not one that can be evaluated overnight. Feeling the fabrics and sewing with them is one thing, but it’s not until you immerse them in chlorine, salt, UV light, and sweat twice daily that you really get a good idea of what works the best. In order of preference (the top three tie), here are my honest evaluations.
Oh, you all know that I have a fondness for Tessuti Fabrics, but it’s not without good reason. I don’t think they’re really known for their swimsuit fabrics, but they do seem to get in a few nice prints each year. I’m pretty sure the owner hand picks their fabrics personally on their annual buying trips, but I’m not really sure where their swimsuit fabrics come from. I’ve used at least five different swimsuit fabrics of theirs (paisley, red cherries, green cherries, floral, rainbow scales) and they’ve outlasted all of the other swimsuit fabrics so far.
I should also note that leotards in our house are not just used for gymnastics. They’re rotated in as swimwear for play (not practice) because they offer a better cover up from the sun (and sometimes we can’t be bothered to get changed!). Yes, the prints have faded, but that happens with all swimsuit fabric exposed to chlorine and UV light. Yes, their fabrics may be a little more pricey than other places (but they’re a great bargain as a remnant) and the fabrics last.
This was my biggest wild card. All I wanted was a tiger print and I would have bought the fabric from anywhere. I couldn’t find what I wanted so I had to make my own. I can’t comment on other Spoonflower fabrics but I really do love their sports lycra. Like Funki Fabrics, the print is placed on white fabric, but the fabric is quite thick as far as swimsuit fabrics go. It may have a tiny bit less stretch that comes with the thickness, but the weight lends itself to a flattering fit, no sagging, or losing shape when wet. And it looks great without lining.
So far, the integrity of all my Spoonflower sports lycra is exactly as it was when it was sewn. This is most apparent when it’s been paired with other fabrics (like the blue of the swimsuit above) that has fared a lot less well. I will definitely buy Spoonflower sports lycra again. It’s not cheap, but the quality is good (which means it lasts longer). And I save on not having to fully line it. I’m very keen to check out some other prints. I feel like this will become my “novelty” swimsuit fabric favourite for my girls.
I’ve only bought a few swimsuit fabrics from here, mostly designer brands. They were also awesome. The fabric faded over the years, but it generally retained it’s original elasticity and is lasting extremely well. And the key word you should note in that sentence was ‘years’. If a swimsuit fabric is lasting years over weeks, then there’s something good going on there.
The quality of the fabric was really high which I suspect is due to the fact that they were designer labels, like Anna & Boy and Zimmerman. I keep meaning to investigate their new online presence. I used to love visiting the Fabric Store when I lived in Sydney but they fell off the radar for me when I moved overseas.
I’ve only sewn with their Limited Edition Solids and swimsuit linings. I love their swimsuit linings. They have good colour choices in the linings and they work beautifully under swimsuit fabrics. The linings are also a pretty awesome price which will keep me going back.
I have a slightly different view of the solids, which is not to say that I won’t use them again. The Solids come in an amazing array of colours, which will tempt me back when I’m after something specific. They are also one of the smoothest and most luxurious swimsuit fabrics I have ever felt. However, even the colours that appear opaque really need to be lined if they are going to get wet. I’ve sewn with a blue, green and a grey. They all feel fabulous dry, but they just look too thin against the body when wet. When fully lined, it is an entirely different matter. I love my Splash Swimsuit, but without the lining I think it would be unwearable for an adult.
I’d be interested to see how their prints work, since I know a print can disguise a fabric’s shortcomings somewhat. I’ll also continue to use their solids for dancewear for my girls, as well as smaller contrast sections in swimwear.
I was given these fabrics for free a while back, but like I said in that earlier post, it’s very difficult to make a proper assessment of swimsuit fabric without actually swimming. I’ll stand by what I said about their variety of prints.
Their printed swimsuit fabrics are probably the lightest weight I’ve dealt with, but only slightly so. They are also white-backed with a digitally printed front. I chose light-coloured prints which really needed to be lined (but this would be expected with any light-coloured print swimsuit fabric).
These fabrics did not last very long compared to my girls’ other swimsuits. They were actually the first swimsuits I had to throw away from having worn out, rather then been passed down to a smaller sister first. I’ll admit that we’re all pretty rough on our swimsuits here. I don’t rinse out the chlorine… ever! But I was still a little disappointed at how quickly these fabrics began to disintegrate.
However, it’s also important to note that Funki Fabrics do sell more robust swimwear fabrics, but just not in the prints that we’re used to seeing from them. Unfortunately, their Perform range only comes in black or white.
My experience here is extremely limited and not likely to improve anytime soon since they’re closing their doors. But I’d place their business in the same category as Joann or Spotlight when it comes to fabric. I picked up a shiny blue swimsuit remnant there for just a few dollars. It worked ok unlined (for kids bathers), but a lining would have significantly improved its appearance. This fabric also deteriorated very, very quickly.
I wonder if the age of the fabric plays a part in this. How do you know how old the fabric roll is that you’re buying from? It’s the elastic within the fabric that seems to dissolve/rot away and we all know that elastic is decayed by age, light and heat. I remember going through thousands of pairs of Speedos as a teenager (during my competitive swimming years). I’d generally get two months out of a pair of bathers before I had to wear two pairs together. And every now and again I’d strike out with a pair that would literally begin to deterioriate within a few weeks. Now I wonder if they were just made using an old or bad fabric batch.
So this has been my experience with swimsuit fabrics to date. I’ve been sewing swimsuits and leotards now for about three years. I’ve probably made over two dozen pairs, half of which remained in my ownership (3 girls, every year, Summer + Winter leotards + swimsuit = easy math). Of these, I’ve only thrown away about five (worn out) suits. The first two pairs I biffed were leotards where the metallic fabric (Mood) bit the dust. Next went the first swimsuit I ever made (the Tessuti Fabrics (paisley) which lasted through two children over 2.5 years, including being worn over clothes in Winter when swimming was not an option). The last two pairs I threw away were the Funki Fabrics duo, which sadly only lasted one season. Every other suit has been passed on to the next child or stored away.
Now, I’m not an expert when it comes to swimsuit fabrics. I’ve only shopped at five vendors and I haven’t tried all that they have to offer, but I still wanted to share my experience. I know there must be other places out there and I’m always open to new ideas. If your experience was different or if I should have tried a different product, speak up! I’d love to hear from you as my swimsuit sewing shows no sign of subsiding any time soon. Where do you buy your swimsuit fabrics from?