This turtleneck is the same as the last one I made. I loved that Ballet Pink version so much that I knew I needed another to get me through Winter. Check out my last blog post for all the details.
As I know I’ve mentioned in the past, one of my biggest fitting issues is my broad “swimmer’s” shoulders. I usually just lengthen the shoulder seams by slashing a wedge between the shoulder and the armscye. Sometimes I move the wedge medially to broaden the back a bit too. I use a little bit of intuition when I see the flat pattern in front of me. Over time, it’s easier to look at pattern shapes and have a bit of an idea what should be done to fit your body better. It’s much the same way that I can look at a pair of RTW jeans and tell you straight away if they will fit my shape or not. It’s just experience.
I’ve digressed a little though, because I actually just want to talk about this turtleneck. It’s a pretty simple staple, but I really, REALLY love the way it fits. The pattern is the perfect blend of two patterns. I combined Thread Theory’s Strathcona Henley and Papercut Pattern’s Rise and Fall Turtleneck. The fabric is a divine Ballet Pink merino knit from The Fabric Store.
I made a slightly modified version of the Fall Turtleneck a few weeks ago and loved it. I was keen to sew it again, but I knew I would need to modify those shoulders a smidgen more. I also knew that I’d been wearing my husband’s old Strathcona’s to bed for a few years and it was a fit I could see potential in if I sized down. I tested this theory with my last make.
I basically just merged those two patterns together by laying them over each other and taking the bits that would fit my body the best. It worked out great. The wider “male” shoulder design suits me to a tee. But I also got to keep the body shape and cool turtleneck from the Papercut design.
If you follow me on IG, you’ve already seen how I intend to wear this particular turtleneck. If not, you will soon!
You should all know by know that I’m not super fond of sewing practical pieces. I’d much rather go buy things like leggings, pyjamas, activewear, tees, and the likes. I just don’t find it that much fun to sew staples.
A few months ago I happened across this gorgeous cotton knit from The Fabric Store. I thought the dotty print was pretty cute so I ordered myself some and made a fun little top. But I knew as soon as I felt it, that I’d much rather be covered head to toe in it as sleepwear. I put those pyjama plans off a little though, because…staples sewing.
I’m very glad I got around to it. I LOVE my new pyjamas. The fabric is a very stable cotton knit, and it actually feels a lot like flannelette after a few washings. It is so soft, thick, and cozy.
I used an old Vogue pattern for the pants. I’ve made up the wide leg pants of V1347 several times in the past for pyjamas, albeit in linen. They worked very well in a stable knit.
The top was a Thread Theory Strathcona Henley. I’ve been wearing my husband’s old Strathcona’s as pyjama tops for a few years now, so I really wanted to see how the top would work sized down once for me. It turns out that the Strathcona Henley is a dream design for strong women with broad shoulders and small busts. It fits perfectly without any shoulder alterations. I omitted the front placket for some simple binding. I feel like I also may have lengthened the arms or cuffs in the past, but it’s been so long that I can’t remember.
Anyways, we just had the first real snow/blizzard in Kansas City for the past four years. Five or six inches of snow and the whole city stops. I’ve enjoyed the snow day with my girls, but now I’m off to snuggle up in my new PJ’s!
In what may become one of my most worn Summer staples, I have made myself a Lou Box Top. It’s such a quick and easy sew.
I used white linen for the front of the top and lovely, cotton jersey for the back and neck binding. Both fabrics are from The Fabric Store. The linen is lightweight. I love the weight of this linen for a blouse. It’s not really sheer at all, but it does have a lightness about it. It would probably need a lining if I was making a skirt or dress. The cotton jersey is a pure cotton, and so soft. I really like the way the two different fibres and textiles pair together; cotton, linen, knit and woven.
I made a minor change to the pattern, simply lowering the armscye about 1.5 inches. Next time, I may add a little more to the shoulde seams at the neckline. It feels borderline too wide and I think I can still get away with making the top as a pullover if I shrink the neck a little. I have one other idea that I plan to try out on my next batch of delicious linen. Oh, did I not tell you, this is going to be my Summer of Linen…
The thing I love about sewing is that I really can just whip up anything at a moment’s notice. This top took all of ten minutes to make. It’s not perfect. The construction is basic. But I only had a few spare minutes and I desperately wanted to finish this up before I had to pack away my machine.
In hindsight, I really should have spent more time on it. I didn’t expect it to turn out quite so well though!
The striped fabric skirt is something you’ve seen before. I created it by sewing together strips of scrap fabric (in velvet, wool, and ponte). I ended up with a tiny bit spare that I used up in this top. There was not an ounce of wastage.
This is very fun outfit. I love the idea of perfectly matching separates as I think they produce an overall dressier look. However, when mixed and matched with jeans and other tops, these separates also dress down for a great casual feel.
At some point, I must have decided that I needed more Summer neutrals in my closet. What better than a DKNY jersey dress in the most beautiful, weighty viscose. I’ve used several different shades of this viscose jersey over the years. It always sews up really nicely.
I’m also quite fond of Vogue patterns. I find they fit me very consistantly. I can make my standard adjustments and sew up the pattern right off the bat, without a muslin. My standard adjustments are 1/4 inch extra width through each shoulder seam, and lengthening a 1/2 inch through the bodice (#sewingtall). I usually also lengthen the hem length.
I didn’t bother with lengthening the skirt because I wasn’t planning on hemming the fabric. I prefer to leave a weighty viscose in a skirt like this with a raw hem. I feel like it looks a lot cleaner than a hem. However, having said that, I did follow the rest of the pattern instructions properly, which involved facings on the sleeves and a hemmed neckline. They worked out beautifully.
The measurements on the pattern envelope correspond very well to my actual size. I believe my dress reflects what I see on the pattern cover. I did make a few observations on the design, mostly relating to my fabric choice.
1. The waistline is supposed to be higher. Mine does technically sit in the right spot, but the weight of the fabric in the circle skirt pulls the dress and stretches the bodice down. Furthermore, I’ve folded the fabric belt half down to cover my elastic seaming below the waistline. I believe the belt is supposed to be folded up completely, again shortening the look of the bodice. It’s a catch-22. I adore the drape of a weighty viscose, but it does make for a heavier dress.
2. The instructions say to create casing for elastic with an extra seam below the bodice seam, using the seam allowances from inside the dress. Looking at the pattern cover, I’m not convinced that they did this step. I don’t like the look of this seam line on the finished dress, so I’ve tried to hide it with the belt. Also, measure your own waist to determine the elastic length required. Their measurements here are completely off. My elastic probably isn’t tight enough to hold the heavy skirt up adequately, but I was wary of too-tight elastic being uncomfortable and creating too much “gathering” through the waist seam.
3. Considering the 4-way stretch of my jersey, I probably could have sized down through the waist and skirt to achieve a more snug fit (which I feel would suit the style of jersey I used). I also wonder what the crossover bodice would look like if I ditched the pleats (I certainly don’t need the space with my bust size!). I’m not unhappy with the way this dress turned out. The bodice fit is good, and the shoulders are comfortable. And the dress even has pockets!
I will definitely sew this pattern again, maybe in a bit more colour next time. Meanwhile, I can see myself wearing this dress quite a bit over the next few months.
I don’t like sewing staples very much. However, I had a bit of linen jersey in my stash and thought it might make a nice top for Fall.
I used Vogue 8952, and made View B in a size 12.
I made a few very small changes to the pattern:
- I narrowed the waist/hip flare.
- I *think* I shortened it a little too. I wanted a simple, long sleeved top rather than a flared (borderline) tunic.
- I lengthened the sleeves by an inch.
- I also attached the funnel neck a little differently. I doubled it over, rather than leaving it as a single hemmed piece. I didn’t want quite so much drape around my neck.
I don’t mind the way this top turned out. It’s not perfect, but it is perfectly wearable. The neckline is more stretched out in my top than what you’d normally see (even though I did stabilise it). I should have adjusted for my broad shoulders/back (as I would normally do if I were sewing a woven fabric). The neck seam should probably sit a little further in towards my neck on each side. However, I knew that the type of knit I was using, and the wide nature of the neckline would be very forgiving to broad shoulders. And it is comfortable to wear so I can deal with it.