Top Pattern: Blend of Papercut Rise and Fall Turtleneck and Thread Theory’s Strathcona Henley. I posted more details on the modifications here. In this version, I shortened and flared the sleeves. I also shortened the body and added a waistband.
As I know I’ve mentioned in the past, one of my biggest fitting issues is my broad “swimmer’s” shoulders. I usually just lengthen the shoulder seams by slashing a wedge between the shoulder and the armscye. Sometimes I move the wedge medially to broaden the back a bit too. I use a little bit of intuition when I see the flat pattern in front of me. Over time, it’s easier to look at pattern shapes and have a bit of an idea what should be done to fit your body better. It’s much the same way that I can look at a pair of RTW jeans and tell you straight away if they will fit my shape or not. It’s just experience.
I’ve digressed a little though, because I actually just want to talk about this turtleneck. It’s a pretty simple staple, but I really, REALLY love the way it fits. The pattern is the perfect blend of two patterns. I combined Thread Theory’s Strathcona Henley and Papercut Pattern’s Rise and Fall Turtleneck. The fabric is a divine Ballet Pink merino knit from The Fabric Store.
I made a slightly modified version of the Fall Turtleneck a few weeks ago and loved it. I was keen to sew it again, but I knew I would need to modify those shoulders a smidgen more. I also knew that I’d been wearing my husband’s old Strathcona’s to bed for a few years and it was a fit I could see potential in if I sized down. I tested this theory with my last make.
I basically just merged those two patterns together by laying them over each other and taking the bits that would fit my body the best. It worked out great. The wider “male” shoulder design suits me to a tee. But I also got to keep the body shape and cool turtleneck from the Papercut design.
If you follow me on IG, you’ve already seen how I intend to wear this particular turtleneck. If not, you will soon!
You should all know by know that I’m not super fond of sewing practical pieces. I’d much rather go buy things like leggings, pyjamas, activewear, tees, and the likes. I just don’t find it that much fun to sew staples.
A few months ago I happened across this gorgeous cotton knit from The Fabric Store. I thought the dotty print was pretty cute so I ordered myself some and made a fun little top. But I knew as soon as I felt it, that I’d much rather be covered head to toe in it as sleepwear. I put those pyjama plans off a little though, because…staples sewing.
I’m very glad I got around to it. I LOVE my new pyjamas. The fabric is a very stable cotton knit, and it actually feels a lot like flannelette after a few washings. It is so soft, thick, and cozy.
I used an old Vogue pattern for the pants. I’ve made up the wide leg pants of V1347 several times in the past for pyjamas, albeit in linen. They worked very well in a stable knit.
The top was a Thread Theory Strathcona Henley. I’ve been wearing my husband’s old Strathcona’s as pyjama tops for a few years now, so I really wanted to see how the top would work sized down once for me. It turns out that the Strathcona Henley is a dream design for strong women with broad shoulders and small busts. It fits perfectly without any shoulder alterations. I omitted the front placket for some simple binding. I feel like I also may have lengthened the arms or cuffs in the past, but it’s been so long that I can’t remember.
Anyways, we just had the first real snow/blizzard in Kansas City for the past four years. Five or six inches of snow and the whole city stops. I’ve enjoyed the snow day with my girls, but now I’m off to snuggle up in my new PJ’s!
The much anticipated release of the Poppy dress by By Hand London was today. I’m so glad I can finally share it because it’s become a big favourite in my wardrobe. I actually found #memademay a little difficult this year because I was reaching for my Poppy dress every second day, and yet I couldn’t really share it!
I made my first version in a truly lovely, Liberty of London cotton jersey from The Fabric Store. I wasn’t sure about the floral to begin with (I don’t really wear Liberty!). But now I love it SO much. The fabric is glorious to wear. It launders beautifully and has been wearing well.
The design is a simple, raglan knit dress with a twist. The shoulder pleats are the winning detail for me. They probably aren’t as pronounced in my make, but they give that little bit of extra room through the shoulders which makes this dress so good for me. I’d definitely recommend it for the #sewstrong #sewingstrong ladies out there.
It’s a very quick dress to make. I didn’t hem my dress because jersey doesn’t fray. After several wears, the hem and sleeves now have a really pretty rolled look to them and look about 1/2 inch shorter than in these photos (see today’s Instastory).
I loved my Liberty version of the Poppy dress so much that I made another last week, in a beautiful neutral viscose from Tessuti Fabrics. I love viscose jersey so much but a light coloured solid is probably not the most forgiving fabric to sew. At least you can see the great style lines of this dress better.
When I purchase fabric, I usually have a project in mind, but I rarely follow sewing patterns without some sort of modification. This means that I’ve had to get pretty good at estimating fabric requirements on my own. I usually come pretty close these days, but sometimes I end up erring on the more generous side (because it gives me a little leeway to change my mind on the design, and because I know that I’ll always find a good use for the scraps if any remain).
This was the case with some lovely hand-dyed velvet, wool crepe, and ponte that I found in my stash. I loved the way the contrasting colours looked together. They all have some stretch, but not enough to do away with darts. The velvet and wool are woven, but the ponte was a knit.
I started by cutting the fabrics into wide strips (seaming some of the velvet strips for extra length where needed). Then I stitched them together to create a striped fabric. I had just enough fabric to make a midi skirt in a slim-fitting style. I designed it by draping (on myself!) and re-stitching those stripe seams around the hips and bottom until they absorbed the darts needed to create the fitted shape.
In retrospect, I should have left the initial (striped fabric) seams unfinished (no overlocking!) until I’d sewn the final garment. I ended up doing a lot of unpicking of those overlocked seams to shape the top of the skirt. I also added gores (of orange wool crepe) to the bottom of the skirt for a bit of extra flare.
There’s a bit of a difference in the amount of stretch in each fabric. So, even though the stripes are the same width, the white ponte stretches more than the velvet, and this is most apparent at the waist. I probably should have made the ponte a little narrower, or the velvet a little wider to adjust for this.
I’m still pretty happy with how it turned out though. It’s a warm and comfortable skirt for Spring. And it just so happens to match perfectly with my refashioned velvet top.
The off the shoulder and cold shoulder trend is still around. I also know for a fact it will still be here when Spring RTW hits the stores sometime in the new year. However, I personally need a break from the style. I’d also like to have warm shoulders during Winter. I’m all about comfort in cold weather. If it isn’t soft and warm, it won’t get a look in, no matter what.
Not everything is worth refashioning, but this particular top was. The fabric is a beautiful pure cotton Italian jersey. It is a smooth, lightweight knit without the addition of any other fibres or elastic, so it washes beautifully and wears well. The fabric deserves to be worn, which is probably why this top has been modified so many times.
It started as an off the shoulder top. But I hate strapless bras so after the first few wears, I made it more wearable by adding shoulder straps to conceal a bra. However, this top does not suit being worn under a jacket or even on it’s own in Winter for that matter.
I had a cotton/viscose cardigan in my closet that was given to me (that I was never going to wear), so I used that to replace the missing shoulder portion of the original top. I sliced the elastic and shoulder straps off my cold shoulder top (in a straight line). I then placed the cold shoulder top over an existing top and used that as a guide to cut the shoulder portion from the cardigan.
If I’d been working with a plain T instead of a cardigan, I could have simply sewn the top portion on to the cold shoulder top. However, the cardigan needed a little more prep. I overlapped the front, removed the neck ribbing and then reattached it. I also gathered the sleeves to fit the cold sholder sleeves (which were more fitting). This is my favourite feature of the new top – those little puffs above the old sleeves. Why am I feeling puffy sleeves so much lately?!
I love my new top. I loved the old versions too. If it were Summer all year round, I may have kept them, but I’m going to get so much more wear out of this beautiful fabric now.
I’m not quite sure what to call this “thing” that I sewed. I’ll call it an obi-style belt for want of a better term. The idea came from a friend, who sent me this photo.
I believe it featured in a Tibi shoot. It wasn’t for sale though and only being used for styling purposes. How frustrating for people who don’t sew!
I could, however, look at the picture and appreciate that it would take me all of 30 seconds to draft (yes, draft… it’s Tibi after all), and then sew with one hand tied behind my back and one eye shut. It really was that simple.
I used a beautifully soft, lightweight rayon jersey that I sewed into a tube with about 1.5 inches of negative ease. I then turned that tube out to the right side, keeping the lengthways seam to the middle, and stitched the short raw ends together. From the outside, your can just see a single seam down the centre-back.
The belt needs to stretch a little to pull the shirt in, but you don’t want it compressing your internal organs like a Kardashian. You want it to feel comfortable if you plan on wearing it all day! The width of my band is about 15 inches, so that makes it wide enough to be scrunched down as you see in the pictures. The diagram below shows exactly what I did. My seam allowance was 1/2 inch.
I really love the way it looks paired with a crisp, white shirt. It is the perfect accessory for Fall. In fact, it is so perfect, that I decided to make another right away. A smooth, lightweight, merino jersey would have been perfect but I didn’t have any on hand. I did, however, have a small remnant of a wool/acrylic knit. It’s thicker than I’d like (since nobody really wants extra fabric around the waist), but it works out fine if I scrunch it a little less (and it will be super warm too!).
I paired it with the same white shirt, and a favourite pair of pants. I made these thick cord culottes a few years ago. I wore them nearly every day during the Winter before last, which was probably why I couldn’t stand the sight of them last year. They were originally shaped more like a skirt. To jazz them up a bit and fall in love with them again, I bought the leg seams in (unfortunately this required a little more effort than planned… ie. moving the side zipper… but it was worth it). Now they have a more boxy, trouser-like shape. I also refreshed the dark colour with a bit of over-dyeing in the washing machine. I love them all over again.
There’s never any fabric waste in my house, especially when it’s something as lovely as this Saratoga knit by O! Jolly!. I only had the tiniest amount left after finishing my Megan longline cardigan, but I knew exactly what I wanted to do with it.
I used the raglan view of V8952 as a base for the top. I made a few fit modifications, raised the neckline, and added my own neck and hem bands. I used some plain white ponte for the back and sleeves, and seamed together three scraps of Saratoga knit for the front. I love the texture of the spongy knit as a feature and the contrast of cream against white.
The shorts are an old favourite and TNT for me. I used the Esther shorts pattern and simply added an asymmetrical overlay at the front. I used scraps for this make too. I salvaged some gorgeous, meaty Theory cotton sateen (from this dress) to use for the back of the shorts and for the front overlay. The dress was tired (with a few stains) and needed to be retired. I didn’t have quite enough sateen though, so I used some scrap linen for the shorts front and overlay lining. The linen was too lightweight for the shorts on its own, but perfect for this design where the front is layered.
I’ll wear these shorts a lot. I made a yellow version a few years ago which are still on the go, but have been downgraded to gardening/painting gear. It feels good to replace a wardrobe item that was very much loved.
I made this set using a gorgeous, loose weave, rayon knit. I tried to keep the style extremely simple because the fabric was a little annoying to work with. The raw edges stretched out and unravelled just to look at them. The seams also stretched easily when stitching or overlocking and it took me a while to get the tension right to avoid wavy seam syndrome. I’m not too bothered though. This was always intended to be a comfy, at-home, lounge-around set, and nothing more.
The top is very loosely based on the Simplicity 1366 pattern. It’s been a magically morphing design for me. I think I may have dropped the shoulders and widened the sleeves. I also lengthened the arms, modified the bodice length and neckline, added a (loose) turtleneck, and a waistband. Some of these changes were made for this top, and some have been made in the past. I’ve lost track.
Both the leather pants and the shorts were based on V8909. I made the leather pants about three years ago now. I refashioned them more recently to have wider, and longer trouser-style legs, but they are otherwise, very much a reflection of the original pattern. The shorts are a summation of all the fit-changes I’ve made over the past few years, including a lower waist height, and improved crotch curve and length. I also omitted the faux fly and pockets, and shortened them significantly and added hembands.
I hope everybody had a wonderful Christmas! We had a great day, but not a white Christmas in Kansas. However, I believe we are expecting snow any day now, so it could be a special white birthday for Miss Five tomorrow.
Santa was very generous this year. The big guy bought a joint present for all my girls, in the form of a very basic, but well reviewed, Brother XL-2610 sewing machine. I didn’t want to spend a lot of money on a learning machine for my kids (and I wasn’t about to share my Pfaff), but I did want them to have a machine that would be simple to use and reasonably sturdy. So far the machine is working well and the girls are finding it easy to develop confidence on. And because it’s not my precious machine, I’m happy to let them play on it alone without too much anxiety.
At the moment, we’re still working on threading the machine and sewing straight lines at a precise distance from the fabric edge, but I’m happy to report that Miss Five has proclaimed it the best present from Santa this year.
And while we’re talking about Christmas, I thought I’d share a few little sweaters I made for my girls using an old Kwik Sew pattern in my stash. I modified it slightly to block in a few different fabrics and lengthen the bodice, but otherwise I left it pretty unchanged.
Miss Seven’s sweater was made up in a size 8. It’s pretty roomy on her, but my big girls grow like weeds so I always err on the larger size with them. The bodice length is extremely short in the pattern so I also lengthened it by 2 inches before adding the bottom band. The black portion of the sweater is from a new merino jersey sweater of mine (that was too small). The ivory ruffles and tiger fabric were both small remnants in my scrap basket and specifically chosen by the recipients.
Miss Five’s sweater is mostly tiger fabric, with a little merino trim. I made this one as a tunic to incorporate the ivory trim better. I also made a standard version of this pattern for her in rainbow French terry. It’s a very simple and practical raglan pattern.