Pattern: Chloe Dress without the cold-shoulder sleeves. Sewn up in a size 12, graded to a 10 thorugh the bottom half. I added a silk panel at the bottom.
Pattern: Lois Dress from Tessuti Fabrics. I sewed a size 12 through the top bodice and graded down to an 8 through the hips, according to my body measurements. The pattern itself is precise. My grading estimates were not. I started sizing down a little high up in the dress and the result is it fits too tight through my rib cage where the seam is. I added two back wedges to help out a bit. The fit is pretty snug but too difficult to get on and off. I’d love to sew this dress up again but will add some more width and length to it next time.
And until the weather warms up, I plan to wear this dress paired with my little merino turtleneck.
Top Pattern: Blend of Papercut Rise and Fall Turtleneck and Thread Theory’s Strathcona Henley. I posted more details on the modifications here. In this version, I shortened and flared the sleeves. I also shortened the body and added a waistband.
I’ve had this lovely Lisa Ho silk/cotton (from The Fabric Store) sitting in my stash for more than five years. There was only a little bit left, but I finally found the perfect project for it.
I paired it with a remnant of silk satin to make the prettiest Mito Cami ever! The pattern is by Papercut Patterns. It’s a lovely, easy fitting cami and dress design. I can picture myself making up the dress version to slip over a swimsuit in Summer.
I didn’t have the strap hardware on hand to make my straps adjustable so I simply cut and stitched the desired length in place to suit me. I sewed up a size Small, which reflected my bust measurement pretty much spot on. I didn’t have to deal with my shoulders because of the strappy design.
I made my first Asaka Kimono years ago. I wear it daily in Summer as a morning robe. I LOVE it more than words can say, and for years, I’ve also been meaning to make a more “dressy” version of it.
The fabric is a beautiful weight, with a dry hand and lovely drape. It’s not exactly sheer, but it isn’t totally opaque either. I actually photographed most of these pictures without the slip. And if I was to wear this dress out in the evening, I could probably get away without the slip. However, if I was off to a daytime wedding, I’d definitely wear a nude slip.
I used to avoid sewing with sheer fabrics because I couldn’t figure out how to line them or what with. I’ve discovered that I much prefer to sew up sheer dresses and tops without a lining because it gives me more freedom to mix up the look of the final garment. I just pop a slip underneath it. Slips also get me out of trouble if I decide a linen I’ve sewn with is too sheer in the sunlight, or a skirt could do with a lining (post construction). I own three different types of slips, in nude, white, and black. I generally start with long dress slips and trim them down as required. If they get too short, I keep the short one and start on another long one.
The Asaka Kimono pattern is a great pattern. It’s a little bit of a fabric hog and always takes me longer than I expect to sew. However, perhaps that’s because I’ve always tried to take a little extra care when I’ve sewn this pattern. French seams are a deserving feature when using a lovely fabric like this.
I’m super happy with how my new Asaka Kimono turned out. I can’t decide if I’ll wear it out first on a date night, or try layering it with black tights and a turtleneck to wear to work this weekend…
As soon as I saw this amazing fabric, I just knew I had to have it. It is a silk/cotton satin from The Fabric Store. The colours are bold, beautiful, and totally amazing. It handles a lot like a quilting cotton, with a similar, crisp hand, but with a beautiful, satin, surface sheen.
Obviously, I made a dress. However, I think it would also make a divine blazer or skirt. My dress is a self-drafted iteration of this one and this one. Over the years, I’ve managed to tweak a princess bodice design into a fit that is perfect for me. It’s easy enough for me to switch that base design up with different straps and skirts. I probably revisit that same pattern once or twice a year.
When I ordered this fabric online, I had two dress styles in mind. I just needed to get my hot little hands on the fabric first, to see which design would suit the drape of the fabric better. I also planned on making a turtleneck to wear under the dress in Winter. You’ve seen my turtleneck already. Funny how that shade of Ballet Pink perfectly complements this dress!
I love this dress a lot. The length is great. The pockets are fab. And the fabric is out of this world. It makes me smile every time I see it. I can’t wait to wear it layered in Winter, and on it’s own in Summer.