This turtleneck is the same as the last one I made. I loved that Ballet Pink version so much that I knew I needed another to get me through Winter. Check out my last blog post for all the details.
I made my first Asaka Kimono years ago. I wear it daily in Summer as a morning robe. I LOVE it more than words can say, and for years, I’ve also been meaning to make a more “dressy” version of it.
The fabric is a beautiful weight, with a dry hand and lovely drape. It’s not exactly sheer, but it isn’t totally opaque either. I actually photographed most of these pictures without the slip. And if I was to wear this dress out in the evening, I could probably get away without the slip. However, if I was off to a daytime wedding, I’d definitely wear a nude slip.
I used to avoid sewing with sheer fabrics because I couldn’t figure out how to line them or what with. I’ve discovered that I much prefer to sew up sheer dresses and tops without a lining because it gives me more freedom to mix up the look of the final garment. I just pop a slip underneath it. Slips also get me out of trouble if I decide a linen I’ve sewn with is too sheer in the sunlight, or a skirt could do with a lining (post construction). I own three different types of slips, in nude, white, and black. I generally start with long dress slips and trim them down as required. If they get too short, I keep the short one and start on another long one.
The Asaka Kimono pattern is a great pattern. It’s a little bit of a fabric hog and always takes me longer than I expect to sew. However, perhaps that’s because I’ve always tried to take a little extra care when I’ve sewn this pattern. French seams are a deserving feature when using a lovely fabric like this.
I’m super happy with how my new Asaka Kimono turned out. I can’t decide if I’ll wear it out first on a date night, or try layering it with black tights and a turtleneck to wear to work this weekend…
As soon as I saw this amazing fabric, I just knew I had to have it. It is a silk/cotton satin from The Fabric Store. The colours are bold, beautiful, and totally amazing. It handles a lot like a quilting cotton, with a similar, crisp hand, but with a beautiful, satin, surface sheen.
Obviously, I made a dress. However, I think it would also make a divine blazer or skirt. My dress is a self-drafted iteration of this one and this one. Over the years, I’ve managed to tweak a princess bodice design into a fit that is perfect for me. It’s easy enough for me to switch that base design up with different straps and skirts. I probably revisit that same pattern once or twice a year.
When I ordered this fabric online, I had two dress styles in mind. I just needed to get my hot little hands on the fabric first, to see which design would suit the drape of the fabric better. I also planned on making a turtleneck to wear under the dress in Winter. You’ve seen my turtleneck already. Funny how that shade of Ballet Pink perfectly complements this dress!
I love this dress a lot. The length is great. The pockets are fab. And the fabric is out of this world. It makes me smile every time I see it. I can’t wait to wear it layered in Winter, and on it’s own in Summer.
As I know I’ve mentioned in the past, one of my biggest fitting issues is my broad “swimmer’s” shoulders. I usually just lengthen the shoulder seams by slashing a wedge between the shoulder and the armscye. Sometimes I move the wedge medially to broaden the back a bit too. I use a little bit of intuition when I see the flat pattern in front of me. Over time, it’s easier to look at pattern shapes and have a bit of an idea what should be done to fit your body better. It’s much the same way that I can look at a pair of RTW jeans and tell you straight away if they will fit my shape or not. It’s just experience.
I’ve digressed a little though, because I actually just want to talk about this turtleneck. It’s a pretty simple staple, but I really, REALLY love the way it fits. The pattern is the perfect blend of two patterns. I combined Thread Theory’s Strathcona Henley and Papercut Pattern’s Rise and Fall Turtleneck. The fabric is a divine Ballet Pink merino knit from The Fabric Store.
I made a slightly modified version of the Fall Turtleneck a few weeks ago and loved it. I was keen to sew it again, but I knew I would need to modify those shoulders a smidgen more. I also knew that I’d been wearing my husband’s old Strathcona’s to bed for a few years and it was a fit I could see potential in if I sized down. I tested this theory with my last make.
I basically just merged those two patterns together by laying them over each other and taking the bits that would fit my body the best. It worked out great. The wider “male” shoulder design suits me to a tee. But I also got to keep the body shape and cool turtleneck from the Papercut design.
If you follow me on IG, you’ve already seen how I intend to wear this particular turtleneck. If not, you will soon!
You should all know by know that I’m not super fond of sewing practical pieces. I’d much rather go buy things like leggings, pyjamas, activewear, tees, and the likes. I just don’t find it that much fun to sew staples.
A few months ago I happened across this gorgeous cotton knit from The Fabric Store. I thought the dotty print was pretty cute so I ordered myself some and made a fun little top. But I knew as soon as I felt it, that I’d much rather be covered head to toe in it as sleepwear. I put those pyjama plans off a little though, because…staples sewing.
I’m very glad I got around to it. I LOVE my new pyjamas. The fabric is a very stable cotton knit, and it actually feels a lot like flannelette after a few washings. It is so soft, thick, and cozy.
I used an old Vogue pattern for the pants. I’ve made up the wide leg pants of V1347 several times in the past for pyjamas, albeit in linen. They worked very well in a stable knit.
The top was a Thread Theory Strathcona Henley. I’ve been wearing my husband’s old Strathcona’s as pyjama tops for a few years now, so I really wanted to see how the top would work sized down once for me. It turns out that the Strathcona Henley is a dream design for strong women with broad shoulders and small busts. It fits perfectly without any shoulder alterations. I omitted the front placket for some simple binding. I feel like I also may have lengthened the arms or cuffs in the past, but it’s been so long that I can’t remember.
Anyways, we just had the first real snow/blizzard in Kansas City for the past four years. Five or six inches of snow and the whole city stops. I’ve enjoyed the snow day with my girls, but now I’m off to snuggle up in my new PJ’s!
This a wardrobe staple. Everybody needs a floor length, leopard print skirt, right?!
The fabric is a luxe, cotton jacquard from The Fabric Store. I say luxe, because the print is so beautiful. The fabric though, is actually perfect for daywear. It is a lovely, heavyweight cotton blend that is easy to wash and care for. It does fray a little though, so I’d recommend serging the edges before prewashing. Otherwise, it was a dream to work with.
I decided on a skirt, but I think this fabric would also be amazing made up into a blazer or jacket. And if you are looking for something similar but for a more formal occasion, you need to check out this animal print jacquard!
I didn’t use a pattern to make this skirt. It was freestyle sewing all the way. The design is pretty simple. The top edge is turned over in a very deep “hem” which rises above the natural waist to create that high-waisted, “paper-bag” waist look. There is only one seam at the back of the dress, an invisible zipper which extends all the way to the top. It is basically one big rectangle (aside from the slight hi-lo shape at the bottom hem, which I cut away at the end).
I finished the top of the skirt and sewed the zipper in first. Then I pinned it to my body to create the perfect sized pleats at the waist. There are two big pleats at the front and two at the back. It was a very back to front way of sewing a skirt but it worked out perfectly! It fits perfectly with, or without a belt. However, I prefer the look of the skirt with a little skinny belt worn at the waist.
A short while ago, I made a long, linen dress using V9186. I love it a lot. I especially like the shape of the sleeves and collar. I like it so much that I decided to have a go turning it into a little top.
I had to modify the pattern a bit. The original pattern is asymmetrical in design so the pattern pieces are all cut flat. I simply traced one side of the pattern front and back and used those pieces to cut on the fold. I cut it to a top length and left everything else pretty much the same. The top is slightly flared and there’s plenty of ease so no bust darts were required.
It’s a very simple, cotton top. The fabric is a Mini Big Cat printed cotton from The Fabric Store. It’s a lovely lightweight cotton and easy to work with. I’ve got a little extra left over which I hope to make into a Summer frock for Miss Eight. I’m just hesitant to cut into it quite yet, given Miss Eight’s tendency to grow like a weed. I can’t find my particular print on their site anymore, but I think this option would also make a super cute top.
I like this top with jeans. It’s a simple, fresh look that I love. However, I have bigger plans for the top and you will be updated soon (unless you follow me on IG of course!).