Pattern: Chloe Dress without the cold-shoulder sleeves. Sewn up in a size 12, graded to a 10 thorugh the bottom half. I added a silk panel at the bottom.
Pattern: Lois Dress from Tessuti Fabrics. I sewed a size 12 through the top bodice and graded down to an 8 through the hips, according to my body measurements. The pattern itself is precise. My grading estimates were not. I started sizing down a little high up in the dress and the result is it fits too tight through my rib cage where the seam is. I added two back wedges to help out a bit. The fit is pretty snug but too difficult to get on and off. I’d love to sew this dress up again but will add some more width and length to it next time.
And until the weather warms up, I plan to wear this dress paired with my little merino turtleneck.
I sewed the pattern up in a straight size S, with no adjustments to length. I based my size selection off my bust/chest size. I could possibly size down next time, but I honestly don’t mind the easy fit of this dress. I feel like the design intends it to be loose.
In mostly plan to wear this dress over a white tee. However, I’ll also wear it as a swimsuit cover up in Summer.
Sometimes I want to wear an easy dress in Winter. I have a bunch of fitted dresses that I can layer for cool weather. And I do. I wear turtlenecks and tights under many of my classic, fit and flare dresses. However, I love loose, floaty dresses too. I have several simple, shift-style dresses that I love to wear in Summer, but none for Winter. The Yuki Dress fit this wardrobe gap perfectly for me.
I used the Yuki pattern from Tessuti Fabrics. I made it up directly from the envelope. My body traverses three sizes in their patterns but because of the style of dress, (and to keep things simple), I chose the largest part of my body (bust) and selected my size in accordance with that. The dress is quite roomy through the body. I will probably grade the sides down a little next time.
I toyed with lengthening the dress. I normally lengthen everything I make (I’m 5″10). However, the pattern pieces seemed long to me when I was laying them out, and I wouldn’t have minded this style of dress being a little shorter. It did turn out quite long. It may be a little longer due to my choice of hem. I did a narrow hem on my dress, but I couldn’t tell you what the instructions ask for in this respect.
The fabric I used was a lovely rayon crepe in navy from The Fabric Store. It’s a gorgeous colour in real life, but like black, so hard to photograph to show details. I had to overexpose the above photo which makes the fabric look sheerer than it really is. I would love to make this dress up again in a wool crepe, a heavyweight cream linen, or perhaps a heavy silk satin. It’s a lovely pattern.
I’ve already worn this dress quite a bit. It’s a stylish, yet easy to wear piece that I can easily wear to work with a turtleneck and tights. I’m looking forward to sewing this one again one day!
I made my first Asaka Kimono years ago. I wear it daily in Summer as a morning robe. I LOVE it more than words can say, and for years, I’ve also been meaning to make a more “dressy” version of it.
The fabric is a beautiful weight, with a dry hand and lovely drape. It’s not exactly sheer, but it isn’t totally opaque either. I actually photographed most of these pictures without the slip. And if I was to wear this dress out in the evening, I could probably get away without the slip. However, if I was off to a daytime wedding, I’d definitely wear a nude slip.
I used to avoid sewing with sheer fabrics because I couldn’t figure out how to line them or what with. I’ve discovered that I much prefer to sew up sheer dresses and tops without a lining because it gives me more freedom to mix up the look of the final garment. I just pop a slip underneath it. Slips also get me out of trouble if I decide a linen I’ve sewn with is too sheer in the sunlight, or a skirt could do with a lining (post construction). I own three different types of slips, in nude, white, and black. I generally start with long dress slips and trim them down as required. If they get too short, I keep the short one and start on another long one.
The Asaka Kimono pattern is a great pattern. It’s a little bit of a fabric hog and always takes me longer than I expect to sew. However, perhaps that’s because I’ve always tried to take a little extra care when I’ve sewn this pattern. French seams are a deserving feature when using a lovely fabric like this.
I’m super happy with how my new Asaka Kimono turned out. I can’t decide if I’ll wear it out first on a date night, or try layering it with black tights and a turtleneck to wear to work this weekend…
As soon as I saw this amazing fabric, I just knew I had to have it. It is a silk/cotton satin from The Fabric Store. The colours are bold, beautiful, and totally amazing. It handles a lot like a quilting cotton, with a similar, crisp hand, but with a beautiful, satin, surface sheen.
Obviously, I made a dress. However, I think it would also make a divine blazer or skirt. My dress is a self-drafted iteration of this one and this one. Over the years, I’ve managed to tweak a princess bodice design into a fit that is perfect for me. It’s easy enough for me to switch that base design up with different straps and skirts. I probably revisit that same pattern once or twice a year.
When I ordered this fabric online, I had two dress styles in mind. I just needed to get my hot little hands on the fabric first, to see which design would suit the drape of the fabric better. I also planned on making a turtleneck to wear under the dress in Winter. You’ve seen my turtleneck already. Funny how that shade of Ballet Pink perfectly complements this dress!
I love this dress a lot. The length is great. The pockets are fab. And the fabric is out of this world. It makes me smile every time I see it. I can’t wait to wear it layered in Winter, and on it’s own in Summer.
My second Fall project for 2018 is this linen dress. I love the oversized style of it!
I used Vogue pattern 9186 and a beautiful medium weight linen (Hampton Stripe) from Pitt Trading Fabrics in Australia (obviously they ship internationally ;-)). The fabric is truly beautiful. I think they may have sold out of this now, but I imagine it would have made a great pair of trousers or a blazer too. No lining required.
I altered this pattern a little. I did my usual broad shoulder adjustment at the shoulder seams. I took a photo this time too!
I also lengthened the hem by about 14 inches. This turned out to be a little too much on one side because of the asymmetrical nature of the dress. I ended up chopping off a corner and piecing the hem a little to create a more even hem, whilst still maintaining a good length.
I really LOVE the sleeves and placket and the fit and shape of the dress. I’m not so sure about the elastic casing at the waist. I loved the dress without, but there is excess fabric on one side of the dress to allow for the ruching. I sewed the elastic casing in and then unpicked most of it because I didn’t like the look. I don’t mind keeping just a little section on one side. I will sew this pattern again, but I’ll probably cut the front and back on the fold and ditch the elastic casing and extra fabric on the other side.
I love (and wear!) my last linen shift so much that I knew I needed another. My love for this dress is so strong that I don’t even flinch at the thought that I’m going to have to iron it if I wear it. Trust me, this can be a big deciding factor in my outfit choice for the day.
For this dress, I did a little bit of a scrapbust, using leftover linen from these earlier makes (here and here). Like my last version, this was also a pretty heavily modified version of the Lou Box Top from Sew DIY. My version is sized down several inches through the body. The armscye are dropped at least three inches. I also narrowed the neck a smidge. For the sleeves, I added a little ruffle.
The most interesting thing to note from this make is about the lovely linen. I used a classic light weight linen called Duck Egg and a block printed linen. Both are from The Fabric Store. I think the blue is always kept in stock but the printed linen is disappearing fast. I used exactly the same blue linen to make this dress, but found the blue to be too sheer, which is why I layered the skirt. I planned to do the same for this shift but realised I didn’t actually need to. Obviously the weight of the linen hasn’t magically changed over time. The difference was the fabric I was pairing it with and the fit of the dress. The very opaque knit of the blue dress made the skirt look too lightweight and the style was also a lot more fitted. When I paired the same blue linen with a similar printed linen, the eye was no longer drawn to the lighter fabric on the bottom. The looser style also disguises any possible silhouette, should I decide to stand with my back to a window at midday.
I will wear this dress a lot. It’s very versatile in the sense that I’ll throw it on over a swimsuit to wear to the pool, and the next week I’ll dress it up with some cool shoes for work.
This dress is already one of the favourite things I’ve ever made. I used a Vogue custom fit pattern, which has separate bodice pieces for different cup sizes. I used the A cup version. I cut a size 14 pattern as this corresponded most closely with my chest and waist measurements. Even so, I still made a few adjustments for cutting the fabric.
I added 5/8 inch to the shoulder seams on each side (as a wedge, as per my usual broad shoulders adjustment). I also added an extra half inch to the bodice length. I think I lengthened the sleeves too, but I can’t remember by how much. I also slashed and spread the sleeves by about an inch to widen them, and I cut them on the bias. Finally, I flattened the sleeve cap a little to reduce the ease. I wanted a very smooth armscye fit without much shape since I fit the bodice to sit the armscye right on the edge of my shoulders.
The pattern has great skirt options for this dress. However, I had my heart set on a gathered, midi length skirt. It’s basically just a big rectangle. As I often do, I start out by following the instructions and then get a little side-tracked with doing what I want to do. I began sewing this pattern in the same manner. The bodice is made up as per the instructons, with a fair bit of slip stitching! I lost interest in following the instructions after that so I really can’t comment on them anymore. I added a little hole in my waistband and lengthened the waistband straps so that I could wear the dress like a true wrap dress, with a tie at the back. I think the actual pattern calls for a button to secure the skirt at the front though.
The fabric is linen from The Fabric Store. I love it so much! The main stripes are a beautiful weight that really doesn’t need to be lined. The green micro striped linen is so soft and delicious that I want to make a hundred t-shirts out of it.