I’m on a bit of a scrapbusting mission right now. My fabric stash only consists of two storage containers, but I’d really love to get it down to one. I don’t hoard many fabrics. I generally only purchase fabrics with a project in mind. However, my fabric purchasing discipline is very possibly skewed by the fact that I don’t live near a bricks and mortar fabric store. I probably shouldn’t be too smug…
I have a few precious fabrics that I’m happy to save. I also have a bunch of remnants that I’ve carted across the globe with me. I recently pulled out all those small lengths and made little piles around my cutting table, hopefully to inspire me to use them up! Five years in stash is way too long. I’m hoping that if I keep them in sight, I’ll find projects for them over the next five months.
Miss Nine had her eye on a few fabrics I’d sewn up for myself recently. She desperately wanted me to use some of my leftover leopard print jaquard to make something for her.
I didn’t have enough left for the entire pinafore, but I was able to mix and match with a bit of cotton sateen. The Mini Big Cat cotton and leopard print jacquard is from The Fabric Store. This is something similar to the jacquard. The green, cotton sateen is a very old remnant from my stash.
I used the same Japanese Pattern Book for her pinafore as I did for her Mini Big Cat top. The book is called A Sunny Spot from the Heart Warming Life Series. I sewed the pinafore one size smaller than the top. I made the top first so I had a better idea on fit for the pinafore. The fit of the top is acceptable. The pinafore fits her perfectly. She’s chuffed with the whole look. Now we just need these snow days to end so the kiddos can go back to school and I can get some more work done!
It’s been a long time since I’ve made a pattern from a Japanese Pattern Book. I used to love using Japanese patterns many years ago, especially when my girls were tiny.
I made this top using the cover photo of this book. It doesn’t have an English title but I can give you ISBN978-4-579-11649-2.
I made my top up in the largest size available in the book. My chest measurement is 37 inches. I figured, since I couldn’t make heads or tails of any measurements chart, I couldn’t do too badly by choosing the largest size. This top is supposed to be roomy and oversized. It’s hard to say if mine is a little “extra” through the body in this respect. I feel like the shoulders fit where they should.
The design is pretty simple. It’s a raglan style with wide sleeves and a gathered neckline. I was drawn to this top because of the pretty collar. The neckline incorporates a drawstring to gather the neck area. It can be gathered as loose or tight as you wish. The bow can also be sewn so that it is tied at the back if preferred.
The style of this top works beautifully in linen. I feel like all of the patterns in this book would suit linen. My linen is from The Fabric Store. I used a pinstriped green linen for the bulk of the top and topped up the sleeves with a little duck egg blue. The stripes I used aren’t available online anymore, but I think this option would be also amazing.
I know it isn’t really the right season to be making a top like this, but I still love it. It’s the kind of top I can see myself wearing every day in Summer.
Sometimes I want to wear an easy dress in Winter. I have a bunch of fitted dresses that I can layer for cool weather. And I do. I wear turtlenecks and tights under many of my classic, fit and flare dresses. However, I love loose, floaty dresses too. I have several simple, shift-style dresses that I love to wear in Summer, but none for Winter. The Yuki Dress fit this wardrobe gap perfectly for me.
I used the Yuki pattern from Tessuti Fabrics. I made it up directly from the envelope. My body traverses three sizes in their patterns but because of the style of dress, (and to keep things simple), I chose the largest part of my body (bust) and selected my size in accordance with that. The dress is quite roomy through the body. I will probably grade the sides down a little next time.
I toyed with lengthening the dress. I normally lengthen everything I make (I’m 5″10). However, the pattern pieces seemed long to me when I was laying them out, and I wouldn’t have minded this style of dress being a little shorter. It did turn out quite long. It may be a little longer due to my choice of hem. I did a narrow hem on my dress, but I couldn’t tell you what the instructions ask for in this respect.
The fabric I used was a lovely rayon crepe in navy from The Fabric Store. It’s a gorgeous colour in real life, but like black, so hard to photograph to show details. I had to overexpose the above photo which makes the fabric look sheerer than it really is. I would love to make this dress up again in a wool crepe, a heavyweight cream linen, or perhaps a heavy silk satin. It’s a lovely pattern.
I’ve already worn this dress quite a bit. It’s a stylish, yet easy to wear piece that I can easily wear to work with a turtleneck and tights. I’m looking forward to sewing this one again one day!
This a wardrobe staple. Everybody needs a floor length, leopard print skirt, right?!
The fabric is a luxe, cotton jacquard from The Fabric Store. I say luxe, because the print is so beautiful. The fabric though, is actually perfect for daywear. It is a lovely, heavyweight cotton blend that is easy to wash and care for. It does fray a little though, so I’d recommend serging the edges before prewashing. Otherwise, it was a dream to work with.
I decided on a skirt, but I think this fabric would also be amazing made up into a blazer or jacket. And if you are looking for something similar but for a more formal occasion, you need to check out this animal print jacquard!
I didn’t use a pattern to make this skirt. It was freestyle sewing all the way. The design is pretty simple. The top edge is turned over in a very deep “hem” which rises above the natural waist to create that high-waisted, “paper-bag” waist look. There is only one seam at the back of the dress, an invisible zipper which extends all the way to the top. It is basically one big rectangle (aside from the slight hi-lo shape at the bottom hem, which I cut away at the end).
I finished the top of the skirt and sewed the zipper in first. Then I pinned it to my body to create the perfect sized pleats at the waist. There are two big pleats at the front and two at the back. It was a very back to front way of sewing a skirt but it worked out perfectly! It fits perfectly with, or without a belt. However, I prefer the look of the skirt with a little skinny belt worn at the waist.
My second Fall project for 2018 is this linen dress. I love the oversized style of it!
I used Vogue pattern 9186 and a beautiful medium weight linen (Hampton Stripe) from Pitt Trading Fabrics in Australia (obviously they ship internationally ;-)). The fabric is truly beautiful. I think they may have sold out of this now, but I imagine it would have made a great pair of trousers or a blazer too. No lining required.
I altered this pattern a little. I did my usual broad shoulder adjustment at the shoulder seams. I took a photo this time too!
I also lengthened the hem by about 14 inches. This turned out to be a little too much on one side because of the asymmetrical nature of the dress. I ended up chopping off a corner and piecing the hem a little to create a more even hem, whilst still maintaining a good length.
I really LOVE the sleeves and placket and the fit and shape of the dress. I’m not so sure about the elastic casing at the waist. I loved the dress without, but there is excess fabric on one side of the dress to allow for the ruching. I sewed the elastic casing in and then unpicked most of it because I didn’t like the look. I don’t mind keeping just a little section on one side. I will sew this pattern again, but I’ll probably cut the front and back on the fold and ditch the elastic casing and extra fabric on the other side.
Everybody needs a silver dress, right? I’m not actually sure what inspired me to sew this dress. It all started with an amazing silver “Tiara” knit that I found online at Pitt Trading. The fabric is so fabulous that the dress design only needed to be simple.
I used the Poppy Dress pattern by By Hand London as a base for this dress design. I widened the neck and lowered it a bit at the back. I know the pattern has long sleeves but I didn’t have those pieces printed out. So I extended the short version myself, to create a nice, long, slim-fitting sleeve. I also increased the back darts to shape the dress more closely to my measurements.
The fabric has a great stripe on the underside of the silver right side. I utilized this stripe by folding up the hem on the bottom and sleeve edge. I hate wasting a good double-sided fabric.
This is such a fun dress. It will be the perfect holiday dress in a couple of months.
I love (and wear!) my last linen shift so much that I knew I needed another. My love for this dress is so strong that I don’t even flinch at the thought that I’m going to have to iron it if I wear it. Trust me, this can be a big deciding factor in my outfit choice for the day.
For this dress, I did a little bit of a scrapbust, using leftover linen from these earlier makes (here and here). Like my last version, this was also a pretty heavily modified version of the Lou Box Top from Sew DIY. My version is sized down several inches through the body. The armscye are dropped at least three inches. I also narrowed the neck a smidge. For the sleeves, I added a little ruffle.
The most interesting thing to note from this make is about the lovely linen. I used a classic light weight linen called Duck Egg and a block printed linen. Both are from The Fabric Store. I think the blue is always kept in stock but the printed linen is disappearing fast. I used exactly the same blue linen to make this dress, but found the blue to be too sheer, which is why I layered the skirt. I planned to do the same for this shift but realised I didn’t actually need to. Obviously the weight of the linen hasn’t magically changed over time. The difference was the fabric I was pairing it with and the fit of the dress. The very opaque knit of the blue dress made the skirt look too lightweight and the style was also a lot more fitted. When I paired the same blue linen with a similar printed linen, the eye was no longer drawn to the lighter fabric on the bottom. The looser style also disguises any possible silhouette, should I decide to stand with my back to a window at midday.
I will wear this dress a lot. It’s very versatile in the sense that I’ll throw it on over a swimsuit to wear to the pool, and the next week I’ll dress it up with some cool shoes for work.